Vito Acconci: Photoworks, Videos et Films Super 8 — 1969-1972, (cassette, box set), Sous-sol, 1988 [midcenturyclassical]

seen from United States
seen from United States
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seen from Malaysia

seen from United States

seen from Russia
seen from China

seen from South Africa
seen from China

seen from United States

seen from Malaysia
seen from United States

seen from Czechia
seen from Czechia
seen from China

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seen from Hong Kong SAR China

seen from United States
seen from Hong Kong SAR China
seen from United States
Vito Acconci: Photoworks, Videos et Films Super 8 — 1969-1972, (cassette, box set), Sous-sol, 1988 [midcenturyclassical]
Remote Control
Vito Acconci
1971, 62:30 min, b&w, sound, Two Channels
The two-channel piece Remote Control is an exercise in manipulation and control between artist and subject, male and female. On separate channels, the viewer sees Acconci and Kathy Dillon sitting alone in wooden boxes in different rooms, each facing a static camera. Although they can only see and hear each other on separate monitors, they attempt to interact and respond to one another directly, as if their communication were unmediated. Through language and gesture, Acconci tries to manipulate Dillon's actions from his box, as though by remote control. He instructs her to tie herself up with rope, gesturing as though he were actually in her presence, cajoling her to perform his commands, convincing himself that he is in control: "I'm bringing the rope over your knees... I'm lifting your legs gently." The isolation and displacement of the couple, and the viewer's voyeuristic position, serve to heighten the undercurrent of dominance and submission. Dillon, who at first silently complies with Acconci's commands, eventually reacts to his manipulation with an assertion of her own will.
With: Vito Acconci, Kathy Dillon.
Additional Performance Art Research Link: http://pointopoint.blogg.org/art-c26455830/6?noajax&mobile=0