#krista perry

[the-gloomth]

Finally Gloomth is Ripped Off By Shein! Yay!

Shein / Romwe is notorious for ripping off independent designers and artists. Actual designers and craftspeople really can’t fight billion dollar human-suffering machines so we’re stuck complaining about it on our blogs. But please know this kind of thing is AWFUL when you’re a small artist, I work so hard to create my pieces and seeing them badly copied by huge corporations I don’t have the…

View On WordPress

[mosscrow]

Blue Floral

Krista Perry american

[lapenpalclub]

For National Letter Writing Month, the Portland Stamp Company is celebrating by sending out free mini-sheets of stamps, illustrated by Krista Perry. Each week, they'll release 250 sheets—look out for the next sign-up on Wednesday, April 15!

[iammaren]

If only I were she!

[iammaren]

If only I were she!

[resourcefulsatan]

I made a Grunkle Stan on Krista Perry's Ghost Machine.

[gabriel-gabdiel]

Wow, this takes me back.

This is fan art for the Ranma 1/2 fanfic “Hearts of Ice” by Krista Perry (Fisk) I made a good 16-17 years ago. 

I didn’t have a good command of anatomy back then. Also, look at all that filter abuse!

[forgottengenres]

Art That Pops: An Interview with Krista Perry  | Zach Benard

With illustrations that pop in color and emit playfulness, Krista Perry achieves a range in her style that can vary between zany and spooky. “The more craziness there is to look at, the better,” Krista thinks, and that maximalist concept is certainly clear in her work. Hailing from the small town of Uxbridge, Massachusetts, she is a recent graduate of MassArt.

You may have seen her art on Threadless, where she won a competition in March 2014 for her piece ‘Pass the Catnip,’ which was “…a bunch of really odd cat heads with multiple eyes. It was just really fun. And I remember making the design and it was one of those things where I wasn’t planning the art and I just kind of made it because I wanted to have fun. It was really amazing to be able to get copies of that shirt and hold it in my hands and think, ‘not only did I make that, but now people can wear it.’ Ever since high school, I always wanted my art to be tangible and be on things that people can interact with or wear, or use as a notebook or something.”

Keep Reading