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If I have to see one more motorsports AI generated photo, I swear to god.
We interrupt my flashback to show 3 men arguing
Breaking down the comics: Let's get that BREAD (WBN #32-33)
MOON KNIGHT
WEREWOLF BY NIGHT Issue #32: 'The Stalker Called Moon Knight'
Written by: Doug Moench
Art by: Don Perlin
Published 1975
Are you ready for this? You better be.
Werewolf by Night was started as a "Marvel Spotlight" in 1972.
Or did it?
In 1953, before Marvel was well...MARVEL... It was Atlas Comics. A five page short called "Werewolf by Night" came out. Later, when Marvel formed and comics had a "Comics Code Authority", they approved the use of werewolves and we got our boy Jack Russell.
Want to know something hilarious?
The original creators, Roy Thomas, Jeanie Thomas, Gerry Conway, and Mike Ploog had no idea that Jack Russell was also the name of a popular dog breed. Or if they did, they didn't think about it at the time of naming the main character. Readers started pointing it out and they all went, “Huh. So it is.”
Wanna know something else amazing?
Greer Grant Nelson, AKA: TIGRA, also got her start in Werewolf by Night in 1974, issue #1 of "Giant-Size Creatures" (later renamed Giant-Size Werewolf)
In the 1980s, Jack Russell didn't really make much of an appearance anymore until Moon Knight #29.
Our Beloved Doug Moench picked up Werewolf by Night with issue # 20-43 in 1974-1977.
Moon Knight got started officially in 1980.
He couldn't get the character out of his head after WBN and neither could the fans.
So let’s take a look at the birth of Moon Knight and see if we can’t find out why he went from one time villain to full time hero (and full time occupant to my heart).
One thing to note about Werewolf by Night, we get a lot of narration from Jack Russell himself. And sometimes it's as Jack, and sometimes it's Jack looking at the wolf and others it's the wolf peaking through Jack.
But us Moon Knight fans are used to different perspectives, aren't we?
We open on the title page:
"The tag's Russell, with a Jack in front of it. The kind of name that fits a normal 19 year old dude living out in L.A.--Not the kind of name you'd expect to find slapped on a guy who sprouted fangs, pore-to-pore fur, and wolfish howls every time the moon ballooned full. Unless that guy happened to have a father who was cursed by an arcane book called DARKHOLD --And who inherited his father's curse on his 18th birthday.
Tough, I usually ain't. But when the Full Moon pokes its ugly puss into my life, I turn into the werewolf--and nobody messes with a dude dressed in fur, claws, and pure MEAN. So why didn't somebody tell that to--
THE STALKER CALLED MOON KNIGHT"
LOL Yeah. He’s a stubborn idiot alright.
"Fast, Brutal, and Armed with everything to produce a scream, he was wasting me with no doubt about it. And every time I tried to slash back at the weirdo--My hand exploded in a fire labeled agony."
Second night of the full moon cycle. The wolf is not doing so hot.
His hand is broken and he's facing down this angry guy dressed in silver.
"Get up, you mangy freak!! Get up so I can knock you back down again!"
He lunches at the masked man only to take a punch to the face.
"It was called a cestus--as in Glove. Worn by gladiators in the arena. A cestus is spiked. These spikes were silver. Silver is hell on a werewolf."
He wrestles with Moon Knight who doesn't let up, kicking and punching.
The whole time Moon Knight yells at him.
Bystanders watch in awe.
"Man! That guy's like a tornado on a rampage!"
"I'm hip--but what's that other dude like--Lon Chaney in a mink--?!"
LOL oh 1970s...never change.
Moon Knight addresses the wolf.
"You've had it, Freak. You're half-way gone and I haven't even started!"
Moon Knight unleashes his razor blade silver scresent darts on the wolf.
"It wasn't right. The Moon was supposed to give him strength--fill him with savagery--Not stab him with glaring pain..."
"Drop Freak! Drop like the wounded beast you are!"
Moon Knight kicks him, with his Savate Kick, which is a French Boxing style that combines Boxing with kicking. It predates Kickboxing by 100 years and is quite brutal.
It sends the wolf sprawling. Especially from his silver tipped toe.
They pause and we get a flash back to the night before.
"It had started the night before, when an innocent ski-jaunt in northern California had erupted into a blizzard of horror. As the werewolf, I'd almost murdered a cute 7-year-old girl named Buttons... Fortunately, my best friend, Buck Cowan, had other ideas..."
(If you're cold, he’s cold. Bring him inside)
"So I shivered into them and prepared to wait for Buck. You see, I didn't remember the werewolf's little Blood Tussle with Buck--and since Buck was supposed to pick me up here..."
We see Buck being taken into emergency services and rushed in for immediate surgery.
"After an hour of waiting, I'd begun to worry... Where was Buck?"
We see Buck shredded and crashing on the table.
Jack hitches a ride into down, wondering if his friend is alright.
We see Buck crash in surgery and they frantically try to get his heart back.
Jack makes it back to his Stepfather's house.
"Jack! Are you all right, son?"
"Sure, Dad. As all right as I ever am the morning after a Full Moon. Why? And where's Lissa?"
We see the doctors are finished. There is nothing more they can do for Buck.
"You mean you--You don't remember, son?"
"Remember what? What?!"
"Lissa's down at Westwood Hospital, Jack. Topaz called--Said your friend Buck was hurt... Was mauled... He...He might not pull through, Jack."
Narration: The soft words slammed me, hit me like a thousand crushing mountains--But my only raction was numbness--Disbelief--
"Easy, Jack... Just take it easy, son."
"Easy? I might've killed my best friend and you want me to take it easy?!"
Jack is understandably upset.He runs to the hospital.
Buck is in a coma and "The doctors aren't sure he'll come out of it."
(Who names their kid Buttons?)
They tell the group to go home and get some rest. But they decide not to go with Jack.
"Under the circumstances, we thought it might be best if Lissa stayed with me tonight--at my room-- To keep our minds off Buck--ANd also because well..."
"Go on, Topaz, say it--Because I've got the Moon-Cooties and you don't want to be around when I sprout fangs again. Well, I don't blame you. I'd stay away from me if I could..."
Narration: And that was my exit--as petulant as a cry-baby feeling sorry for its own tears...
Feeling sorry for himself, he heads back for home to apologize to his stepdad before the moon rises and he has to run off again. His hand hurts and he's pretty sure it's broken.
But as he gets home, the door is already open and he senses something is off. Someone else is in there with his Stepdad.
"Dad?"
"In the Den, Jack. There's someone here to see you.."
Yeah! You get that bread! Delicious delicious bread!
"Hello, Russell. They told me to announce myself as The Moon Knight. Pretty stupid name--But It'll do as far as you're concerned--"
Yep. You heard it here first people.
Now, time line gets a little funky if you try to figure out if this was pre or post death and resurrection by Khonshu.
This could either be Mercenary Marc Spector for Hire that heard "werewolf" and dressed up in all silver for protection and then got the name Moon Knight and then it later stuck with him after he came back.... OR this is immediately post resurrection (which I find more likely) and it's his first gig. In a later Moon Knight issue we learn that Frenchie had acted as his contact with the group that hired him and the Moon Knight still had no idea what he was doing and still wasn't 100% on board with the 'good guy' routine. In fact, we later learn that the money he made in this job is what helped him get started in Grant Mansion.
Still doesn't explain why he's like, "Moon Knight? Who the hell picked this name?" And I have to quietly laugh that Marc indeed DID pick the name after he was brought back by Khonshu and the rest of his system was like "Marc, what the fuck? Really? That's what we're going with?"
ANYWAYS...
"His voice was muffled under the silver gauze which covered his face like ectoplasm. That was something else I didn't like..."
Moon Knight explains: Let's say I'm a WORKING Man, Russell, out to do my job and collect my bread. This particular job started down in the waterfront section... Pretty sleazy place--Lots of rats--The stink of filthy Brine--And rotting, sagging warehouses... But one of those warehouses is a lot like that Book you're not supposed to judge by it's cover --Because inside, it ain't rotting or sagging, and the only stink is the smell of money. LOTS of money. I went there on a tip--And found out it was a set-up..."
We see a bunch of businessmen at a table.
"So you're Mark Spector."
"I'm Spector. Who're you?"
"We'll get to that in time, Mr. Spector. Right now, I find your dossier immensely interesting... Soldier of fortune, mercenary, veteran of THREE African wars, FIVE south American revolutions, Brief flirtation with the C.I.A., Weapons expert, versatile practitioner of virtually all the martial arts, ex-prizefighter, marine commando for Eight years prior to beating a Lieutenant within an inch of his life...Et cetera."
"So your research department is hot stuff. So what? I was told there'd be money down here. What do I do to get it?"
Okay so... We don't ever get this dossier again guys. THIS is the dossier of Marc Spector (despite that they spell it Mark here). In fact, they never really review Marc's past in the later comics again. They just say he's well versed in combat.
That...That is a lot of combat. A lot of war and a lot of revolutions. And we know he wasn't always on the right side of the revolutions. We know he was a boxer, but the prizefighter bit is new. So is the 8 years Marine AND the beating a lieutenant part. We can assume he was discharged after that. That's interesting.
So when writers forget that MArc knows what the hell he's doing... I have to frown at them a lot. Marc is dangerous. Marc decided he was going to be worth the money and he damn well was.
Back to the gentlemen!
"I admire your directness, Mr. Spector, and shall endeavor to emulate it. First, we want you to open that compartment now rising from the table... Then don the rather unique costume you will find inside it. ANd utilize every weapon accompanying that costume..As well as your inherent abilities--To capture and deliver to us a werewolf named Jack Russell. Upon Delivery, you will receive this. Then thousand dollars."
WELP. There you have it. (But again... take this history with a grain of salt. He wasn't supposed to come back.)
"That's the story, Russell. Me, I don't believe in werewolves--But the committee's got ten grand that does--So who am I to argue?"
Ah, the COmmittee. A group of people out to capture the werewolf in some attempt to try to harness its power.
We see them come back in Moon Knight Issue #4.
Moon Knight tells Russell that he either goes easy or gets delivered as 'bruised goods'.
"My head was swimming through queasy nausea as he stalked forward. Was it the pain in my hand or had the Moon festered into a darkening sky?
My Stepfather decided the issue."
His stepfather tackles the Moon Knight and tells Jack to run.
Jack makes a run and starts to feel the Wolf taking over.
Above him he hears a Helicopter giving chase, tracking him.
"That's our man up ahead, Frenchie..." We see Moon Knight and Frenchie in the chapter. (Even back then we got the pair and this makes me happy.) "ANd he's just made me a believer in werewolves."
For once, the werewolf cares not about the scattering humans in the street. He knows the chopter is the target of his distress.
Moon Knight climbs down the ladder in pursuit.
I mean... How many people will go, "WOW .Werewolves are real?!" and then proceed to get into a fight with said werewolf?
AND WIN THE FIGHT.
One of the spectators decides that enough is enough and he calls the police before these crazy things decide to eat them or something (Moon Knight included. Dude just tackled a wolf creature and got into a fight with it on purpose).
The police take a moment to digest this info.
"Some comic book weirdo is sluggin' it out with a werewolf on a street corner in Westwood."
Yeah, that sounds about right.
They try to call in the local expert, but he's on vacation.
At this point we start to head into Werewolf by Night lore and back story. I'll admit... I've never actually READ werewolf by night. So all of this is very new to me and I have no explanation for who these people are or what's happening. So I'm going to skip a bit of what I'm SURE is important to the long run of the story but will not come up as important to these two key issues we're focusing on. (But you can bet your buppie that I'm going to start reading it. This hat is in my bag. ...This 1970s talk is getting to me.)
Meanwhile, the two girls from before, Lissa and Topaz, are worrying about Buck and Jack. A helicopter lands and ....Frenchie....what are you doing? Did you learn this from watching Marc? Don't bust through windows!
(I’m not counting this. But I should.)
Back with Moon Knight and the Wolf.
"I slashed, still favoring my broken hand--and growled in fury as he deftly evaded my raking talons. He'd produced a new weapon now. It looked like a Truncheon. And it was definitely silver."
(No don’t chew it! Someone put the cone of shame on him!)
And there’s Moon Knight, getting to know the ground. He and the ground are gonna be best friends in future runs.
Moon Knight uses his truncheon to beat the beast and finally the wolf goes down. On cue, Frenchie arrives in the chopper with both girls.
This issue comes to an end with Moon Knight GETTING THAT BREAD.
Moon Knight is also about to have what I lovingly call: A BAD DAY. But that’s in the next issue.
Werewolf By Night Issue #33: ' Wolf-Beast vs Moon Knight'
Written by: Doug Moench
Art by: Don Perlin
Published 1975
You guys. I can’t wait to show you that Moon Knight’s bad decision skills dates back to his first appearance. You have no idea.
TITLE PAGE!
I love how they get the names of the people involved in this comic and they put it into the pictures.
Also... We witness the first of many bad decisions.
The chopper continues to rise and the police open fire.
He’s doing fine.
We got more exposition that I'm going to skip because it has more to do with the overall arch of the WBN story and nothing that will come into play in this two part story.
Now we come to the helicopter flying out over the dock and water.
Welcome to part 1 of Moon Knight's bad day.
“No, you stupid idiot! We’re five-hundred feet up!!”
Buddy.... Pal... Bestie...
Narration: But the werewolf didn't care. He was mad. So mad that he'd even forgotten about his broken hand...
They splash down into the water.
"Mangy Freak! The Committee's payin' me ten grand to bring you in alive--And you almost drown us both before I even--"
Narration: The fight wasn't out of the werewolf yet... In fact, I was just beginning to roar.
"Crazy fur coat with fangs--! I musta told you a dozen times--The committee wants you alive! And if you can't get that through your hairy head--I'm gonna have to pound it in!!"
Narration: And in the pounding there was pain--Pain caused by Moon Knight's arsenal of silver weapons...His studded cestus, punching at me...Even the crescent darts, still embedded in my bristling skin... But even if the werewolf had understood the threat silver posed to him, I doubt it would've made much difference. He still remembered the beating he'd taken from this foe. The memory made him MAD...And the rage demanded revenge.
"Not again, beast-man--I'm getting tired of this!! Watch out you stupid--"
And back in the water they go.
Narration: We hit the pacific for the second time... The water shot fire through my shattered hand, made it throb like a hiccupping balloon... But what was that compared to the beast's life-and-death lust for vengeance--? Answer: Bright nothing, wrapped in pretty bows of bloody violence. So we fought, both struggling to escape hell...
Narration: ...Each determined to win that struggle... And each to leave the other behind. It was the werewolf who won, breaking free of hell with gasps and wheezes...
I hauled myself onto the rotting planks, still gasping... But triumphant.
Or so the werewolf thought.
"Hold it, mange-puss... I ain't heard no count of ten yet..."
Moon Knight no...
Narration: It was impossible. I'd slashed, clawed, mauled, and choked him--ANd he wanted more, still MORE--! I gave him more, a vicious roundhouse slash... But the Moon Knight clutched for that slash and he yanked. Hard.
And they go back into the water.
Moon Knight climbs back out a moment later.
"God, that thing's dynamite on wheels...Never fought so hard in my life... Gotta rest... Catch my breath... Before he surfaces again... ALREADY?!"
Narration: Yeah, already-And the fever was too high to quit. It was long overdue, and the werewolf had long since paid for it in pain...
It was time for the payoff--For returning favors--And for doing unto the other until what was done... COuld never be undone.
The wolf beats on Moon Knight for a bit. He’s pretty ticked off.
Moon Knight's pretty exhausted at this point and the wolf is starting to get the upper hand.
But then... Whoopse. It's morning!
The night is over and the wolf turns back into a very beat up sad Jack Russel...
You know how I know this is Marc? (Aside from the fact that this is Pre official Moon Knight and Jake and Steven haven’t been written into existence yet). THE BAD DECISIONS.
Someone yells down to them and Moon Knight thinks it might be the cops. But it turns out to just be a drunk guy heading home after a night on the town.
"Well, thank the moon for small miracles... But I still can't believe I saw this guy change like that...My darts must be hurtin' the poor freak. Might as well take 'em out.."
Frenchie arrives and Moon Knight once more carries Jack up the ladder towards that bread.
Back at the hospital, Buck woke up only briefly to call out for his friends then fell back asleep.
The doctor informs the lady that "whatever mauled Mr. Cowan inflicted extensive damage to his sacral region--His lower back--Severing oth the sciatic and femoral nerves. We've done our best, but he still might be paralyzed from the waist down... If he emerges from the coma."
Yup. Can confirm. You need those nerves. That's not good news.
Back with Moon Knight! He is now before the committee and he's brought along the two girls and Jack. Time for bread day.
"All right bozos--You've already stalled the whole day in some top secret meeting-and I ain't waitin' any longer! I brought you your pigeon. Now where's my bread?!"
"You've brought us an unconscious kid, Mr. Spector...Or should I say Mr. Moon Knight? You seem to be taking that costume rather seriously... But as I was saying, we still have no proof that you have delivered a bona fide Werewolf. Indeed, we can't even be certain that this young man is Jack Russell..."
The committee also show skepticism that one of the two girls is Jack's sister "and therefore destined to become a werewolf herself someday."
The committee decides to wait until the final full moon appears that night and they can see for themselves.
Moon Knight is displeased.
"I oughta smack that scummy nose right down your throat."
If it were me, I would not mess with this man. He just spent a whole night fighting a werewolf.
Jack wakes up to find himself still in a lot of pain and locked in a cage.
The committee tell Jack that they plan to keep the werewolf as a pet to release when they want certain people murdered.
As one might imagine, Jack is not on board with this plan.
He turns to Moon Knight :
"And YOU, crusader rabbit--Are you in the habit of getting paid for slamming people into CAGES?! That's right, I said PEOPLE! Are you shocked to hear that I'm an honest to god Person? Or have you been trying to forget it?! Well, I'm gonna give you a refresher course, Pal... I may be a werewolf--But on my nights off I'm still human! And Believe me, Fancy pants, being the werewolf is a far worse cage than these stinking bars!"
And the moon rises and he starts to change.
The committee is all shocked to see him change.
The wolf is NOT happy to be caged.
The committee members congratulate Spector "Or Moon Knight if you prefer..."
(Isn't that so interesting? Even in this early issue where he's just a one off character and no history or past drawn up yet, they still can't get his identity right? What were you planning Mr. Moench? Even back then?)
Moon Knight doesn't say anything, simply watches the wolf freak out in his cage.
Jack's sister yells at him. Accusing him of selling Jack to people who want to "turn him into the murderer he's always feared he would become! The murderer he's always fought to avoid--Even when it tore his soul in two!!"
"Don't listen to her, Marc. Sure, he's her brother... But he's still just a freak--just a beast... Why worry about a beast?"
Narration: Moon Knight took the money... And stared at me again...
"Just a beast, all right... But at least a cleaner and more honest beast than you slimy slugs! At least he's a beast with guts! A beast who fights ony to be free! And that's the kind of fight I support, Lard-Butts!!"
Moon Knight kicks open the bars! That's one hell of a kick.
The wolf is loose! And the Moon Knight has changed sides!
I gotta respect that one member in the back...
"But I... I don't even carry a gun! I'm just a businessman! You guys dragged me into this werewolf deal because you said it would be good for the economy!"
"We're ALL businessmen, Hicks!"
"Yeah--And you're all goin' outta business now!! Especially your two-ton leader.. So I'd advise him to get his lard in gear--Unless he wants it kicked from here to Monterey!" -Moon Knight.
Narration: The Silver one--The one with the PAIN. He was the one I wanted... But he ducked.
The wolf soars past Moon Knight and attacks one of the men with guns.
"Sorry, Fido--But if there's one thing I've learned, it's more fun fightin' with you than against you-- So go get 'em Tiger!"
"Holy Smokes! Almost forgot the two chicks Frenchie nabbed... With allthe lead flyin' around here, they're liable to turn into swiss cheese."
Good job Marc. You're doing great there.
He cuts the two girls down and tells them to make a run for it.
"But what about Jack?" Jack's sister cries out.
"Just get outta here! He can take care of himself!" Moon Knight shoos them away.
"Come ON, Lissa. I don't know what turned that man from a villain into a hero, but he's right--! At this point, Jack has a far better chance than we do--"
The girls get out and Moon Knight and the Wolf keep fighting through the bad guys.
Narration: On our own or not, the committee was falling to pieces. Most ran. Others fell. The Moon Knight seemed to geta kick out of it, batling like some gayblade swashbuckler straight from Errol Flynn country...
(What)
"And Another gabardine hits the dust!"
(What?)
(I'mma play it straight with you... The 1970s language is 100% a thing. It's even better when you remember Marc is from Chicago so all this is probably said with a pretty stiff chicago accent and I'm crying cause I'm trying not to laugh so hard right now. I’ll just let you read through those lines yourself and slap a strong chicago or new york accent on that.)
ANYWAYS…..
Moon Knight punts the guy to the wolf who lets off a little steam on him.
All the bad guys are taken care of. This just leaves Moon Knight and the Wolf in the room alone.
Narration: Fatso hit the floor like rubberized Jello, and when the quivering stopped...it was just the two of us. I growled, softly...
"Now wait a minute, Pal. You 'n me just fought together. That makes us brothers of the blood where I come from... Where's your sense of camaraderie? Even Frenchie's got some o' that."
Marc...
"All right--If that's the way you feel about it, I'm going' I'm goin'! I may've fought you for ten grand--But I sure ain't gonna do it for free...!"
....he jumps out the window.
"And they used to say I was antisocial... I'll send you a bill for the cape, Pal. Ciao!"
(and they did send a Bill to fix that cape. A Bill Sienkiewicz to be exact.)
WELP. I’m sorry to tell you I don’t know if Buck will live or walk again. (I’m sure he’s fine). But this ends Moon Knight in Werewolf by Nigh!
He appears in several things before 1980 when he gets his own official run. He pops in with the Hulk (in that run we meet Randall. Then say goodbye to Randall) and he also gets a few spotlights.
The fact that he was supposed to be a one time villain and in just TWO issues, we got so much characterization and tidbits of back story (I’d love to explore that antisocial comment he made back there.) that they couldn’t help but give him more chances. I swear, in these two issues, we got a better look at Moon Knight than I’ve seen certain OTHER writers give him!
And if I hadn’t of fallen in love with him back when I did, just reading through these couple of issues would have me head over heels. His tenacity, his poor decisions, his repeated trip into the water… This man came out fighting for his life and he’s he went out fighting.
Here’s to you, Moon Knight. The only person in the whole Marvel Universe stupid enough to fight a werewolf for a solid night and then try to make friends with that werewolf.
“No one tell either of my dads, but...”
He holds up the MegaTome. “Look what I got!”
Breaking down the comics: Taking the hit (Issue #26)
Moon Knight Issue #26: Hit it! / The Cabbie Killer
Two in one! What a wonderful time to be alive!
Also this cover really gives me modern comic feels and I have no idea why. I feel like I've seen a variant of this cover before or perhaps another comic did a similar theme. Hmmm.
We start with an editor's note from Denny O'Neil! That's either a good thing or a bad thing when it comes to a newer comic that is experiencing its first big few years and establishing characters and villains.
It reads:
Falling on our noses?
In tai chi chaun, a gentle and wonderful combination of martial arts and exercise, there is a concept called "exploring the limits." This means testing how close you can let an opponent come before he hits you and how far you can extend yourself towards him before you lose your balance and fall on your nose. What you learn is where your body is, its boundaries, and the distance it can be extended and yet retain wholeness and identity.
In Moon Knight we're exploring the limits.
We're asking: What kind of adventures can our hero have and still be his own unique self. (Can we do fantasy? Science fiction? Humor?) How long should stories be? (One per issue? Two? Three? Or should a story extend over a number of issues?) How many liberties can we take with the traditional comic book format? (Our black-and-white covers are a solid success. but we're not sure about our other experiments --putting the title on the inside cover, next issue ads on the back cover, text features, cover galleries and whatever we come up with next.)
Lots of questions. Very few answers.
But that's okay. In fact, that's fine. That's what makes working on Moon Knight just about the most exciting job in comics. I've always liked journeys and everyone likes surpirses and Moon Knight is both. The magazine--and character--are fluid, not fully defined and we're busy exploring the limits.
Of course, we may fall on our noses. You'll let us know if we do.
-Denny O'Neil.
Okay! So this is a big thing for early comics! Many of you are only familiar with newer age comics and have graced Golden Age comics with a peak or two. But we’re sitting firm in the early 80s and Moon Knight is indeed a character that is unlike any other that was sitting firm in Marvel’s top tier. Born from a supernatural/horror type portion of Marvel that saw the birth of Man-Thing, Werewolf by Night, and others of the likes, Moon Knight bordered on classic Super-hero and supernatural horror.
The note about Tai Chi and extension is actually really beautiful and a perfect metaphor for Moon Knight. I’ll have to remember that one!
Now, to have a clear call to arms in where to take Moon Knight means that they have had this conversation in the writing room. They don’t know what to do with the comic. They have classic stories and ideas, but they don’t want to start repeating themselves this early int he game, but they also don’t want to jump the shark.
It also means that this particular comic that we are about to read might be an experiment on where to take the comic. So let’s see what the story of the week is!
We open with some utterly outstanding art. I mean, this stuff is GOLD. We got TWO spreads people!
The first page describes the colors of sound. The beat of jazz and how it affects the senses.
"First there is black. Then tehre is light, and all the colors of Jazz. And there is sound in these colos. A wailing trumpet drips cool violet, threaded with smoke. Heavy blue lumbers from the bass... While the clarinet tempts and tantalizes in hot pink counterpoint. But the drum... The drum beats Blood Red."
We move from jazz to images of various uses of the phrase "Hit it!" Hit it to be starting the jazz band swinging. To fix a malfunctioing TV, to encourage a baseball player to hit the ball out of hte park to a child's drawing....
"Double meanings sometimes multiply."
An abusive father and a crying child.
"But even as a trumpet screams through the night...The drum still beats Blood Red.”
"Hit it, Moon Knight. The night is here, the moon is full, and caught between one and the other dark deeds will prowl. Hit it, Moon Knight. Hit it.
Cats in windows, cries from the alley, shadows mixing, and mysteries cloaked for the kill. Hit it, Moon Knight, Hit it.
Fear in lurking, money itching to change hands, twitching and always, always blood to be spilled.
It's hot, Moon Knight, and it's dark and it's now--Don't be late, Moon Knight, Not for your time to howl...
It might be in rage or it might be in pain...But never fear, Moon Knight, it's always the same.
Just hit it, Moon Knight... Hit it!"
Sometimes I think Moench just shows off. And then Sienkiewicz just FLEXES.
We see Moon Knight on patrol. He passes by a building and we hear some men talking.
One complains about the graveyard shift to Joe.
But Joe isn't paying attention. He's having a flashback.
He's reading the newspaper. Specifically the Obituaries. We see a children's drawing of the angry father. Joe throws the paper and runs away.
He runs to a jazz club where the crowd flows out onto the sidewalk.
Joe runs into the crowd and comes across a man in the way.
Moon Knight notices the commotion and heads on over.
"Just down the street the colors are wilder --Neon shrieks without mercy...And the beat is younger, faster, harder... Pounding, driving, relentlessly slamming... Everybody is doing it these days, getting great satisfaction..."
They move past the jazz club to a rock house.
Along the way we see people beaten, bloodied, and terribly wounded.
"By hitting...hitting...hitting it!"
Joe makes it to his destination at last: The funeral parlor.
"I'm coming old man! Coming to pay my respects!"
The blood red drum beats and he bursts into the parlor.
There he finds the coffin of his father.
A priest tries to speak to him.
Joe beats the man down.
Joe is ready to fight. To fight anyone that tries to stop him. That stands between him and his father. Him and his past.
"Did you come to hit me too? Well, come on then--Hit me! Hit me till your arms fall off! You might as well...
He did it often enough! He hit me till I couldn't sleep at night--Any night!
And then he hit me some more! And then he ran away--Left my mother alone! Finally he wouldn't hit me anymore! Finally he wouldn't even give me that!"
Narration: "Blood red... The beat never ends... Pain, catharsis, rage--They shriek through nights lost to time..."
Narration: "Turn away, Moon Knight--You were wrong--It's not your time to howl. There are others with stronger voice, greater cause..."
The priest interrupts demanding that Moon Knight stop him.
Moon Knight: "No... There's been enough hitting tonight... I won't add to it."
While Moon Knight talks to the priest, Joe stands up and punches Moon Knight.
Here we remember that Marc Spector was a boxer. His violence settling from the school yard to the ring until his father turned him out. Marc moved from the ring to the battle field to the mercenary role. Marc runs hot with rage and fire. Who is he here? The raging child fighting back or the monster with nowhere else to put his fire than into those around him?
A Rabbi once told him to stop. A Rabbi that tried to lead him down a path of passive peace when the world around him was violence and pain. A father that could not stand the sight of his son fighting back.
Now we see a priest telling him to fight and him standing up and saying there is enough violence in the world that perhaps just this once there can be peace.
And when violence falls on him, he does not take the passive path. He can’t. Everything Marc is and has been is refusing to look the other way while he is hurt.
Narration: The crowning madness... Long live the king. And so, Moon Knight, the night was yours after all... And once started, the drum beats blood red...Forever."
He is angry with himself. Angry at his loss of control. Angry that he couldn’t do it. He couldn’t stop the violence. He couldn’t stop his own rage. His own need to hit back. To hit it.
What an opener. This one has me feeling a lot here. The direction of past trauma on those around us. The need to get resolution only to have it taken away from us. How it leads to more pain. More hurt. More trauma.
Does this remind anyone of anything?
Yeah. I went there.
PART TWO: Cabbie Killer!
This story is written by Denny O'Neil with artist Keith Pollard and editor Ralph Macchio.
I know what you’re thinking. “Oh no, Jake!”
We open on Jake sitting in his cab late at night.
"This is Lockley. I'm headin' for the garage after I drop my fare."
In the buses waits a man with a bazooka.
Narration: It is quiet in Brooklyn, this cool autumn evening, as Jake Lockley ends a day of driving around New York City--Quiet for exactly four more seconds...Then, two events occur simultaneously. Lockley stamps on the breake to avoid "STUPID DOG" --and the car parked a few feet away erupts in eye stinging flame...
Jake's fare asks if it was an accident or a bomb.
Jake sits stunned. "Neither. Just before the fireworks, I glimpsed a muzzle flash from the bushes. Weird as it seems, somebody shot off an old fashioned Bazooka! The thing that bugs me is, it looked like we were the target.... You got any enemies, mister?"
Jake's fare decides it's probably safer to walk and departs the cab. Probably for the best.
We cut to an hour or so later on a pier somewhere. We see a man in fancy military garb talking to another guy.
He explains that because of the dog, he missed his target and the target got away. He explains that he will try again with success next time.
The other guy tells him he doesn't give second chances and to 'take a hike'.
Military guy isn't happy.
"You have hired me to destroy a taxi cab and so I shall--whether you like it or not. I gave my word--And Commodore Donny Planet always keeps his word. Understood?"
Let me just say: WHAT A NAME.
Oh no. I didn't think it was this issue. I suppose I take solace in knowing now that it isn’t Bill that gave us Speeden. It always seems wrong to see old Moon Knight drawn by someone else. They just don’t get the face right.
But they sure do get the dialogue right. And the name. Steven. Because we all know who the vain one of the group is. Someone has to take care of the body and we all know it isn’t going to be Marc or Jake.
Ladies and Gents and all of the others, I give you Speedo Steven.
The pool scene wasn’t even needed. He literally came home after being shot at by a bazooka, changed into Steven, took a dip into a pool, then ran off to Brooklyn as Moon Knight. There was absolutely ZERO need for Steven to get into the smallest speedo he could find and take a swim. He even demanded that Marlene and Frenchie….wait. He demanded that Marlene meet him by the pool. She showed up in a bikini, expecting lovely pool time. Frenchie just showed up! In full attire. He was just there for the show. He takes it where he can get it, I suppose.
Moon Knight, now flying over the city, spots something burning. On closer look, he finds a cab on fire.
It seems the Bazooka man found a cab to hit.
Saddened by the loss of a cab, he is at least relieved to know that Jake Lockley is not the primary target.
Moon Knight tells Frenchie to take them to the Queens Cemetery.
"For months, I've known that a lot of our local criminal types play poker there every Friday night...They figure they won't be disturbed. Maybe one of them will have some answers for us."
Once there, he directs Frenchie to grab his cab and park it near the north gate.
I just gotta say... I have always loved the idea that all the bad guys get together to play poker and complain about their foes. Takes me back to the Batman Animated Series "Almost got him" episode.
I also gotta say that no one draws Moon Knight's face right in classic outfit with little emotive eyes like Bill. This one is just...lacking. They also over buffed him out in muscles.
Just a small criticism.
I do appreciate that Frenchie does still have his moon hat though. I love that stupid hat.
Moon Knight takes out the guards and interrupts the poker party.
One of the guys at the party knows something and spills it.
"One of my boys was runnin' from the law...Ducked into a garage and hid a certain tape cassette the cops want in a cab. He told us that much before he died from a slug in the chest. Problem was he didn't say which cab or where in the cab he hid it."
Turns out three cabs were in the garage that night. They hired Commando man to track the three cabs down.
The boss man at the table laughs that Moon Knight isn't going anywhere and calls over a hired goon with a gun.
Crawley!
Now Crawley is a sort of undercover informant for Moon Knight and all the baddies at the poker table trust him.
So Moon Knight has a problem. He can't fight Crawley like he was a regular thug. But if Crawley doesn't shoot him then they will know he's working for Moon Knight and lose all trust.
Crawley takes a wide shot and Moon Knight uses the chance and kicks Crawley in the face.
The choices he makes sometimes...
Crawley is knocked out and the thugs all scatter. He takes a moment to make sure Crawley is alright then runs after the main guy.
The boss spots a nearby parked cab and jumps in.
Moon Knight calmly sits at the wheel.
He informs the boss that this is one of the cabs from the garage and that he suspects the Bazooka man is waiting at the garage for a shot.
"You've got a choice: Either tell me where to find your assassin or we cruise 'round and 'round till HE finds US! Might take all night, but I'm in no hurry."
The boss is more than ready to give up the goods and tells Moon Knight where Commodore Donny Planet is.
He finds the Commodore in a boat. They fight and Moon Knight finds the Commodore to be freakishly strong.
Moon Knight strikes at normally vulnerable spots only to get tossed around like nothing.
It's near invulnerable vs. Moon Knight's ability to take the most brutal beating and keep going.
Moon Knight switches tactics and tosses some Judo in, keeping the large man off balance.
He knocks the man off the boat into a fishing net.
"The safe thing-The smart thing- would be to just let him drown." He contemplates for but a moment. "No."
He jumps in and saves the large brute then leaves him for the cops.
And that’s the end of the cabbie killer.
I must say, this one ended on a let down. I feel that if Moench had written it, we’d have ended on Jake finding the tape in his cab or something to indicate that he was the mark all along. Maybe that’s just me.
Especially after the first half with “HIT IT”. That one was really amazing. Fantastic art, a very heavy subject, and only took a few pages to cover it. Even though it didn’t end with a distinct note, it still felt like an end. A story that needed to be told that still somehow painted a picture of Moon Knight despite it being a one off that didn’t give any sort of moral or definitive point. The man still was angry over a past pain that will never be resolved. He’ll end up in prison because of all the people he hurt, and his mental health will never be addressed.
And that editorial at the start! What a piece! Learning to reach only as far as our body can go and learning not to get hit. I'm going to be thinking about that one for a while. Wow.
But that’s the story of Moon Knight, isn’t it? A story of underlining pain and trauma that affects his everyday life but that is never resolved, addressed, or healed. How it radiates out to affect everyone around him and the way he struggles to make the right choice and do the right thing…even though everything around him forces him back into that corner that forces him to fight for his life over and over again.
Breaking Down the Comics: Teaming up with the Devil.
Moon Knight Issue #13: The Cream of the Jest. (1981)
Moon Knight's first team up! Daredevil!
At this point, he probably has appeared in the background of other comics and maybe even been badly sketched in one or two group shots.
But this is the first Moon Knight comic that features another hero.
And of course it's DareDevil.
And thus we start Matt and Marc's long competition of who can be the most dramatically angst ridden.
....I think Matt is winning.
I'd also like to point out that ANY TIME Moon Knight teams up with someone, the issue always starts off with them fighting. (There is one hilarious exception and that is Franke Castle, who instantly bonded with Moon Knight and was like his BFF. That issue comes later).
It's like anyone in the Avengers sees Moon Knight and kill bill sirens start playing.
So the issue opens on Grand mansion and Jake (clothes and mustache make the man) is at the table reading the paper. He's not happy because someone he stopped as Moon Knight just got out on parole for being a 'model prisoner'.
I want to point something out here: NEDDA THE COOK is better at respecting Jake than Marlene.
She's still calling him Steven but whn Jake gets up to leave, Nedda takes the time to get it right:
"Very well, master....ah, Jake."
Little old granny Nedda!
As Jake leaves, Marlene calls after Steven.
"The name is Jake now, Lady." As he gets into his cab.
Cut to two guys scheming together about what to do after they get out of jail. One promised to kill Moon Knight as his first act out of jail. The other is a villian named "The Jester '' because he had a poor stage performance and got booed off the stage once.
He plans to ruin the director that fired him during his big big triumphant return to the stage.
He also deeply hates DareDevil for putting him away.
It's surprisingly easy to become a villain in the marvel universe.
Yep, just as Moon Knight is planning to watch his guy, DareDevil plans to follow his own villain. I....I'm going to have to show you the glory of this age of DareDevil.
Behold:
Matt….What are you doing…. Was this the best way to do this?
So the Jester is preparing for his scheme, putting together his 'deadly toys' and so on.
He heads to the city and DareDevil follows.
Meanwhile, Moon Knight is hot on the trail too.
And he spots DareDevil, but he worries DareDevil is going to get in the way before the Jester leads him to his guy.
Unfortunately the Jester nearly gets hit by a car and in New York fashion, the driver chews him out, leading to the Jester hitting him in the face with a Yo-yo.
DareDevil assumes the worst and is ready to jump in and take him down.
And so, Moon Knight is forced to interfere to keep DareDevil from ruining his plan.
What does he do? Of course the most sensible thing and talks to him, right? NOPE. Throws one of his crescent darts at DareDevil and cuts his Billy Club Line.
....And DareDevil lands in an arcade. Because of course he does.
If you've read any DareDevil comics, you'll know that DD's greatest weakness (besides his crippling catholic guilt) is having his hearing overwhelmed.
So while DareDevil is stunned and having a bad time with the loud sounds, Moon Knight straight up tackles him.
Yeah, that's not how you make friends, Moon Knight.
Jester stands outside the arcade watching the fight.
I can't even imagine the citizen's of New York also watching these two idiots fight in an arcade.
Jester runs off to carry out his plan.
While DareDevil swings Moon Knight around on a billy club line.
And Moon Knight throws his own Truncheon (big stick thing to hit people with).
DareDevil is still off balance by the arcade sounds and gets whacked right in the face.
It's at this point that they've made a right mess of the arcade and the citizens decide they've had enough.
Put to shame by the arcade patrons, Moon Knight FINALLY introduces himself.
"The Name's Moon Knight, Daredevil, and it seems to me that enough is--"
"Right--Enough. We've almost hurt some innocent people as it is."
They make up and decide to team up to stop the bad guys.
Meanwhile, the Jester has made it to the theater and sends in his robots to cause chaos.
They crash the play and take the audience hostage while the Jester does his thing.
They proceed to rob the place.
Running up to the theater, Moon Knight spots his man in the getaway car playing lookout.
On a walkie talkie, he tells Jester that the cops are coming.
They have a getaway plan, though. "Go get the helicopter, Taggert-and pick me up on the theater's roof in say, a half hour?"
Look at my boy go. Sending people to ‘Dreamtime”. I’m not sure that makes sense. Did you mean Dreamland? I’ll give him the benefit of the doubt, he did take a few DareDevil hits to the head, after all.
He calls Frenchie in his chopper and tells him to get ready for a plan.
You gotta love the early comics. They were about fun and surprises. Even when you could see where they were going, you had no idea how they would pull off the gag.
DareDevil meets with the police at the baracaid.
"You can't go barging in there--He's got five hundred hostages!"
You can't stop DareDevil when the law is being broken.
"...And not even the Jester can laugh at the law. I'm bringing him to justice."
And he dramatically vaults the baracaid.
He's just so passionate about the law....
He runs in before the Jester can hurt someone and jumps through a background prop.
And I do mean through. He busts through like the Kool-Aid-Man.
"DareDevil! Bursting through the scenery! But I thought you were--"
"Trading punches with Moon Knight? Sorry to disappoint you, but we kissed and made up -- Deciding our punches would be better spent on YOU, Jester!"
Gotta love old comic dialogue. You just... You just have to appreciate it.
The robots attack DareDevil and Moon Knight busts in to help take them out.
It goes about as well as it usually does.
Why does he always look so utterly helpless all the time? I’ve never seen someone spend so much time face down on the floor. That’s not just me, right? Does he splat on the floor a lot?
He jumps on a robot and just beats the shit out of it.
Moon Knight has never been about elegance. He's not going to flip around like DD. He's always been about brute force.
He just has no regard for his own limitations or safety. He always just goes into every fight hoping to dish out more hits than he takes.
The Jester makes a run for it and Moon Knight lets him go.
This is what I like about some of the older comics. You get a lot of dynamic poses. You just don’t see art like this too often anymore.
Also, you get a lot of glimpses at Moon Knight’s sense of humor.
Later, in the late 90s and early 2000s, a lot of comics took a dark turn and became more edgy. Moon Knight took that turn too, but Early Moon Knight really did have a sense of humor that was fun.
You even see in some Marc Spector flash backs and side shorts that Marc was a bit of a doofus. Something I miss at times. Seeing how much of an goof he was.
You see bits of that in modern Mr. Knight at times, but still not as carefree as it was.
Anyways, Jester runs to the roof looking for his partner in crime to pick him up in a helicopter.
And he sees one coming with a rope ladder!
Getting on the ladder, he laughs about outwitting DD and MK.
MK explains to DD who, when you think about it, has no idea what's going on, since he can't see the copter.
"You see, that's MY helicopter... Piloted by MY partner, not his, and his ultimate destination is the True cream of the frothy jest..."
He tells Frenchie to take him down.
And the helicopter lands him right in the middle of the police line while he's screaming at what he thinks is his partner.
I want to say that this issue was just outright fun.
Even in the fun, you still get a Jake moment, asserting his identity and it was really nice to see someone in the Grant mansion acknowledge it and trying.
ALso, Sienkiewicz went OFF on this issue. The lines and faces were just amazing and a real pleasure to look at.
Marlene is no longer just a vague woman shape in a sexy pink nightgown like she is in SO MANY of the earlier issues.
Gena, Jake, and Crawley are all carefully inked out and even the clothes and lines in the shirts are just stunning.
I also REALLY enjoyed the way Moon Knight's eyes were so easy to read in the black void of his mask.
I've always loved how the eyes are the only thing you can see and how they give away so much. It's like looking at an all black cat in the dark and suddenly big bright eyes look up at you.
There are also a lot of new angles and action poses that you don't get in the earlier issues. I think after a few years, Sienkiewicz really came into his own and started experimenting and having fun.
Hats off to this issue. While not a big important one, it is still a pretty good one in the Moon Knight history.
i-nsubordination replied to your post: My victory is nigh.
Cue proud grandma noises
“Oh, you haven’t seen nothing yet - just wait until there isn’t even a body left to bury!”





