Madoka Magica Design Reviews <3
Madoka Magica is my all-time favourite show...but also one of the most misunderstood by some people. I don't blame those people, especially as magical girls in general are misunderstood and dismissed...leading to a vibe of "Madoka isn't like those generic magical girl shows, it's GOOD" (said by people who have never interacted with another magical girl property before). I think we're moving past that though, thankfully.
I see Madoka as a very hopeful series about happiness and faith existing even within the most painful horror-filled situations, and about the strength of friendship, and love. Basically, against popular belief, I don't consider Madoka a "deconstruction" or even much of a deviation...I just think it's a very well-made, rightfully popular magical girl show for adults (and we need more shows like that!)
The writing is, imo, flawless, and the animation enhances this. Everything walks a nice aesthetic tightrope of cute and creepy, futuristic and vintage. So exactly my cup of tea. The Witches are basically my favourite thing in the world and I could spend hours talking about them, so maybe that'll be a future post? :o And the magical girl designs!! are my favourite of all time!!! There's so much to say...
Madoka Kaname
Madoka Kaname is our sweet pink poster girl, but in an interesting twist she doesn't transform until the very end of the show. Her design, like everyone in the Holy Quintet, is the ideal blend of simplicity and detail; everything feels cohesive and necessary on these costumes. Madoka's dress is a Classic Lolita style with bows and frills aplenty and pleasantly soft shapes, contrasted nicely with some sharpness from her hair and the top layer of her skirt. Madoka's design overall adopts the shape of a (shooting) star, representing her motifs of hope, light, and wishes.
The pinkish-red details go beautifully with the pink, as does the creamy yellow lace of her bodice. The tiny heart cut out of her back is a very cute detail. Her soul gem, on her chest, is roughly placed over her real 'heart' area and reminds me a little of Kyubey's...and it also, from afar, kind of looks like a wound. A literal bleeding heart. Madoka is, hands down, my favourite magical girl design ever. If you want to know how serious I am, when I was a fourteen year old with a constant magical girl alter ego daydream running in my head, I imagined myself with this costume...ha <3
Madoka's bow and arrow, made of a rose branch, is also super pretty, and they clearly considered the fighting styles that would suit each character best. Madoka's wish and personality varies across timelines, but her costume always stays identical, gunning down a few personal theories on how the costume design works...but I'd say Madoka's personality stays similar enough throughout the timelines for her idealised self as a magical girl to not change, same with the rest of the Quintet. I think Madoka's transformed costume is just her vision of a fluffy, idealised magical self, and it's perfect.
Sayaka Miki
Sayaka is introduced as Madoka's cheerful, outgoing friend who seems carefree but is surprisingly sincere and seriously in love. She's really lovable as a supportive-best-friend character but also ends up subverting that role and really coming into her own.
Note how this show flips the usual magical girl personality colour coding by making the lighthearted energetic girl blue, but I'm not sure if that was intentional, it's just neat. Her costume is based on a knight, mirroring her desire to save her crush Kyosuke and sweep him off his feet. I really love the simple outfit under the cape, which really suits her: it has a fashionable vibe with the belt and cropping, but also an asymmetrical skirt to hint at instability, lopsidedness. I'm really fond of the haircut--it almost looks like water dripping over her face. Sayaka's soul gem is a curved shape (a bit like a moon) over her belly button, suggesting vulnerability and yearning, and maybe connecting to the moon's control over water? Her general shape language suggests a teardrop, fittingly, and the colour palette gives subtle nautical vibes without any actual ocean imagery needed. Super clever.
Mami Tomoe
Mami is the flower-shaped magical girl with a flowery persona, projecting an air of wisdom and confidence despite being a child herself, and a deeply troubled, lonely child at that. Her magical girl costume conveys this by making her resemble a doll of a lady, or a child's idea of a refined adult. At the same time, Mami's ass-kicking is immediately suggested through the hunting elements of her costume and the muskets she uses. As someone who usually loves campy magical girl designs, I also love how the Madoka costumes are so subtly, tastefully themed but you still immediately know what's going on.
Mami's corkscrew pigtails balance her elegant persona with the truth of her age and innocence, and also call to mind her signature golden ribbons. I love the use of brown to compliment the yellow. The beret is another great touch--each Quintet girl has a hair accessory of sorts and it works well as one of a few features uniting these otherwise quite diverse styles and cut of costume. Mami's soul gem is on her hat, pointing to her knowledge as a magical girl veteran. The plum coloured stockings stand out in the yellows, browns and whites and yet they work perfectly, giving her lower half more visual interest. I didn't want to have to mention this, but I think it's important...the original Madoka anime gave Mami a more realistic body type, and it's disturbing to me that so much later material has ballooned her chest to comical, disproportionate size to force her into the "sexy" role.
Kyoko Sakura
Kyoko comes in to serve an antagonistic role but she's also immediately shown to be complicated, and softens quickly--she's really lovable for that. There's a cool contrast between her messy hair and the religious-looking, candle-shaped gown she wears (I guess in this case her hair is the flame). The dress is slightly longer, in the manner of many mentor-aged magical girls across the genre. The softer touches like the bow and frills point both to Kyoko's inner kindness and her background in church; the parting of her dress forms the silhouette of a church as seen from the front. I like this shade of cherry-red she's got going on, though I think the lack of contrast can be confusing on the eyes and I would have made her dress a slightly darker or lighter shade, personally. Kyoko's soul gem is on her chest, again, her heart. Her spear is a sick weapon, ties in nicely with her theming as Sayaka (the mermaid)'s foil, and it breaking into chains is always supercool.
Homura Akemi
This design is so iconic. Though I love Homura with the glasses more (so adorable), I think her costume makes more sense for her non-glasses self, and I get that, I'm sure that was designed first. I always thought glasses Homura would probably have a longer skirt, or even some goofy cute detail like a little witch hat, I don't know. It still works for both versions.
The (comparative) plainness of this costume makes sense, because Homura is a magical girl who lives and fights just for someone else and has little sense of personal identity. Her entire outfit seems to be a school uniform crossed with a flatter copy of Madoka's skirt, and with more modest long sleeves and full tights/boots. I love the shape and the layering of the sleeves. I love her shield!! There's something so cool and mechanical/scifi about it.
Only the small bows and skirt ruffles really suggest a conventional magical girl, and they're seemingly just what Homura emulated from her crush. With her hair down, she takes on a diamond shape--sharp, powerful--mirrored in her shield and her soul gem, which is on her hand, maybe implying her need to control things. The hand seems like a risky spot, but I have to believe they're pretty strong gemstones, since she's survived so long, lol. Homura is a bait and switch, taking on the role of a mysterious, antagonistic dark magical girl in the early episodes only to be revealed as heroic, and her design is perfect for this role. As an added bonus, it looks really good next to Madoka, which I'm sure Homura would be happy about.
Nagisa Momoe
Nagisa was surely designed after Charlotte, and they did a brilliant job of not just...copying the witch design, or palette. I think it's far more interesting that the witches don't necessarily have to look anything like their magical girls, though certain details can be similar. In Nagisa's case, she has polka-dot tights, Charlotte's head as her soul gem, and a a cute little hood from Charlotte's two forms. Her weapon closely resembles Charlotte's wormy form, but I'd guess this isn't how it looked before she witched out. I theorise it's more like how Sayaka summons Oktavia in the same scene, and how Nagisa can give herself Charlotte's face. Post-witch power-ups!
Nagisa looks like a little piping bag to me with her cream-like hair. Her soul gem is on her stomach because she's a sweet tooth, of course. The muted, brownish palette works so well; I think it's underutilised as a magical girl colour. Nagisa is just supercute. She has a 2010s twee vibe I really love, and fits in nicely with the original Quartet without feeling like she was designed to be part of their team, which would be a bit too convenient. It's a good balance. Also clever to make the first non-Quintet magical girl introduced a younger child to establish just how young magical girls can be.
I don't even mind the slightly Magical Girl Site esque edge of her magireco backstory that much. I mean, I'd prefer if it didn't exist (like most things about magireco) and for things to be left more to interpretation, but I liked a lot of the dialogue in it, and I find the idea of Nagisa's true self being more pessimistic and depressive interesting. That also lines up with the flat, dead expression of Charlotte throwing up a more energetic, happy creature. If you consider stuff in magireco canon (I personally don't) then her Rebellion self is Nagisa but allowed to be a happy carefree child for the first time, which is sweet.













