Jan 17, 2023
John Ahearn and Rigoberto Torres
seen from United States
seen from United Kingdom
seen from T1
seen from Macao SAR China
seen from Germany
seen from United States
seen from Italy
seen from Canada
seen from Malaysia
seen from Peru
seen from Malaysia
seen from United States
seen from Iraq
seen from United States
seen from United States
seen from United States
seen from Germany
seen from T1
seen from Belgium
seen from China
John Ahearn and Rigoberto Torres
Edwinna (1993). John Ahearn.
"THE USUAL SUSPECTS" (1996)
the usual suspects (unique one-off collaboration; hand signed by all eight artists) by martin wong, john "crash" matos, john ahearn, jane dickson, jenny holzer, gary simmons, chris "daze" ellis, & andrew castrucci, 1996, silkscreen on coventry rag paper, 40 × 26.5 inches
John Ahearn, Chico, 1981, oil on plaster, 15 x 19 x 7 in (38.1 x 48.3 x 17.8 cm)
John Ahearn, Rat Killers (detail), 1986, Oil on fiberglass in two parts, Right: 67 ½ × 56 ½ × 47 ½ inches (171.45 × 143.51 × 120.65 cm), Overall: 67 ½ × 103 × 47 ½ inches (171.45 × 261.62 × 120.65 cm) VIA
John Ahearn in ‘Feedback’ at Marlborough Contemporary
Marlborough Contemporary’s summer group exhibition ‘Feedback’ includes a wall of painted fiberglass sculptures by John Ahearn & Rigoberto Torres as the show considers collaborative practices in art – in this case between artists and community residents. (On view in Chelsea through August 4th). John Ahearn & Rigoberto Torres, Naiara, enamel on fiberglass, 65 x 19 x 9 inches, 2006-07.