I’m usually not a fan of Guru Ratikant Mohapatra’s choreographies since they’re always too jam packed in my opinion, HOWEVER, this is another exception I’ll make (in addition to two pallavis and a mangalacharan of his). I love the chanting of “Om Gam Ganapataye Namaha” and the choreography, while still very fast, has a technical appeal to it that I really like. I also gotta admit how innovative Ratikant is with his symbolism. The pose at 6:01 to show Ganesh is incredible when paired with that lighting!
It seems as though Guru Ratikant choreographs his new pieces on Rajashree Prahaj (the dancer in the center) mostly as they are usually very fast, athletic, and suit her small frame well.

















