#john thompson

[retroreverbs]

Flower Child by John Thompson (1967)

[charnel-grounds]

Samuel Prout (1783–1852), “Nether Hall, Essex”

etched by John Thompson, 1810

[cosmonautroger]

John Thompson

[agmagazinescans]

Together We Sail, by Connie Porter

American Girl Magazine, March/April 1996

[Ko-Fi Donations]

[doubleclutch]

[mikolkindle]

[troupe-of-eldritch-horrors]

Hey Clyde- are the souls/minds within still aware? Like- do they talk to you?

Clyde: . . .

Clyde: . . . They do . . . Some talk more than others...

Clyde: It's... Been rough, getting used to it all... Some hate me, some are... kind... for some reason...

Clyde: I don't know why...

[uwmspeccoll]

Shakespeare Weekend

The Dramatic Works of William Shakespeare with notes, original and selected, by Samuel Weller Singer, F.S.A., and a life of the poet, by Charles Symmons, D.D. was published in 1826 by the influential English printers Chiswick Press in ten volumes. The works are accompanied by sixty engravings on wood by Englishman John Thompson “from drawings by Stothard, Corbould, Harvey, etc.” Thomas Stothard (1755-1834) was a British illustrator and student of the Royal Academy who had a penchant for illustrating the works of his favorite poets. Over his career Stothard designed plates for pocket books, concert tickets, almanacs, and actor portraits, and had previously worked with Shakespeare editor Alexander Pope (1688-1744). 

Henry Corbould (1787-1844) was born into a painting lineage and also attended the Royal Academy. A devoted artist, he was well known for his book illustrations and was considered surpassed by few in his professional knowledge. Englishman William Harvey (1796-1866) was a preeminent illustrator, engraver, and designer who contributed works to many popular publications of his time. 

Stothard, Corbould, and Harvey provided the inspirational base of Thompson’s engravings and helped bring to life Shakespeare’s words. The engraved title vignettes provide a subtle context of characters and scenery to lead readers into Shakespeare’s world and contribute to the illustrative traditions of Shakespeare publications.  

Volumes Two and Three shown here contain Measure for Measure, Much Ado About Nothing, Midsummer-Night's Dream, Love’s Labour’s Lost, Merchant of Venice, As You Like It, All’s Well that Ends Well, and Taming of the Shrew. 

View more Shakespeare Weekend posts. 

-Jenna, Special Collections Graduate Intern