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Bobbie Gentry – Fancy (1970)
Bobbie Gentry – Fancy (1970)
By Michael Strait
Once again, Bobbie sings other people’s songs – with one remarkable exception.
There are ten songs on this album. Eight of them are covers, one of which (“I’ll Never Fall in Love Again”) was also present on the last album. One of them (“He Made A Woman Out of Me”) was written for Bobbie by the minor pop songwriter Fred Burch.
And one of them is “Fancy”.
Gotta be honest: after…
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Bobbie Gentry – Touch 'Em with Love (1969)
Bobbie Gentry – Touch ‘Em with Love (1969)
By Michael Strait
She cedes the spotlight mostly to other songwriters on this one. Good thing she’s got great taste.
So, most of my reviews dealing with cover songs tend to compare and contrast ’em with the originals and/or other versions. That’d take me too long here, though, so I’m not gonna bother. Exactly 50% of this album is covers, and of the rest, only two are self-penned. That disappoints…
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Bobbie Gentry – The Delta Sweete (1968) By Michael Strait I believe this is what the young'uns refer to as a "glo-up". Alright, so it's at this point that I start to sort of understand why so many people insist on calling Bobbie Gentry a country artist.
Bobbie Gentry—Ode to Billie Joe (1967)
Bobbie Gentry—Ode to Billie Joe (1967)
Michael Strait
I don’t really want to focus on music history here, so I’ll just hit you with the abridged version: Bobbie Gentry recorded the song “Ode to Billie Joe” as an intended B-side, ended up releasing it as a single in its own right, and was stunned at its prompt, immediate success. She proceeded to grab a guitar, a producer, and a bunch of string musicians, and together they set about…
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MISERY WITHOUT COMPANY: Sarah Shook and the Disarmers—Sidelong (2015)
Michael Strait
I’m gonna get this right out of the way: if what bothers you about country music is that it’s whiny, this album won’t do much to swing you. But then again, if that’s your problem with country music, fuck you! Misery is one of the great topics of popular music, and the pages of history are littered with miserablist geniuses I’m willing to bet most of y’all just absolutely adore. If…
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STRAIT TO THE POINT: Lady Gaga—Joanne (2016)
STRAIT TO THE POINT: Lady Gaga—Joanne (2016)
(No, I’m not reviewing Cheek to Cheek. Sod off.)
If this album proves one thing, it’s that I was wrong to suspect that Gaga’s reservoir of raw melodic talent had emptied entirely. Naw, she’s still got it, and it’s actually present on this album in abundance. I dunno where it went on Artpop, but it’s back now, and most of the songs on this album centre around at least one pretty memorable tune.…
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Dessa—CHIME (2018)
Review by: Michael Strait Assigned by: Graham Warnken
I am, as is known, among the most deeply white individuals ever to spew forth from the Earth here in the land of everlasting swamp. So understand that when I say this music feels like it’s made for people even whiter than me, I’m talking proper white. Like, rural-Minnesota-in-winter white.…
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STRAIT TO THE POINT: Lady Gaga–Artpop (2013)
STRAIT TO THE POINT: Lady Gaga–Artpop (2013)
Well, I guess it couldn’t last forever. After two straight albums of seemingly endless melodic inspiration, it was bound to happen that she’d screech to a halt eventually. I’ve been known to theorize that talent is more like a finite resource than an innate trait, bound to run out eventually if you mine it for long enough, and this point in Gaga’s career gives me some worrisome evidence in…
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