Two Men Dining by Jules Pascin, The Barnes Foundation
External Location () Medium: Graphite and gouache on wove paper
https://collection.barnesfoundation.org/objects/5146/
seen from Italy
seen from Sweden

seen from Malaysia

seen from United States
seen from United States
seen from China

seen from Germany
seen from United States
seen from Malaysia
seen from France

seen from United States

seen from China

seen from United Kingdom
seen from Germany
seen from United Kingdom
seen from United States
seen from United States
seen from United States
seen from United States
seen from United Kingdom
Two Men Dining by Jules Pascin, The Barnes Foundation
External Location () Medium: Graphite and gouache on wove paper
https://collection.barnesfoundation.org/objects/5146/
Three Girls, Jules Pascin, ca. 1925, Brooklyn Museum: European Art
Size: 28 5/8 x 36 3/16 in. (72.7 x 91.9 cm) Medium: Oil on canvas
https://www.brooklynmuseum.org/opencollection/objects/4760
Nude, Jules Pascin, Brooklyn Museum: American Art
Medium: Watercolor
https://www.brooklynmuseum.org/opencollection/objects/46900
Cendrillon (Cinderella) by C. Perrault, Paris (undated), Jules Pascin, 20th century, Harvard Art Museums: Prints
unbound Harvard Art Museums/Fogg Museum, Gift of Mrs. Howard J. Sachs in memory of Howard J. Sachs Medium: Bound volume
https://www.harvardartmuseums.org/collections/object/226291
Woman, Children, and Two Boys with a Pipe (Femme, enfants et deux garçons à la pipe) (plate, folio 40) from Hommage à Roger Lacourière, Jules Pascin, 1918, published 1968, MoMA: Drawings and Prints
Mrs. Stanley Resor Fund (by exchange) Size: plate (irreg.): 2 3/8 × 5 7/8" (6 × 14.9 cm); page: 9 1/4 × 11 7/16" (23.5 × 29 cm) Medium: Etching and drypoint from an illustrated book with twelve etchings (two with aquatint, two with drypoint, one with aquatint and drypoint) and one drypoint
http://www.moma.org/collection/works/9214
A great many words have been written about the late American painter R.B. Kitaj, his literary and artistic obsessions and especially about the overriding questions of his sense of identity, which defines so much of his art. Through portraiture Kitaj celebrated his friendships with poets and philosophers and the connections he felt with artists of the past. Among his more complex compositions, his reflections on political, social, sexual and artistic themes provide insight into his innermost concerns. . Quote: Marilyn McCully and Michael Raeburn, Kitaj: Portraits and Reflections, Abbot Hall Art Gallery, Lakeland Arts Trust, Kendal, 2011, page 9 . Artwork info: R.B. Kitaj, Jules Pascin, 2005, charcoal on paper, 30 7/8 x 22 5/8 inches . #rbkitaj #kitaj @rbkitaj_studioproject #drawing #workonpaper #charcoal #pascin #julespascin #fridayfeature (at Leslie Sacks Gallery) https://www.instagram.com/p/BtWyXk6FiSe/?utm_source=ig_tumblr_share&igshid=1amnx2syq1xxi
Girl with a Kitten by Jules Pascin, Modern and Contemporary Art
Medium: Oil and charcoal on canvas
Gift of the Leonore S. Gershwin 1987 Trust, 1993 Metropolitan Museum of Art, New York, NY
http://www.metmuseum.org/art/collection/search/486336
Southern Landscape by Jules Pascin, The Barnes Foundation
Barnes Foundation (Philadelphia), Collection Gallery, Room 06, West Wall Medium: Oil on canvas
https://collection.barnesfoundation.org/objects/5661/