Hellboy: Weird Tales - Part 7
Originally published by Dark Horse in Hellboy: Weird Tales #1 | February 2003 & Collected in Hellboy: Weird Tales - Volume 1 | November 2003
“Curse of the Haunted Doily”
Story: Mark Ricketts | Art: Eric Wright | Colours & Letters: Michelle Madsen
Originally published by Dark Horse in Hellboy: Weird Tales #2 | April 2003 & Collected in Hellboy: Weird Tales - Volume 1 | November 2003
Story & Art: Kev Walker | Letters: Michael Heisler
Originally published by Dark Horse in Hellboy: Weird Tales #7 | February 2004 & Collected in Hellboy: Weird Tales - Volume 2 | October 2004
Story & Art: Craig Thompson
Originally published by Dark Horse in Hellboy: Weird Tales #6 | December 2003 & Collected in Hellboy: Weird Tales - Volume 2 | October 2004
Collected in Hellboy: Weird Tales | December 2014
“Party Pooper” - Kate takes Hellboy to an amusement park for his birthday, while the rest of BPRD prepare a surprise party.
“Curse of the Haunted Doily” - Kate receives a care package of her mother’s things from her aunt, only to discover her mother’s ghost who proceeds to take control of Kate’s life.
“Long Distance Caller” - Johann Kraus slips his containment suit and travels to Australia to put a halt to an alien invasion.
“My Vacation in Hell” - An account of Hellboy’s vacation in Hell.
(Note: Pagination corresponds with those found in the hardcover Hellboy: Weird Tales collection published December 2014.)
pg. 215 - Andi Watson’s minimalist cartoon style really works for Hellboy.
pg. 215-217 - Hellboy fumbling through the various games is pretty funny.
pg. 217 - I like the colour change and sombre mood as Hellboy gets all deep and introspective with this fatalistic approach.
pg. 218 - And then we get the pancakes for his birthday surprise.
pg. 220 - More of the bits of destiny that Hellboy has renounced previously.
pg. 221 - The paper crown from the cracker is cute.
pg. 223 - Really like the cohesion of script, art, colours, and letters in this story.
pg. 224 - Especially as the colours change when the story gets weird.
pg. 225 - Kate’s mother emerging from the doily is hilarious.
Also, the overbearing control-freak nature of her mother is a spot on stereotype.
pg. 226-227 - Kate changing appearance, regressing to that of a little girl as her mother berates her and takes over her life is both funny and sad.
pg. 228 - That odd appearance of Sidney Leach, who otherwise completely disappeared after Almost Colossus.
pg. 229 - Great establishing shot and then focus on Johann.
Also, very interesting revelation here about him not needing to sleep (which makes sense), and interpretation of the idea of a “restless spirit”.
pg. 231 - The play through the clouds towards the beacon and the dish is just wonderful.
pg. 232 - I quite like that Johann is taking responsibility and initiative here, instead of just going back to BPRD HQ and reporting it.
pg. 233 - The thing coming through from space is pretty terrifying.
pg. 236 - That’s a neat trick.
pg. 237 - Love this sequence. Walker is definitely giving the storytelling structure here a fairly close parallel to how Mignola does much of his own.
pg. 238 - Nice bit of bonding.
pg. 239 - The structure of this story from Craig Thompson reminds me of a lot of early woodcut and metal etching travelogues and memoirs.
pg. 240 - The quick turn from bliss to terror is hilarious with the Sexy Angels.
pg. 241 - “Butt-Trumpet Induced Headache” should probably factor in to Aspirin or Advil’s sales pitch somewhere.
pg. 242 - Love the design for the cutaway of the demon’s stomach.
pg. 245 - Interesting incorporation of Hellboy’s potential fate and reiteration of his renouncing it.
Kev Walker is another of my favourite artists who, like Ryan Sook, has taken an inspiration from Mike Mignola’s art (along with hints of Kieth Giffen and Carlos Ezquerra) and developed a style unique and wholly his own. His story here with Johann is a nice alternate approach to the series, working with a character that hadn’t seen much action at this time.
The other three stories are also great. “Party Pooper” is sweet, even with its somewhat melancholic reflection. “Curse of the Haunted Doily” is hilarious, perfectly capturing the overbearing mother stereotype. And “My Vacation in Hell” is a very unique recounting.
I’ve really enjoyed traipsing through these interpretations of the Hellboy mythos from a variety of creators, each bringing their own eclectic vision to the character.
d. emerson eddy tried so hard and got so far. But in the end, it didn’t even matter.