A recent tumblr post on my dash, which linked the dead students of Les Mis to dead protesters in Ukraine, attracted some controversy. Some users felt that this was fandom being disgusting and exploitative, fetishizing recent deaths for the sake of fanfic fodder.
Firstly, relating Les Miserables to contemporary events is nothing new and is certainly not limited to Les Mis fandom. There is a great deal of writing on how the recently published novel found huge popularity in the American Civil War, to the point that Confederate soldiers took to calling themselves “Lee’s Miserables”. TV networks in 1989 showed coverage of Tiananmen Square with the accompaniment of Do You Hear The People Sing. In Turkey last year, the protesters filmed themselves singing it, just as demonstrators at the Wisconsin State Capitol a few years ago did. Examples like these show that linking Les Mis to non-fictional events isn’t a case of sheltered privileged fangirls making everything about their OTP - this is people finding universal truths in works of art.
Most of all, lest we forget, the events of Les Mis really did happen and its characters were based on real life figures. Is it offensive to draw parallels between contemporary events and history? I don’t think so. It’s certainly rather common after all. I don’t think that it is offensive that those parallels are drawn through the prism of a fictionalised narrative either.
Victor Hugo himself said:
“So long as there shall exist, by reason of law and custom, a social condemnation which, in the midst of civilization, artificially creates a hell on earth, and complicates with human fatality a destiny that is divine; so long as the three problems of the century - the degradation of man by the exploitation of his labour, the ruin of women by starvation and the atrophy of childhood by physical and spiritual night are not solved; so long as, in certain regions, social asphyxia shall be possible; in other words and from a still broader point of view, so long as ignorance and misery remain on earth, there should be a need for books such as this.”
In other words, Hugo sees his novel as a response to the struggles of the real world, not as some sort of cheap escapism, and that fiction relating to and responding to real life is a virtuous thing.
Drawing parallels between the events and characters of Les Miserables and the ongoing struggles of real people is not exploiting them for cheap fandom purposes. It is recognising issues in our world that remain unsolved despite nearly two centuries of supposed progress. Perhaps most importantly, it reminds us of Hugo’s message of hope for a better future, encouraging us to go and seek that future out.