BITTER PEACH NO STOP Tringa Gashi & Mercedes Pimiento curated by Fuxia 2 & Blanca del RÃo
Fuxia 2 (Malmö) 23.08 – 19.10 2024 Supported by Malmö Stad, Region Skåne, Kulturrådet, Statens Kunstfond and Institut Ramon Llull
📸 by Cian Burke and LCB
Gel nails. A row of watches locked in behind the glass of a counter. Nostrils searching for the right scent. Someone is wearing a fur coat. Despite the blurriness and the shaking, we manage to distinguish a recognizable scene: we are in a shopping mall. Now, inside an elevator. Two floors up. And just when we thought we had found our feet, the camera spins again. An unstoppable loop.
PÒ‰EÒ‰AÒ‰CÒ‰HÒ‰ SÒ‰TÒ‰OÒ‰PÒ‰ NÒ‰OÒ‰ BÒ‰IÒ‰TÒ‰TÒ‰EÒ‰RÒ‰. NÒ‰OÒ‰ PÒ‰EÒ‰AÒ‰CÒ‰HÒ‰ BÒ‰IÒ‰TÒ‰TÒ‰EÒ‰RÒ‰ SÒ‰TÒ‰OÒ‰PÒ‰. BÒ‰IÒ‰TÒ‰TÒ‰EÒ‰RÒ‰ NÒ‰OÒ‰ SÒ‰TÒ‰OÒ‰PÒ‰ PÒ‰EÒ‰AÒ‰CÒ‰HÒ‰
In the early 1970s, immersed in a context marked by political violence and social unrest, the Florentine design collective Archizoom Associati developed the No-Stop City project. Affiliated with the so-called Radical Architecture movement, Archizoom proposed a model for a neovanguardist metropolis which, devoid of ideological prejudices, juxtaposed seemingly contradictory elements: communism and consumerism, Marxist principles and pop art. Technician: Jesper Veileby Graphic design: Mark Emil Poulsen














