Así es él. Frio y seco por fuera, pero divertido y coqueto por dentro. Y me gusta. Pero a él le gustas tú, y yo soy como la X en las matemáticas que nadie quiere.
Nivi.

seen from Israel
seen from China
seen from United States
seen from Türkiye
seen from Brazil

seen from Malaysia
seen from United States
seen from China
seen from China
seen from Malaysia

seen from Netherlands

seen from Türkiye

seen from Canada

seen from Singapore
seen from Russia
seen from Chile
seen from China

seen from Türkiye

seen from Malaysia

seen from Singapore
Así es él. Frio y seco por fuera, pero divertido y coqueto por dentro. Y me gusta. Pero a él le gustas tú, y yo soy como la X en las matemáticas que nadie quiere.
Nivi.
Se escribe con X
– Se escriben con x las palabras que empiezan por la sílaba ex- seguida del grupo pr o pl excepto, esplendor y espliego. Por ejemplo: exprimir, expresión, explicación, explotar. – Se escriben con x las palabras que empiezan por xeno-, xero-, xilo–. Por ejemplo: xenofobia, xerografía, xilófono. – Se escriben con x las palabras que empiezan por el prefijo extra–. Por ejemplo: extramuros,…
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Classics Reviewed: Lost S6 Ep1/2 LA X
Its been six years since Lost aired its sixth and final season, but for some pain and frustration that this season brought hasn’t worn off. Part of the reason Lost stays in the pop culture conscious is its divisive final few episodes, particularly the finale but also just season six as a whole. I’ll in large part defend season six, but it is Lost’s most uneven season and I think that the reason for that is very much the flash-sideways conceit.
There has been a fair amount of debate as to what extent was the flash-sideways justified, particularly in light of the finale, but I think you almost have to assess it on an episode to episode basis. Some weeks it seemed like the most useless and unnecessary structural device and in other weeks everything just coalesced and I was delighted by its existence.
LA X tends more towards the latter. Partially when originally watching this the dis-orientating nature of the, in particular, opening scene but also the episode as a whole, made evaluate the pros and cons of the alternate timeline difficult.
I think though LA X mostly gets at what made the flash-sideways work, when it did work. While it maybe doesn’t do this as well as some of the episodes to come like Dr Linus and The Substitute, LA X highlights the differences in the these universes, but in a way that informs the characters and justifies its own existence.
Mid-way through the second part of LA X, Jack and Locke meet for the first time in the sideways-verse. After a conversation about what the airline lost (Jack’s dad and Locke’s knives, both of which ended up on the island in some form) Jack asks Locke why he’s in a wheelchair, Locke tells him it doesn’t matter but Jack insists that “nothing is irreversible.”
That statement reflects the key difference between the two different narratives being told here. On the island somethings are irreversible, it was only in the last episode that Jack explained how he had lost Kate and that there was no going back for them as a couple, plus they did detonate a bomb to undo it all only to fail pretty miserably resulting in Juliet’s death.
It reflects on Jack as well though. The Jack we now see on the island is a different one, one that accepts that he can’t “fix” everything like he has always tried to, one who has been confronted by his limitations and now has to abide by them, one who maybe understands that somethings are forever.
But it says something about Locke as well. Not-Locke (I think I might call him Smokey from now on) explains to Ben who exactly Locke was. Locke was the only one smart enough to see the pitiful state of his past life, off-island, but he was also a man at the butt of some cosmic punchline and a man who had been damaged “irreparably”.
Maybe in the flash-sideways that is not the case and all the terrible things that have happened to Locke and co don’t have to be as permanent or as terrible.
Overall LA X is a really strong two part premiere with just a couple of issues. Firstly anything temple related I could have done without. I’ll try formulate my thoughts, for future reviews, on exactly why the temple was such a weak part of the show but for some reason it just fell really flat for me and a lot of the audience.
The stuff with Kate in the flash-sideways is also weak and highlights the problems with that narrative. I’ll get more into it in the next review, which will be of a Kate episode but suffice to say what Lindelof and Cuse got right about Locke and Ben in the sideways they don’t about Kate.
The episode ends with Jon Snow Sayid waking up from the dead, possibly vindicating Jack’s earlier assessment of how everything is reversible, possibly not.
A-
Spoiler Section:
So many, many hints about how sideways-verse is in fact purgatory. Rose tells Jack to let go in the very first scene, is that an indication of the moment he dies? Charlie insists he’s suppose to be dead, Juliet’s final words to Sawyer, Locke’s talk about how the airline couldn’t really know where Christian is now that he’s dead. The list could go on.
So the island underground. For some this was a really annoying one, as far as I’m concerned it is clearly designed as a red-herring and there is nothing particularly wrong with that.
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BESO LOUNGE FEB 13
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Un año y nunca hablamos de la cancelación de nuestro programa #EnLaCasa!
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Ha sido un gran año de radio acompañándote en la ruta del retorno en Medellín. Música, entretenimiento, tecnología,...
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Hace un año nos mandaron de "vacaciones" para nunca respondernos un correo o una llamada en Todelar Medellín de cuenta de un nuevo e inofensivo director que trajeron de La Mega tras la salida de Checho Cano y Darley Bnytx.
El astuto gerente (hasta estos meses) Enrique Olano, tenía su plan trazado a minutos de la salida de Checho sin un mínimo proceso de selección. Y encima, se molestó porque me entré rápido de su movida y alerté a alguien en RCN que terminó enviando mi mensaje personal/confidencial a los menos indicados y así terminó Marlon Escobar vendiéndome con el "enemigo".
Falta de pantalones, de carácter y profesionalismo revueltos en la percepción de amenaza de "Jotta" quien llegó poniendo sus condiciones y exigiendo que cancelaran mi programa porque "no lo entendía" ¿Y hace falta?
Un año después, con varios "amigos" menos y un proyecto modular en la bandeja de entrada de las directivas sin leer y sin responder, llego a la valiosa conclusión de que lo único que quiero con el gremio local de radio musical es DISTANCIA.
Gracias por propiciar la forma de entenderlo y a todos los que nos ecucharon, aún sin entendernos , les agradezco de nuevo. Querida Nación Electrónica, ahí les dejo el eslogan, porque también lo hice yo.