I ever since we moved out. I started to really believe in evil eye and i had one. Because today i studied some math a-and get this… i understand!!!
Also, its lowkey aesthetic

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I ever since we moved out. I started to really believe in evil eye and i had one. Because today i studied some math a-and get this… i understand!!!
Also, its lowkey aesthetic
Marseille. Au MuCEM (côté Fort Saint-Jean), une petite expo : « Amazighes » sur les cultures berbères, kabyles, touareg et même guanches des Canaries. Adjectif au féminin car ces cultures sont particulièrement véhiculées dans la sphère féminine, moins acculturée.
- pendentifs amulettes « khamsa » - Tunisie ou Maroc, XXe s. + Aurès, Algérie, fin XXe s.
- pendentifs en argent - Maroc, début XXe s.
- coffre kabyle - Algérie, fin XIXe s.
- ceintures - Maroc, XXe s.
- voile de mariée « idaou kensous » - Maroc, fin XIX-début XXe s.
- natte touareg, écran de tente « esseber » - Hoggar algérien, avant 1970 ; natte - Gran Canaria, 200-1400
- mannequin de rogations pour pluie « talghunja » - Merzouga, Maroc, XXIe s ; 3 poupées kabyles
The story of Layla and Majnun
by Nîzami Ganjavi
Khamsa (also known as Quintet or Panj Ganj) is the best-known work of Nizami Ganjavi (c. 1141-1209 CE) and without a doubt one of the most p
translation by Rudolf Gelpke
Khamsa - the Welle of Oblivion | Official Release Date Trailer
Dir: Khaled Chiheb Star: Dima Tourgane
I'm nostalgic, I used to art.
I miss my ocs so dearly 😢
Bahram Gur and the Indian Princess in the Black Pavilion
Folio from a Khamsa (Quintet) by Nizami, ca. 1548
Iran, Fars, Shiraz
Freer Gallery of Art
‘Enigma’ 555.55-carat Black Diamond !
The shape of the diamond is based on the Middle Eastern palm symbol of the Khamsa, which stands for strength and protection.”
The gem owes its formation to an asteroid that hit the earth approximately 2.6 billion years ago
Sit no longer unheeding; if thou hast water pour it out on the threshold of the Heart. In the curve of this lovely azure dome, sing the beautiful song of the Heart. Escape from the senses which are the robbers. The Heart knows thy road, know thou the Heart. These heavenly wayfarers who are free from the body, have fastened the pinions of the Archangel Gabriel to their Hearts, And he who has abandoned both worlds, receives nourishment by begging at the door of the Heart. If this material water and clay were the Heart, thou must admit that the ass also has a Heart. All creatures live in virtue of their life; live thou by the Heart, that is true life.
Nizami Ganjavi, from ‘Describing the night and cognizing the heart‘ in Makhzanol Asrar: The Treasury of Mysteries, trans. Gholam Hosein Darab, lines 554-60.