#max waldman

[milksockets]

'dying swan - natalia marakova' in max waldman on dance: photographs (1988)

[dreaminginthedeepsouth]

Max Waldman (photographer), Janet Eiber in Martha Graham’s Frontier, New York, 1976 :: [indivisually]

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“There’s more than meets the eye with the human body. It keeps score all on its own. It remembers; it hurts; it hides memories, secrets, even from us. The body is a record keeper, even when the brain forgets what’s been recorded. Bodies, bodies, bodies. Vanishing bodies.” 

― Moses Yuriyvich Mikheyev, Vanishing Bodies: An Epic Science Fiction Romance

[kiki-de-la-petite-flaque]

Ph Max Waldman: Henry and Jane Fonda, New York City, 1960.

[francescacammisa1]

Irripetibile

Blog per chi ama arte, letteratura, libri, aforismi, musica, fotografia, cinema, teatro, testi, radio, danza, storie di vita e altro

Un buon mentore, così come un bravo psicologo, un buon genitore, un buon partner e un buon amico, non ti dà delle risposte definitive e certe, perché ognuno di noi è un essere umano unico e ogni vita è una storia irripetibile.

Gianluca Gotto - Quando inizia la felicità

Ph Max Waldman

[thedragonkeepr]

[henk-heijmans]

Glenda Jackson as Charlotte Corday in Marat Sade, 1966 - by Max Waldman (1919 - 1981), American

[septembergold]

National Portrait Gallery, Smithsonian Institution: gift of Carol Greunke, Max Waldman Archives © 1976 Max Waldman

Peter Martins born 1946

Born Copenhagen, Denmark

Suzanne Farrell born 1945

Born Cincinnati, Ohio

[disease]

“BALLET REHEARSAL” MAX WALDMAN // 1975-76 [gelatin silver print | 14 x 17 3/4″]