John McHale, from Why I Took to the Washers in Luxury Flats (1954)
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John McHale, from Why I Took to the Washers in Luxury Flats (1954)
John McHale 1922–1978
e.v.I
1958
Paper collage mounted on masonite board
H 121.6 x W 110.2 cm
Yale Center for British Art
© Yale Center for British Art. Photo credit: Yale Center for British Art
House Wren (Troglodytes aedon)
© John McHale
The Hole in the Ground (Lee Cronin, 2019).
Eduardo Paolozzi, I Was a Rich Man's Plaything (1947)
This piece, with its prominent POP!, part of the Bunk! series that Paolozzi assembled, is ground zero for Pop Art.
Fourteen years before Lichtenstein and Warhol soared to fame on Ben-Day dots and soup cans, Paolozzi created collages using the kind of deconstruction, juxtaposition, and recontextualization that came to be associated with postmodern art, generally, and Pop Art, specifically.
Paolozzi, along with John McHale and the Independent Group, were trailblazers for much of British postwar art and design.
John McHale 1922 - 1978
Furhead
1956
Printed papers, oil paint and plastic on plywood
Unconfirmed: 597 × 476 mm
Tate, London
© The Estate of John McHale
John McHale, Machine-Made America II (1956), cover of The Architectural Review, May 1957
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