#matt irving

[northwestofinsanity]

Very early 90s Squeeze

[longliverockback]

Manfred Mann’s Earth Band Budapest Live 1984 Bronze ——————————————————————— Tracks: 01. Spirits in the Night 02. Demiliton Man 03. For You 04. Davy’s on the Road Again 05. Lies (through the 80’s) 06. Blinded by the Light 07. Redemption Song (No Kwazulu) 08. Mighty Quinn 09. Brothers and Sisters of Africa • Where Do They Send Them 10. Don’t Kill It Carol ———————————————————————

Matt Irving

John Lingwood

Manfred Mann

Mick Rogers

Chris Thompson

Steve Waller

* Long Live Rock Archive

[myfavoritemaneuver]

Silas Baxter-Neal - Adidas "Away Days"

[myfavoritemaneuver]

Silas Baxter-Neal - Adidas "Away Days"

[superiorstr8men]

[superiorstr8men]

[longliverockback]

Manfred Mann’s Earth Band Somewhere in Afrika 1983 Bronze ————————————————— Tracks: 1. Tribal Statistics 2. Eyes of Nostradamus 3. Third World Service 4. Demolition Man 5. Brothers and Sisters of Azania 6. Africa Suite    a. Brothers and Sisters of Africa    b. To Bantustan?    c. Koze Kobenini? (How Long Must We Wait?)    d. Lalela 7. Redemption Song (No Kwazulu) 8. Somewhere in Africa —————————————————

Matt Irving

Shona Laing 

John Lingwood

Manfred Mann

Trevor Rabin

Mick Rogers

Chris Thompson

Steve Waller

* Long Live Rock Archive

[mitjalovse]

I have called Hugh Padgham one of the sonic architects of the 80's without defining what he did to earn such a distinguished moniker. Well, a major reason for that might be the gated reverb trick, which he used on most of his works from the 80's. Paul Young's Between Two Fires – yes, he also asked Mr. Padgham for an assistance – show this ambience a lot. However, that sort of a production method does do something unreal to the pieces. If you ask me, something seems heavily off with the trick. I mean, if that is the aim, I am fine with this, yet I don't feel Paul Young planned to subvert the gated reverb principle, he merely tried to capture his fame again, since Between Two Fires finds him fishing for the zeitgeist.