Photo de presse, Sirenen-Eiland, Isa Hesse-Rabinovitch, 1981, Cinémathèque suisse
Today's Document
Aqua Utopia|海の底で記憶を紡ぐ

bliss lane
let's talk about Bridgerton tea, my ask is open
noise dept.
KIROKAZE

#extradirty
Claire Keane

Love Begins
NASA
PUT YOUR BEARD IN MY MOUTH
Misplaced Lens Cap

JVL
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The Bowery Presents
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@thinkingimages
Photo de presse, Sirenen-Eiland, Isa Hesse-Rabinovitch, 1981, Cinémathèque suisse
Pati Hill | Untitled (broken glass and dragonflies), c. 1990 xérocopie. 42 x 29,7 cm. unique
This Ego, this living individual would itself be inhabited and invaded by its own specter. It would be constituted by specters of which it becomes the host and which it assembles in the haunted community of a single body. Ego=ghost. Therefore “I am” would mean “I am haunted”: I am haunted by myself who am (haunted by myself who am haunted by myself who am . . . and so forth). Wherever there is Ego, es spukt, “it spooks.” . . . Its translation always fails, unfortunately, to render the link between the impersonality or the quasi-anonymity of an operation [spuken] without act, without real subject or object, and the production of a figure, that of the revenant [der Spuk]: not simply “it spooks,” as we just ventured to translate, but “it returns,” “it ghosts,” “it specters.”) The essential mode of self-presence of the cogito would be the haunting obsession of this “es spukt.
Jacques Derrida, Specters of Marx
Tina Modotti | Untitled (flowers), 1926
Pioneering Japanese science fiction writer Izumi Suzuki (1949–1986) photographed by Nobuyoshi Araki
hors série serge pîetri monotype 20X30cm
LAURA / Rōra. Directed by Shûji Terayama, Japan, 1974. With Shisuko Arisugawa, Masako Ono, Yôko Ran. Part of Terayama’s “Experimental Image World” series
Arnold Heim - Mole Caves, Tasmania, 1921
video projection from the Children’s Games series in the "Francis Alÿs: Ricochets" exhibition at the Barbican Art Gallery
Voyager 2 Neptune at Triton, Southern Hemisphere, 24 Augustus 1989
The Voyager 2 spacecraft took this colour photo of Neptune's moon Triton on 24 Augustus 1989, at a range of 530 000 kilometres. The image was made from pictures taken through the green, violet and ultraviolet filters. In this technique, regions that are highly reflective in the ultraviolet appear blue in color. In reality, there is no part of Triton that would appear blue to the eye. The bright southern hemisphere of Triton, which fills most of this frame, is generally pink in tone, as is the even brighter equatorial band. The darker regions north of the equator also tend to be pink or reddish in colour.
Shirin Aliabadi Girls in Car 4, 2005
HEAT COMPANY at After Howl
Nicolás Lamas, Parallel worlds, 2016
Exhibition View ’Inside light’, Alicja Kwade, M Leuven, 2025 © The Artist, Photo: Roman März For M Leuven
Roger Vitrac et Josette Lusson, Théâtre Alfred Jarry, 1929
Nicolás Lamas, Parallel worlds, 2016