Feb 11, 2017
seen from United States
seen from China
seen from Germany
seen from Jordan
seen from United States
seen from China
seen from United Kingdom
seen from Uzbekistan
seen from Canada
seen from United States
seen from Malaysia
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Mites, Tristan Bates Theatre
REVIEW: Mites, Tristan Bates Theatre "absurdism simply gets mental health issues lost in translation"
Review by Joe Moss
Sometimes I wake up in the morning and all the missed opportunities of my life stare at me, grind me down until I’m nothing. Nothing but dust.
James Mannion’s new play “Mites” currently on at the Tristan Bates Theatre, is variously described as “darkly comic”, “absurdist” and a “psychological thriller” but…
The problem with absurd theatre (and I note the “ist”) is…
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Go Bang Your Tambourine, Finborough Theatre
Review: Go Bang Your Tambourine, Finborough Theatre Joe Moss commends this revival for being faithful to the original 1970s vision without alienating the audience with strong performances from the cast
Review by Joe Moss
For younger theatregoers the name Philip King may not mean much but on the postwar period through to the seventies he was a highly successful writer, and is best remembered for the farce “See How They Run” which has been regularly revived, and was also filmed, since its original production.
Not being a huge fan of farces I was therefore half-expecting to be subjected to…
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The Sword of Alex, White Bear Theatre
Joe Moss reviews The Sword of Alex, White Bear Theatre "interesting play of ideas " "Strong performances from the four-actor cast" #theswordofalex @WhiteBearTheatr
Review by Joe Moss
“The Sword of Alex” by Rib Davis, currently on at the White Bear, Kennington, is an interesting play of ideas which deals with the attempted secession of Nikal, a country or region (as with all such disputes you takes your pick), from an unnamed nation. Shades of Biafra you might think, but the playwright is purposely vague about the location to avoid pre-conceptions and allow…
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The people behind the scenes are instrumental to the success of the headliners onstage. Johnny Marr, classy as always, gives credit where credit is due.