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Analyzing Questionable Content: Pages 51-100

No Faye, it only looks that way because he’s playing Final Fantasy X-2. Good God, I just realized that Final Fantasy X-2 is someone’s first experience with Final Fantasy. That’s a depressing thought. Although someone starting out the series with Final Fantasy XIII is probably way worse, now that I think about it. At least X-2 had fun.

…huh? Oh right, the comic. You sure you’d rather not listen to me write an essay on Final Fantasy, instead? I have this great point about how Final Fantasy IX has the most emotionally impactful narrative but as a game it only really clicks with long-time players of… no? Okay fine, let’s get back into QC.

The very next comic has Marten getting a tax return check for $1,100, and being the wise adult that he is, decides to spend that money on a new guitar. Tagging along, Faye brings up something that gives us new insight on her character:

And clearly didn’t bore her, considering how much of that information she retained. Here we have yet another example of a shared interest between these two, Marten clearly being into Guitars if he’s invested enough to blow a fat wad of money on it and Faye carrying around quite a bit of information on the instrument herself. I’ve made the point in the last post, but to reiterate – at this point in the comic, it’s clear these two are clicking as far as interests go. They can keep up with each other, can and have provided support for one another, and challenge one another… okay granted that last one isn’t entirely true, it’s clear Faye challenges Marten more than vice-versa, but still. There is a clear, acting relationship dynamic between these two, whether platonic or romantic. The reason why early QC works as well as it does is because these two have clear characters to them and their relationship FEELS real – they feel like people you’d know who’d really be friends – or maybe more than friends. This is Jeph’s character writing at… well I hesitate to call it at its best because to imply he peaked as early as the 53rd comic would be an insult to him as a writer, and I’m not looking to do that here.

I’m looking to do that a little bit later on in this part when we discuss Faye’s “character quirk.”

Before that however, we’re going to get a little bit on insight on Marten:

The story is elaborated on in a future comic, but here we get Marten’s backstory – traveling across the country for a girl, the relationship falling apart and leaving him stuck in this part of the country. This will go on to explain several of his character choices, including Pintsize (although that’s something we’re not going to approach until MUCH later on). It also further elaborates on Marten’s character as a whole: He doesn’t make many active actions as a whole, but when he does, it tends to shift the entire dynamic of how he lives. He decided he wanted to follow this woman across the country, and that action ended up completely upending his life. Could this be part of the reason why Marten is so passive? Does he skew towards this lifestyle because he’s been “trained” to take any kind of affirmative action as an intense, life-changing event?

While I’m not certain myself, and I have a damn good feeling Jeph wasn’t thinking that far ahead when writing Marten’s character, it’s an angle I’m willing to continue exploring as we further our journey down this comic’s history.

This comic was written in 2003. I’m half-tempted to believe Meme culture can be tracked by indie bands now. Wonder if there was any zeitgeist with neo-nazi indie bands ten or fifteen years ago then, if that theory holds true?

…I just made myself really, really sad.

Later on, Pintsize proceeds to eat a cake when he really shouldn’t – again – and we are gifted with… this lovely image.

Okay. I understand Pintsize is an AI, so it makes total sense for him to be able to be uploaded to a PC like this (ignoring for the moment modern commercial hardware can’t possibly support the resources necessary to maintain human-level sapience and ESPECIALLY not in 2003), but this is one of the freakiest fucking things I’ve seen from this comic. Mostly because at the time of writing we’re on comic 4000 and AI as a whole take an entirely different turn in the world of QC around that time, so… this is just kinda surreal to look at.

…We’ll get to AI in regards to QC’s universe later on when it becomes more relevant. Needless to say, it becomes one of the core “themes” of the comic as a whole.

The narrative reason for this turn of events is simple:

Pintsize is now in a new visually appealing model, capable of moving his joints around so he can do more than just stand around and talk!

…also one that has a horrifying government-level laser built into it! Believe it or not, this DOES become a relevant plot-point later and it’s not just for the sake of a gag. This is a great example of Jeph taking a tiny detail he may have originally written in as a joke and building off it to create conflict… although I’ll be getting more into that later on when it actually DOES become relevant.

Pintsize agrees to turn the laser off, and a few comics later Marten and Steve go to the bar to discuss their lives – specifically Marten’s love life.

Further showcasing of Marten’s passive nature and his straight-up lack of confidence.

Say goodbye to Sara everyone – for real this time, I’m fairly certain this is the very last time we ever see her. I could be mistaken, but I highly doubt it. Plus, while we don’t see it in detail we get enough information to gleam Steve as Marten’s exact opposite – charming without being overwhelming, confident without being cocky. Steve is just straight-up a cool dude, and it’s easy to see how he can easily get into relationships while Marten stays there floating along, too scared and/or passive to make the move that comes to Steve naturally.

Wait. Shit, I may have the hots for Steve. Abort, aboRT, ABOR-

I’m showing this in part to showcase the next point of conflict and also to draw attention to the new style Jeph is trying. He’ll do this throughout the run of QC, trying out brand-new styles to see what fits and what doesn’t. I’ll be including this in my comparison pictures at the very end of this post to give a clearer image of what changes and how he improves… although you can see even in this comic he’s struggling against old habits as Marten’s face in the final panel looks drastically different than in the rest, looking more akin to how he looked in older comics. That’s okay! Habits die hard, it’s worth applauding the fact that Jeph is trying. God knows I can’t draw to save my fucking life, so I’ll always support artists trying new things.

I’m mostly including this panel for two reasons: The fact that Faye’s stuck in the closet right now – if you don’t get why that’s funny, you will in about 3700 comics from now – and the way she’s talking. Do you notice something different about the “feel” of Faye’s dialogue? Keep an eye on it, I’ll try to include more panels of her talking from this point onward.

Anyway, Marten dismantles the previously established conflict by revealing he managed to get Faye’s prescription for her and got her a new pair of glasses.

Mark this as the second time Faye has actually displayed real physical aggression against Marten.

Again, depending on how much you know about AI in QC’s world from future comics this could either be a lot funnier or a hell of a lot less funny. Although… the subject of AI mortality would make for an EXTREMELY interesting plot point in more recent comics. Remind me to touch on that when we get further along.

Again: Pay attention to Faye’s dialogue in this comic, especially in that last panel. You’re noticing it, aren’t you? The fact that she sounds a little… different? Give me a little more time, I promise I’ll touch on it a little later.

Hey, guess what? It’s later!

Faye does not punch Marten whenever she says something nice about him. In fact, she has ever only assaulted Marten twice – both times for completely arbitrary reasons not related to her saying anything to or about Marten. Nor has Faye ever spoken completely without contractions, as you see she’s doing now. Later comics will go on to point out how odd it is that Faye only speaks with contractions when she’s drunk and dips into her southern accent… when we’ve seen in previous comics that she is capable of speaking with contractions and talking like a normal human being. This change has shifted the entire “feel” of every line of Faye’s dialogue, as she no longer “sounds” like the Faye we started the comic with.

These are both examples of a writing mistake that a lot of long-form regular updating writers make, be it fanfiction or daily comics – retcons. If you’re reading this, you most likely know what a retcon is. For the few of you that don’t, a retcon – short for retroactive continuity – is the practice of in later works of an ongoing series introducing a fact that changes what was previously established in previous works. This is most commonly seen in Superhero comics from Marvel and DC, but the kind of retcon I’m talking about is more common on smaller scale works, like fanfiction or unedited novels or ongoing RPs.

See, when the writer realizes they wanted to change up something, introduce a plot element that would require them to go back and change something previously to make it make sense and find that for whatever reason they can’t, they may go ahead and introduce the plot element anyway while assuring the reader that no, of course this element was always included. That’s what’s happening here – Jeph had an idea for a plot element he wants to include, realized he can’t exactly go back to older comics and change them considering it’s a regularly updated webcomic, and so decided to retcon these facts by introducing them like they’ve always been a part of things and assert their truth while continuing on.

Not that I can necessarily blame the man – in a situation like this, realizing there’s an important plot element that you want to work with but can’t due to you leaving it no room in what you’ve previously published, there’s not much else you can do besides either retconning things or accepting you can’t introduce that plot element and just move on. However, there are other ways you can work with this that abide by previously established continuity and lets you introduce a plot element you want to introduce. For example, Faye punching Marten: You could introduce it as something she feels more comfortable doing the longer she’s around him. Have more frequent comics of her following saying something nice up with a punch, let us see her actually assault him more, and draw a correlation between her getting more comfortable around him and her getting more physically aggressive – something Jeph does touch on later, so it is entirely possible to introduce this new dynamic without asserting things have happened that we clearly see haven’t happened.

…as for Faye not speaking in contractions however, that’s just stupid. It’s a gimmick for her character, plain and simple, without adding anything to her as a character. If you want something big to showcase she’s keeping herself restrained, just continue as you were, having her speak in a southern accent when she’s drunk. That works as a fun gag to attach to her character without seeming like a dumb gimmick. And I’m sorry to say… this whole “Faye doesn’t speak in contractions” thing? It’s a dumb gimmick.

Okay, now that I’ve gotten that all off my chest, let’s introduce ourselves to the new main character of QC…

This is Dora, the owner of the Coffee Shop that Faye works at. She’s a cool cat and (seemingly) supremely chill. She’s introduced as another secondary character like Steve, but will swiftly become a mainstay character and join what will become a growing ensemble cast.

Also, potential conflict is seeded when it’s revealed she’s totally crushing on Marten.

And if you doubt Faye’s assessment, let’s hear it from the woman in question herself.

Also say hello to Dora’s cat. The cat has a name, I just can’t remember it for the life of me considering the little fella joins Sara on that island eventually. But yeah, Dora DEFINITELY has the hots for Marten, sewing another potential seed for conflict later on – Marten and Faye are certainly in the “will they or won’t they?” phase, and here sits Faye’s own boss with a clear, vested interest in Marten. Will she make a move and push Faye to take action? Time will tell.

Jeph enjoys trolling his audience, and Marten is suffering because of it.

Dora goes on to establish herself in the reader’s minds by having a clear, distinct personality that bounces off Faye’s beautifully. They banter so comfortably with one another it makes it so much fun to read, which goes on to make Dora a more appealing character to the reader. The more she talks, the more you want to see her because she’s such a genuinely charismatic individual… which can further serve to establish her as a very real conflict in the potential Marten and Faye relationship. After all, what’s a greater spanner in the works of this “will they or won’t they?” relationship than a character who will gladly say “Yeah, I will” that the audience likes enough that they are completely on-board with seeing go through?

The most dangerous thing to a romcom relationship is a third wheel that a good portion of the audience prefers over the teased relationship, and that creates good drama.

(Also Sara’s name is spelled wrong but eh it’s not like she’s around to complain anyway)

…that said, Dora goes on to assure Faye that she has no intention of swiping Marten off his feet away from her when it’s clear Faye’s interested in him. Then again… the more Faye insists she’s not interested in him, the more likely it may be that Dora believes her.

True story, I found this concept so funny that in a campaign I ran a few years ago, I actually had one of the players – who was supposed to be stuck as a worker in a dreary 9-to-5 job that he’d desperately want to escape to go onto adventure – be labeled as the Office Bitch. My only regret is that I didn’t print out a real business card for his player. That either would have gotten a laugh from the table or gotten me punched.

This here is Scott, Marten’s boss. He’s a cool dude, but for reasons that will become evident later on we don’t see very much of him. At first, I thought he was going to end up being the future husband of Marten’s father – and if you haven’t read through QC yourself that sentence will probably completely catch you flat-footed – but looking it up later I found that Marten marries a man named Maurice, not Scott. I only thought they were the same person because they’re both blonde and the art style changes so much later on anyone could look like anyone else.

Actually, fun fact: I started reading QC when 2512 was the most recent comic, so before she was introduced I thought Faye and Marigold were the same person because of how drastically the art style changed and I only recognized “curvy white girl with glasses and brown hair”.

Anyway, Scott’s pretty chill and… yeah. Yeah, that’s pretty much it. He’s a chill dude to work for, and that’s probably the only reason Marten hasn’t outright quit his job yet. The worst job in the world can be made tolerable with a good boss, and the best job in the world can be made unbearable with an awful boss.

Further evidence of the lack of contractions hurting the way Faye’s voice comes across than anything else. Seriously, is it just me or does this not sound like Faye? Like, at ALL? I’m open to being told I’m wrong, just… seriously.

Aaaand here we have Steve officially having broken up with Sara. Also, it’s a small thing but like I’ve said, I’ll give Jeph credit where it’s due – that visible wince on Marten’s face is the most expressive any of his characters have been thus far. Good work man, I’m happy to see you improving with your art!

After drinking together, Marten and Faye decide to go to an all-night diner for some drunken late-night pancakes when we get this bit of information from Faye:

That is Faye, if you can figure out which of the two Martens your fist will connect with. But yeah, the fact that Faye speaks in a southern drawl while intoxicated went from a joke to actual character – she’s legitimately from Georgia and that’s her natural way of speaking. Which may raise the question to the reader, why does she repress that voice so much? Don’t worry – they touch on it in later comics. For now though, another round of applause to Jeph for slowly and organically creating new information about his characters.

Faye is clearly not telling the whole story – the lack of eye contact being a key indicator of just that. Still, we’re getting a little bit more information on her, and the fact that she kept her wording vague leaves a lot to still explore in her future. Needless to say… it was a LOT more than just her mother being over-protective that led her to moving up north.

Marten’s just kind of accepted his lot in life by this point. Although when I was first reading through these I honestly thought this was going to be the headbutt-into-crotch moment.

Once again, if you haven’t read through QC yourself that sentence made zero sense to you. I’m kind of giggling at the thought of someone reading that and doing a double-take, actually.

Finally, we have the last comic of this batch, setting up a bit of conflict for our next batch…

Wuh-oh! Marten walked in on Faye changing! One really nice detail is that you can see the scar on Faye’s chest right there in the first panel, which means Jeph had a LOT of Faye’s backstory already planned out while he was drawing this stuff. Which just leaves me to wonder… how far back did he have this planned? When Faye first showed up in the third comic? When he had her start speaking in a southern accent while drunk? When he decided to have her stop speaking in contractions? I’d love to ask him, but I know for a fact he wouldn’t give me the time of day. Oh well, either way: He’s got shit planned out, shit that we won’t see until Comic 500 or so, and that’s always good for a long-form comic like this.

Like last time, let’s do some quick comparisons between the first comic of the batch, the comic where Jeph made a clear and active effort to change the art style, and the last comic of the batch:

It looks like Jeph found a happy medium between the style he was originally going for and the newer style he tried to incorporate, keeping the relative size and position of the characters’ facial features while rounding out everyone’s faces, making things much less angular than previously. The bodies are also beginning to get some real texture to them, looking closer to real human bodies than stick figures with a shirt.

Overall, what did I think about this batch of comics? Well aside from my complaints about Faye’s lack of using contractions and the sloppy way Jeph tried to incorporate that into the narrative, I thought it was better than the first batch! Marten and Faye are getting into a comfortable rhythm with each other, and we’re falling in-line with that rhythm ourselves. We just met a new character who’s going to be a mainstay of the series and in the few comics she’s shown up in, she’s made her presence stick with the reader. Even if I didn’t know how important Dora would become, I’d be saying I’m looking forward to seeing more of her.

You know what time it is now? That’s riiiiiight! Data compilation time!

Between comics 51-100, the following characters’ proportional “screen time” as it were are as follows:

Marten: 46/50 – 92%

Faye: 45/50 – 90%

Pintsize: 12/50 – 24%

Dora: 8/50 – 16%

Steve: 6/50 – 12%

Sara: 2/50 – 4%

Scott: 2/50 – 4%

Dora’s Cat: 1/50 – 2%

And the grand total of each character’s screentime, not including non-canon or guest comics, from most to least time shown:

Marten: 91/100 – 91%

Faye: 83/100 – 83%

Pintsize: 27/100 – 27%

Steve: 14/100 – 14%

Dora: 8/100 – 8%

Sara: 7/100 – 7%

Jim: 2/100 – 2%

Scott: 2/100 – 2%

Raven: 1/100 – 1%

Dora’s Cat: 1/100 – 1%

Yes, I’m counting Dora’s cat among the statistics. I’ll change the name when I learn what the critter’s name actually is. Also, I was reminded that when the Secret Bakery becomes a thing later on in the comic there will be another character named Jim, with this particular construction worker being called Jimbo instead. I’ll change the name properly when he’s called “Jimbo” proper in the comic, don’t worry. I’ll be doing my best to keep this list from getting confusing… it’s in as much my best interest as yours seeing as I want to keep track of everyone properly.

Tune in next week when we see the exciting conclusion of this spicy “Marten happening to walk in on Faye undressing” drama! And Dora flashing someone. See you then.

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