seen from Spain
seen from United Kingdom
seen from Romania
seen from Germany
seen from United Kingdom
seen from Türkiye
seen from United States
seen from Russia
seen from Norway
seen from United States
seen from Netherlands
seen from United Kingdom
seen from United States
seen from Kazakhstan
seen from Netherlands
seen from United States
seen from China
seen from Australia
seen from United States
seen from Ecuador
US Vogue January 1953
Barbara Mullen in a gray suit, by Herbert Sondheim in worsted crepe by Meyer, lined with Ameritex cotton. Straw pill box; calfskin bag by Koret; McCallum stockings, Delman pumps.
Barbara Mullen dans un tailleur gris, par Herbert Sondheim en crêpe peignée par Meyer, doublée de coton Ameritex. Pilulier en paille; sac en cuir de veau par Koret; Bas McCallum, escarpins Delman.
Photo Frances McLaughlin
vogue archive
US Vogue October 1, 1951 🖤🖤🖤🖤🖤
The Big Bag Is Back (2)
(top) When the new big bag is voluminous, it is also soft, in fine detail. This one, for every country/travel thing, made in Italy for Josef, in rust reverse calf. Ocelot cuff bracelet, by Midtown, String gloves by Wear-Right.
(below) Far bigger than before, an afternoon bag as flat, light, soft as it is big. By Koret in black suède. The ring, a clutch of cultured pearls, tiny diamonds; by Imperial Pearls, black suède belt closed with rhinestones, by Midtown. Pink-lined black glacé capeskin gloves by Alexette.
Photo Herbert Matter
vogue archive
Large square bag in calfskin. By Nettie Rosenstein.
Wicker bag constructed like a briefcase, with faux gold handles and a lock closure. By Koret.
Square bag with fake golden medallion clasp. By Nettie Rosenstein, in calf leather.
White four-button gloves in crocodile-print double-weave Du Pont nylon. By Hansen.
Calf leather bag, long and low version of number three. By Nettie Rosenstein.
French amber narrow frame glasses, rectangular lenses. Delivered in a leather case. By Lugene.
Square bag with accordion pleated sides. By Nettie Rosenstein in calf leather.
Two sculpted coral oriental head pins: one set with turquoises, diamonds and gold beads; the other studded with pearls, emeralds and a ruby set in gold. All from Cartier.
Wicker shopping bag, lined with leather. By Koret.
Chiffon scarf, 34" square, printed with a cloud pattern in coral and rust. By Echo.
Grand sac carré en peau de veau. Par Nettie Rosenstein.
Sac en osier construit comme une mallette, avec de fausses poignées dorées et une fermeture à serrure. Par Koret.
Sac carré avec fermoir faux médaillon doré. Par Nettie Rosenstein, en cuir de veau.
Gants blancs à quatre boutons en nylon Du Pont à double tissage imprimé façon crocodile. Par Hansen.
Sac en cuir de veau, version longue et basse du numéro trois. Par Nettie Rosenstein.
Lunettes à monture étroite en ambre français, verres rectangulaires. Livré dans un étui en cuir. Par Lugène.
Sac carré avec côtés plissés en accordéon. Par Nettie Rosenstein en cuir de veau.
Deux épingles de têtes orientales en corail sculptées : l'une sertie de turquoises, de diamants et de perles en or ; l'autre parsemée de perles, d'émeraudes et d'un rubis serti d'or. Tout de Cartier.
Cabas en osier, doublé cuir. Par Koret.
Foulard en mousseline de soie, carré de 34 po, imprimé d'un motif de nuages de couleur corail et rouille. Par Echo.
US Vogue 1, January 1963
Photo Bert Stern/Grisby
vogue archive
