Despite everything, it's still you.
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Despite everything, it's still you.
Someone on reddit asked how Korone is "so pretty" (their words, not mine!) even though she's a dunmer and, first off, there are plenty of extremely attractive dunmer in TES? I don't know what that's about. With regard to player characters, I think people are just impatient. Like, no, her model doesn't look exactly how I draw her, but she's pretty close.
I play on PS5, there are no mods involved to make her look like this. If I did have mods, I'd only modify colors a bit? I'd like to plug in a custom texture for her eyes to make her sclera the right color—I couldn't pass up the irises in that eye type, but in my head her sclera is the same dark red as the rest of her race—and fix the issue where black hair doesn't actually show as black on player characters, because her hair is supposed to gradiate from silver to black.
I don't have her sliders saved, and I wouldn't share them even if I did, but she's literally "just" the result of over an hour in the character creator. I think everyone insisting that Oblivion Remastered doesn't allow players to to make good-looking characters should spend a year learning to make them in vanilla Sims 4.
EDIT TO ADD: Also, to be completely clear, I think Korone looks good primarily because the goal in designing her was not to make The Most Beautiful Woman In The World, but rather to create someone who I found attractive and looked like a person. She doesn't have the smoothest complexion option, her face is more lined than a lot of people would opt for when trying to make a "pretty" character, but the fact of the matter is that hallmarks of youth are not factors in attractiveness. She would not look as good as she does if I went with those options, because she'd look more artificial, and that's a big part of why characters don't look "good." The key is to make a character who looks like a person, and to take your time doing it.
Around the end of the Third Era, artistic renditions of Sheogorath ceased to portray the Madgod as a man of presumably Colovian heritage, and instead presented a Dunmer woman, going so far as to feature particular phenotypical details specific to so-called Ashlanders. Some modern scholars theorize this change is related to the fall of Baar Dau, which some Dunmeri traditions state was flung at Vivec City by Sheogorath in a fit of pique. Given that Sheogorath was considered one corner of the Tribunal's 'House of Troubles,' the idea of the Madgod's image being recast as a member of a population in clear opposition and then-recently impacted in a very literal sense by the Prince's alleged past actions would certainly be thematically intriguing, and would also align well with the idea presented in texts on the House of Troubles stating that Sheogorath represents the distrust and suspicion of other races toward the Dunmer.
Unfortunately, this theory is easily disproven. The earliest renditions of the Daedric Prince of Madness as a female of clear Dunmeri descent predate the Red Year by a non-negligible term, instead coinciding quite distinctly with the Oblivion Crisis. An unknown author's writings on Sheogorath, indisputably dated to some point between the Third Era's final year and the Fourth Era's first, offer the earliest insight into this transformation: "…when the egg in which the Mad Star had been swaddled burst in the heat of the fires of Oblivion, She emerged, a high-headed hatchling, a bruised butterfly with a bastinade, Sheogorath anew."
Regardless of the reason, assuming there exists a reason that would be comprehensible to a sane scholar in the first place, the vast majority of Sheogorath's portrayals and descriptions today—and literally every single one presented since the Oblivion Crisis—align with this newer image.
— Excerpt from "The Changing Face of Madness" by Archmage Nym Dragonrend, College of Winterhold, 4E 205
Thinking about how I write/portray Madgod Korone and I think the most important thing is that she's a physical manifestation of letting the intrusive thoughts win. She's not "insane" in the way that the original Sheogorath was portrayed, with implications of limited reality contact (which doesn't make sense to me in the context of a god of madness anyway) and a complete lack of logic (which makes perfect sense for how he came into being in the first place), but more like someone whose thought process has no "low" setting. She has no limiter and everything she thinks is automatically parsed as valid and accurate and correct because she's a god so she gets to decide what that means.
In the interim, when she's still settling into it, she can tell that this is "wrong," that she should be able to put a filter on her words and actions, but over time she loses that capacity, and eventually stops even contemplating it in the first place. Anything that any part of her wants to do, she's going to do, unless some other part of her (or Haskill) can come up with a reason very quickly as to why she shouldn't.
Her existence as Sheogorath is a big adventure in affecting the world around her in extremely noticeable ways, born from the fact that her choices and intentions wound up meaning basically nothing in the Oblivion Crisis. She didn't let herself move fast enough to stop Martin from sacrificing himself, even though there were parts of her that wanted to tackle him to the ground the moment he started his goodbye. Past that, people were going to remember her how they wanted to remember her, not how she actually was. They were going to apply their own assumptions to her motivations no matter what. They were never going to see her as herself, so why did she ever bother keeping so much of that self locked up where nobody could see it?
Korone got to Kvatch and jumped headlong into an Oblivion Gate with basically no hesitation, because the worst that would happen is that she died and nobody else was doing anything about it. After she lost everyone in Kvatch, she joined the Fighters' Guild to learn how to better operate with a group, in the hopes of that never happening again, and wound up in a conspiracy with her superior officer that led her to chugging a bottle of Extract Of Tree God Tortured To Insanity and eventually massacring the people responsible for sourcing said Extract, one of which was a former colleague. She then took everything of value from their bodies and their headquarters, every piece of armor and jewelry, every book and bottle of wine, and sold it all to buy herself a house across the square from the Fighters' Guild headquarters—because the irony of it tasted too good to pass up.
She's very much not mentally stable, but maybe she never really was. The difference is that she kept a lid on it before. After taking the role of Sheogorath, she doesn't do that anymore, and as a result she's more herself than she's ever been.
That includes going, "What if I dug up the ghost of one of Martin's crazy predecessors and fixed his brain so he can pass on to a different plane and Martin can meet more of the family he never knew? It'll be a little gift from me to him! Wherever he is!" Unfortunately, it also includes things like, "You looked at me with what I think was distaste and I didn't like it, so I'm going to turn all your bones into cartilage. It will last for the next seventeen seconds, or until the screaming gets annoying, whichever comes first. It's fine because I'll feel better afterward."
The Fourth Corner [WIP]
Another 1400 words from this fic: in which Modryn finally asks questions that put his guildmaster's back to the wall, and finds out what happened when she went to investigate the strange happenings in Niben Bay.
(After) The Fourth Corner [WIP]
“Baar Dau,” he said. “Was that…did you…?”
“Baar Dau fell because Vivec is dead,” she said plainly, sounding eerily like her old self in her distaste toward the most public-facing member of the old Tribunal. All three had long since been accepted as false gods at best or unrepentant and entirely mortal murderers at worst, but her candid disdain was still unique.
Modryn nodded. “I know, but it was…” He paused to breathe. “Some stories say it was…thrown. By Sheogorath.”
“Maybe it was,” she replied. “But it wasn’t Me. It may have been the He before Me, but I don’t remember it if it was.”
The furrow at his brown deepened. “Do you remember…other things he did?”
She nodded easily. “Of course I do. Walls can’t speak, but they have no choice but to listen, and My realm is full of walls. The realm was He before I was Me, but the walls are the same, so I’ve heard it all.”
“And you’ve…never heard anything…about Baar Dau?” His breath was shorter now, words coming out more labored as his heartbeat quickened in apprehension.
It wouldn’t be entirely out of character for Korone to publicize her feelings about the Tribunal’s largest monument to vanity, the city named after Vivec himself—and it wouldn't be impossible, or even unlikely, for Sheogorath to take more extreme action if the opportunity presented itself. Sheogorath was affectionate and endearing, funny and charming to a fault, but also haughty, petty, brutal, and incapable of being wrong when acting within the expansive sphere of influence that fell under the Madgod.
The woman lounging on Modryn’s bed—dressed up in the burnt orange of unfired clay and the rich purple of freshly tanned netch leather, vest veined like butterfly wings and sleeves ruffled like peony blossoms, who appeared from nowhere at the end of his life to offer admission into a plane of insanity—was entirely Sheogorath.
She went quiet for a minute, scrutinizing his face, then spoke more clearly than she had since before she left in the first place. “I didn’t kill your family in Vvardenfell,” she promised. “It wasn’t Me that threw the moon.”
WIP WIP WIP
I absolutely am not trying to use this TES Fic I'm Not Writing to talk shit about the Tribunal, but that's apparently what's happening. Presumably what I get for making my Hero of Kvatch not only be a Dunmer, but an Ashlander who actually becomes a god (Sheogorath) at the end of her storyline.
The funniest part of this is that I've never played Morrowind, but my sister has, and we've both gone so deep into the lore we occasionally have borderline-theological debates about it. The fact that I've only experienced it secondhand makes Korone's repeated gripes as I'm writing feel kinda like "I've only had the Tribunal for ten minutes, but if NOTHING happens to them, I'm killing everyone in this room, and then killing Vivec twice more for good measure."