i like how in dragon age. the whole era is called The Dragon Age because well, The Dragons Are Back. but where most fantasy would make this the focus of their plot, it is merely a side note and frankly we have more important things to worry about

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i like how in dragon age. the whole era is called The Dragon Age because well, The Dragons Are Back. but where most fantasy would make this the focus of their plot, it is merely a side note and frankly we have more important things to worry about
btw do you think vessel's back hurts from carrying the music industry
i should be reading about aerion targaryen and shane hollander getting their backs blown out rn this is cruel and unjust witchcraft
i'm always so fixated on blade being pathetic and dumb for kafka, worshipping the ground she walks on and falling apart at her command that it's taken me THIS long to start thinking about sub!kafka and... god... it's perfect because the former still applies, blade still worships her, he would do anything to make her feel good, and she lets him do his worst.
it's a different kind of trust. maybe she's only like this with blade. he's the only one to get her on her knees, looking up with tears in her eyes, hands obediently folded behind her back and thighs clenching. blade makes her feel small and pretty and fragile, like a doll. blade, who has big rough hands either calloused or bandaged, who wears his years of anguish on his once innocent face, who can make his voice sound so, so harsh, so coarse. even if kafka has to spend time coaxing him or working up his confidence, it's worth it, and she doesn't make him feel embarrassed, because when he sees what he can do to her with just his fingers, his touch and filthy words spilling from his mouth, he's addicted.
maybe this is another way he can gain control over the mara, a way to quell it. maybe even pre-emptively. maybe he can work it out like pent up energy before bed by rawing kafka from behind, his fingers shoved into her mouth to quieten her, because she is SUCH a screamer. she moans and whines and bites at him and gags, they're both messy and overstimulated and when blade spills his load in her cunt he's dizzy and his knees buckle, and kafka is able to vocalise properly again. blade musters up his stamina, cock aching and stomach hollow, exhausted - throwing himself across kafka's body, latching onto one of her nipples and sucking while his hand trails down to her soaking wet pussy; his thumb rubbing rough circles across her clit while he pumps in and out of her with two fingers until she cums, too. all to the soundtrack of her crying his name, and the pain of her nails digging into his skin.
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Tozu and (let's be real he made her dance with him) when the first kill happened
I wish they had more puzzles in Skyrim. I would like to sit down and do a nice relaxing puzzle instead of fighting super death man all the time.
I think the true beauty of Donna & the Doctor’s relationship is that in the beginning, she is the one with a narrower focus of concern (ie: her wedding) and he is the one who always has the bigger picture (ie: all of humanity) on his mind. And by the end (or what we thought of for so long as the end) of their story, Donna’s grown almost past that first selfish instinct - only, she still thinks of it as an unfair loss, because she was “supposed to be with him forever”. And the Doctor, who always does the right thing and puts others first, seals the metacrisis up tight along with her memories and then skedaddles (albeit sadly) away.
But with the new specials we’ve been given, I noticed a really wonderful thing; their roles have reversed. The Doctor (14, technically) is now the one with a single narrow focus of concern; Donna Noble. He would let the world burn if it meant she would be alright. Meanwhile Donna is now the one easily and consistently putting humanity’s needs and safety above her own. They’ve completely switched positions on the scale, and I think that’s just really fascinating!
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