#johnpurcell

[nasu-no-hana]

David Murray Octet / New Life (1987) マレイの８人編成コンボによる演奏。全曲マレイのオリジナル。８人とは思えないビッグ・バンドのような迫力があります。リーダーばかりが目立つのではなく各人にも充分にソロのスペースを与え、バランスがいい演奏です。1983年にカルテットで吹き込んだ「Moning Song」を再演していて、カルテットの時は厳かな雰囲気でしたが、ここではお祭りのような楽しさがあってこれもいい演奏だと思います。 写真2、３　大きな台風が近づいて台風対策で忙しいときですが、そんなこと知るよしもない猫は幸せそうに寝ています。 #DavidMurray – tenor saxophone, bass clarinet #BaikidaCarroll – trumpet #HughRagin – trumpet #CraigHarris – trombone #JohnPurcell – alto saxophone #AdegokeSteveColson – piano #WilberMorris – bass #RalphPetersonJr. – drums #vinyl #vinylcollection #coverart #albumart #33rpm #lp #nowspinning #nowplaying #アナログ盤 #レコード #records #jazz #contemporaryjazz #postbop #loftjazz #BlackSaintRecords #1987 #coffee #コーヒー #cat #猫 #xperia5 (宮古島) https://www.instagram.com/p/CEivJEDJoNL/?igshid=1k496az1dqlqx

[jakefawcettaudio-blog]

Dialog Editing for Motion Picture | Waves

John Purcell, author of Dialogue Editing for Motion Pictures: A Guide to the Invisible Art, sheds some light on this somewhat mysterious corner of the audio universe.

Take a look at this interview.

While researching dialogue editing the other day, I came across this interview Waves had with John Purcell. I hope to take what Purcell said into consideration when I work on my Mixing for Picture module, and hopefully find it useful for this project and future film projects I may work on. 

[jakefawcettaudio-blog]

By necessity, editing dialogue involves making splices. You must get from this shot to the next—where do you jump? By ...

Take at look at this article.

While researching Dialogue Editing, I came across this article by John Purcell, explaining his methods of editing dialogue.

John Purcell has been working on films since 1980, mainly editing dialogue. As well as being a dialogue editor, Purcell teaches sound editing and sound design to students in the Middle East and in Latin American.

Follow this link to see a list of the films he has worked with.

http://www.imdb.com/name/nm0700727/#sound_department