Heat beats : hard and there is a certain amount of ANXIETY regarding being responsible for someone’s child. The person who they love the most, perhaps. It’s not the threats that got to him ( no, he and livia had sniped at each other relentlessly in their younger years and he has heard far worse things from her, despite her creativity ) but rather that strange and unknowable fear of what will happen next? There is no time, nowadays, to fear what comes AFTER, given that there is a high probability of death, but in regards to her?
Children are : innocent / wide eyed / curious about the world / guileless / endlessly thinking and imagining and hoping and she reminds him of himself, in a fashion —— but kinder. Untouched ( mostly ) by the horrors of Imperial society.
But she is a child who : wants to go home / wants her mother / wants to protect and defend and BECOME A BARRIER for the woman who spirited away from her home for her own good.
And she is a child who is asleep with her head deposited on his lap, lying in the bed that she normally shares with her mother and there is a book open on his free leg and he is caught between something dangerously tender and wondering : is this what happens to parents when their children fall asleep? they can’t move in fear of disturbing them?
——— It’s a valid fear, thank you very much.
Livia has been gone for days and beyond a week and beyond that, perhaps, and there is only so many explanations that he can give a small child of eight years old, too young to understand —— nonsense. Children understand far more than they are accredited for and he knows that she knows something. Anything. Too much, perhaps.
But there is a rustle just beyond and his attention is caught by the door opening and he tenses / ready for anything / ready to defend Octavia ( and himself, though mostly her ) to the death, if need be. Never mind that an assassin worth their salt would never simply use the primary entrance to a room when there’s a WINDOW just beside but one can never be too cautious. Especially when the mark is likely the child, sound asleep.
Yet when the door open it reveals her : HIS EX-BETROTHED / A WOMAN STRONGER THAN HE HAD ONCE THOUGHT ( there is some shame in how he had hated her once, in what she had represented, instead of understanding that SHE was as trapped as HE ) —— and Dorian doesn’t quite relax, no. You can never be too cautious. But some of the fight leaves his posture and where he had been half ready to stand, Octavia being asleep be damned. Now he is paused, suspended in motion and watching her and trying to glean —— something from her expression / posture / presence.
❝ ——— I take it you lived, then? ❞ a question ( hushed in the silence of the night with the wish not to disturb the child ) with two meanings : are you alright / are people dead?
@maegick // ♥












