Letters to Eugène: Correspondence 1977-1987, Eugène Savitzkaya&Hervé Guibert
Rachel Carson and the Power of Queer Love by Lida Maxwell
Voting ended onMay 16
Book summaries below:
Letters to Eugène: Correspondence 1977-1987, Eugène Savitzkaya & Hervé Guibert
Hervé Guibert's incandescent correspondence with Belgian poet Eugène Savitzkaya.
In 1977, Hervé Guibert discovered the first novel written by Eugène Savitzkaya, Mentir, and sent him his La mort propagande, which had just been published. In the following years, they exchanged the books they had written, read each other, appreciated each other. They saw each other rarely, however: one lived in Liège, the other Paris.
A turning point occurred in 1982, when Hervé published "Lettre à un frère d'écriture," in which he declared to Eugène, "I love you through your writing." The tone had changed; Hervé, obsessed with his correspondent, wrote him increasingly incandescent letters. 1984 would, however, see the sudden extinguishing of that passion. A deep friendship replaced it, which found itself with new areas to explore: the adventure of publishing L'Autre Journal and at the Villa Medicis, where they were both fellows. These nearly eighty letters, exchanged between 1977 and 1987, form a correspondence that is all the more unique for being the only one whose publication was authorized by Guibert. An intersection of life and writing, self and other, reality and fiction, their release is a renewal of Guibert's oeuvre.
Nonfiction, collected letters, literary history
Rachel Carson and the Power of Queer Love by Lida Maxwell
Reading Silent Spring as an outgrowth of Rachel Carson's love with Dorothy Freeman, Maxwell argues for the power of queer love now in the fight against climate change.
There is something major missing from most accounts of Silent Spring and its impact: namely, Dorothy Freeman, with whom Rachel Carson had a love relationship for over a decade. Freeman had a summer house with her husband, Stan, on the island of Southport, Maine, where Carson settled after the success of her first bestseller, The Sea Around Us. Correspondence shows the women developing strong feelings as they connect over their shared pleasure in the rocky coast.
In this moving new book, political theorist Lida Maxwell offers close readings that suggest Carson's relationship with Freeman was central to her writing of Silent Spring―a work whose defense of vibrant nonhuman nature allowed Carson and Freeman's love to flourish and for the pair to become their most authentic selves. What Maxwell calls Carson and Freeman's "queer love" unsettled their heteronormative ideas of the good life as based in bourgeois private life, and led Carson to an increasingly critical view of capitalism and its effects on nonhuman nature and human lives alike. From these women's experience Maxwell compellingly makes the case for an alternative democratic climate politics based on learning how to tune into authentic desire. Read through this lens, Carson's work begins to look different and shows us not that the human incursion into nature is dangerous, but that a particular relationship is: the loveless using up of nature for capitalism. When Carson and Freeman correspond in excited detail about the algae, anemones, and veery thrushes of the Maine coast, they give us a glimpse of a different, more loving use of nature.
Inspired by Carson and Freeman's deep care for one another, Maxwell reveals how a form of loving available to all of us can help reshape political desire amidst contemporary environmental crises.
Rachel Carson and the Power of Queer Love by Lida Maxwell
Voting ended onJun 6
Book summaries below:
Pageboy by Elliot Page
'Can I kiss you?' It was two months before the world premiere of Juno, and Elliot Page was in his first ever queer bar. The hot summer air hung heavy around him as he looked at her. And then it happened. In front of everyone. The unthinkable. Here he was on the precipice of discovering himself as a queer person, as a trans person. Getting closer to his desires, his dreams, himself, without the repression he'd carried for so long. But for Elliot, two steps forward had always come with one step back.
With Juno's massive success, Elliot became one of the world's most beloved actors. His dreams were coming true, but the pressure to perform suffocated him. He was forced to play the part of the glossy young starlet, a role that made his skin crawl, on and off set. The career that had been an escape out of his reality and into a world of imagination was suddenly a nightmare. As he navigated criticism and abuse from some of the most powerful people in Hollywood, a past that snapped at his heels and a society dead set on forcing him into a binary, Elliot often stayed silent, unsure of what to do. Until enough was enough.
The Oscar-nominated star who captivated the world with his performance in Juno finally shares his story in a groundbreaking and inspiring memoir about love, family, fame - and stepping into who we truly are with strength, joy and connection.
Nonfiction, memoir
Rachel Carson and the Power of Queer Love by Lida Maxwell
Reading Silent Spring as an outgrowth of Rachel Carson's love with Dorothy Freeman, Maxwell argues for the power of queer love now in the fight against climate change.
There is something major missing from most accounts of Silent Spring and its impact: namely, Dorothy Freeman, with whom Rachel Carson had a love relationship for over a decade. Freeman had a summer house with her husband, Stan, on the island of Southport, Maine, where Carson settled after the success of her first bestseller, The Sea Around Us. Correspondence shows the women developing strong feelings as they connect over their shared pleasure in the rocky coast.
In this moving new book, political theorist Lida Maxwell offers close readings that suggest Carson's relationship with Freeman was central to her writing of Silent Spring―a work whose defense of vibrant nonhuman nature allowed Carson and Freeman's love to flourish and for the pair to become their most authentic selves. What Maxwell calls Carson and Freeman's "queer love" unsettled their heteronormative ideas of the good life as based in bourgeois private life, and led Carson to an increasingly critical view of capitalism and its effects on nonhuman nature and human lives alike. From these women's experience Maxwell compellingly makes the case for an alternative democratic climate politics based on learning how to tune into authentic desire. Read through this lens, Carson's work begins to look different and shows us not that the human incursion into nature is dangerous, but that a particular relationship is: the loveless using up of nature for capitalism. When Carson and Freeman correspond in excited detail about the algae, anemones, and veery thrushes of the Maine coast, they give us a glimpse of a different, more loving use of nature.
Inspired by Carson and Freeman's deep care for one another, Maxwell reveals how a form of loving available to all of us can help reshape political desire amidst contemporary environmental crises.
