Johnny Rodriguez (KMNDZ)

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Johnny Rodriguez (KMNDZ)
In the 1985, Country greats Johnny Cash, Willie Nelson, Waylon Jennings, Johnny Rodriguez, and Kris Krisofferson recorded "Deportee," a 1948 Woody Guthrie protest song against the abuse and death of Mexican migrant workers
Here's a live performance by Rodriguez and Cash:
Fashy people always talk about derogatory things in old media and say "you couldn't do that now" - but if Country stars tried to do this in 2024 they'd catch absolute hell for being so "woke."
The first popular Mexican American country artist, he was best known for the 1970s hits “I Just Can’t Get Her Out of My Mind” and “Ridin’ My
In Memoriam / Johnny Rodriguez (1951 - 2025)
Juan Raoul Davis “Johnny” Rodriguez (December 10, 1951 – May 9, 2025) was an American country music singer. He was a Tejano and Texas country music singer, infusing his music with Latin sounds, and sang selected verses of songs in Spanish. In the 1970s and 1980s, Rodriguez was one of country music’s most successful male artists, recording a string of hit songs, such as “You Always Come Back To…
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"I'm Not That Good At Goodbye" - Johnny Rodriguez
Johnny Rodriguez fue un cantante y compositor puertorriqueño que en la década del 60 inauguró un club de espectáculos, llamado "El Cotorrito," uno de los primeros escenarios serios que tuvo el travestismo en Puerto Rico.
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When rumors began circulating among the community of country music scholars that famed documentarian Ken Burns was turning his attention toward country music, I had mixed feelings. To be sure, such a national platform for the
Like many of Burns’ productions, “Country Music” leans heavily on the work of a single historian: Bill C. Malone. The choice of Malone is not surprising, as he literally wrote the book on country music. The eight episodes are structured carefully around the contents of his pioneering study, “Country Music, U.S.A.,” first published in 1968. It was the first narrative history of the genre and a standard text for anyone seeking a broad understanding of the musical style for more than five decades.
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To be sure, “Country Music” does occasionally note controversies and debates, most commonly in a brief image, video clip, or voiceover. Discussion of Merle Haggard’s “Okie from Muskogee” (Episode 5, “The Sons and Daughters of America, 1964-1968”), for instance, highlights the many ways that the song could be interpreted, particularly at the height of debates about the Vietnam War and Civil Rights. So, too, does the legendary rift between bluegrass pioneer Bill Monroe and former sidemen Lester Flatt and Earl Scruggs garner discussion. And singer-songwriter Jeannie Seely’s outspoken criticism of the patriarchal attitudes of country music executives (Episode 5) bears multiple viewings and, in light of recent reporting on women in the country music industry, reveals the depth to which such attitudes and behaviors extend within the industry.
But still more common in “Country Music” are efforts to smooth over these debates, controversies and conflicts— or simply to pretend that they did not happen at all. Such is particularly the case in Episodes 5 and 6, which together cover the period between 1964 and 1972. Here, “Country Music” is quick to point out the resistance that some artists had to Vietnam War protesters, particularly in a steely-eyed interview with singer Jan Howard, who lost two sons as a consequence of the Vietnam War.
Johnny Rodriguez (KMNDZ) - Micro Atomic Bolt (acrylic on wood panel, 2017)