Honestly I'm not too bothered if beth doesnt come back - yeah it would be a really bad writing decision after all this set up for it and i do want her back, but more than that I want to know what happened, with no ambiguity about it
I’ve gotten to the point where I wouldn’t have to mourn her all over again, if that makes sense.
Her survival is the best story they could tell about her.
That forced ending was pretty much the worst thing they could’ve done.
I’m sorry, I know that some people have managed to find something vaguely meaningful in her death, but I don’t see it, and every time I listen to someone explain it, or read them try to explain it, I get to the end, take a deep breath and all I can think is “I can’t tell if you’re lying to me or to yourself...”
Or it was just really, really bad. Terrible writing. Just pitifully, laughably confusing and forced. Works on no level as a death scene. None.
As it stands, her story isn’t even a proper tragedy. They could’ve written a proper tragedy with some of this framework, but they would’ve had to change a few things around and they would’ve had to overhaul the ending to make it work. It’s ineffective writing at it’s worst.
But––honestly, too much time has passed. I’m ‘over it’ as much as I ever will be. I still think she’s alive, but if I’m wrong, I’m only going to be shaking my head at bad writing, not crying in grief, if that makes any sense.
And it’s that ambiguity you mentioned that really gets to me. THAT’S what I can’t abide. I remember an interview with SWC where she said something like ‘when they kill you on this show, they really kill you,’ meaning TWD isn’t about ambiguity. They are about gore and finality with death.
If they would reveal that she survived that headshot, then it would work backwards to help legitimize a lot of dropped threads and hanging foreshadowing. It would vindicate the confusing creative choices surrounding her.
If they never answer that ambiguity, then their narrative failed to tell the story they wanted it to, but there’s nothing I can do about that.
Well, that’s not true. I can learn from it, as a writer, and avoid making the same stupid-ass mistake in my own work.