May 10, 2021
bladerbare betekening _ ballpoint op krantenpapier 60x80cm _ gevouwen en versneden tot 21x3cm, resp. 42 en 44 pagina's, samengehouden met garen
seen from Romania
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seen from China
seen from Italy
seen from Singapore
seen from United Kingdom
seen from China
seen from Canada
seen from United States
seen from Germany
seen from Saudi Arabia
seen from Canada
seen from Sweden
seen from China
seen from United States
seen from United States
seen from Germany
seen from United States
seen from United Kingdom
seen from Maldives
bladerbare betekening _ ballpoint op krantenpapier 60x80cm _ gevouwen en versneden tot 21x3cm, resp. 42 en 44 pagina's, samengehouden met garen
tijdelijke stapeling
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Uitsnede van digitale foto van door uitsnedes overgebleven witruimte uit een analoge krant, met punaises bevestigd op het kurkbord in het atelier.
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Onderdeel van het project Zinbeelden van de Telpost in Millingen Ad Rijn
Naar aanleiding van de zin:
bovendien is dit een absolute rotkrant met altijd zure en modieuze recensies.
Uit:
Anna Enquist, Het meesterstuk
p56, regel 7
15x30cm, watercolor and fineliner
AIR @slipvillan / walk II
to the marina and paying a visit to the small museum of Långholmens' former prison/Spinhus, ending in the studio again
the work in the 4th picture is by C.M. Bellman (1740-1795) showing some of the area of Stockholm around that time, as shown inside the museum
there also was a mask ensuring anonymity for the accused during trial. they might prove to be innocent after all.
i relate this to my feeling of the island being watched by the city: by the windows of the big appartment buildings facing Långholmen
and my own 'need to recenter' by being alone, just going slow and enjoying the surroundings, floating my diy-boat in the marina
meanwhile in the studio things are going slow, too. with the open studio coming up on Sunday this feels a little tense, but it will work out anyway
AIR @slipvillan / walk II
to the marina and paying a visit to the small museum of Långholmens' former prison/Spinhus, ending in the studio again
the work in the 4th picture is by C.M. Bellman (1740-1795) showing some of the area of Stockholm around that time, as shown inside the museum
there also was a mask ensuring anonymity for the accused during trial. they might prove to be innocent after all.
i relate this to my feeling of the island being watched by the city: by the windows of the big appartment buildings facing Långholmen
and my own 'need to recenter' by being alone, just going slow and enjoying the surroundings, floating my diy-boat in the marina
meanwhile in the studio things are going slow, too. with the open studio coming up on Sunday this feels a little tense, but it will work out anyway