a group of Animals can be soooo special... 🐾✨️

seen from Yemen
seen from Ireland

seen from Netherlands

seen from Netherlands
seen from China
seen from China
seen from China
seen from Taiwan
seen from China

seen from Malaysia
seen from Türkiye

seen from Malaysia
seen from Malaysia

seen from United States

seen from Malaysia
seen from Türkiye
seen from United States
seen from Netherlands
seen from China

seen from Türkiye
a group of Animals can be soooo special... 🐾✨️
The Nashville Teens - T.N.T. (1964)
The Nashville Teens were neither teens nor from Nashville; they were definitely from Surrey and were no longer teenagers. But this is definitely some great high energy, stomping R&B, with help from session man Jimmy Page.
A Hurdy Gurdy Man-related drawing that I did for school 🍃 HAPPY BIRTHDAY, DONOVAN!!
(Donovan's record producer being dramatic under the cut teehee)
Donovan- Sunshine Superman (Psychedelic Folk, Singer-Songwriter, Psychedelic Pop) Released: August 26, 1966 [Epic Records] Producer(s): Mickie Most
The Animals - The House of the Rising Sun (Stereo) (1964) (Full Version) Traditional / Arranged by Alan Price from: "The House of the Rising Sun" / "Talkin' 'bout You" (UK) "The Best of The Animals" (US |1966)
R&B | British R&B | British Invasion
JukeHostUK (left click = play) (320kbps)
Personnel: Eric Burdon: Vocals Alan Price: Vox Continental Organ Hilton Valentine: Guitar Chas Chandler: Bass John Steel: Drums
Produced by Mickie Most
Recorded @ The De Lane Lee Studio in Kingsway, London UK on May 18, 1964
UK Single Released: on June 19, 1964 Columbia (EMI) (UK)
US Album, "The Best of The Animals", Released: February of 1966 MGM Records (US)
"The song was recorded in just one take on May 18, 1964. It starts with a now-famous electric guitar A minor chord arpeggio by Hilton Valentine." - Wikipedia
♪♪♪ ♪♪♪ ♪♪♪
Video: The Animals - House of the Rising Sun https://youtu.be/Rp4H2wFO-o0
Soulburn
I can get a good idea of why the sinisterly stalking Burning Up With Fever (1978) (1) was not taken into consideration for Destroyer (1976) back in the day.
I mean, if you take into account that the preferred God of Thunder, as the archetype of all so called demon songs, forms an almost insurmountable benchmark and virtually its own closed dimension, you don't necessarily have to be Sherlock Holmes to find a reasonably meaningful answer (2).
But why it was also excluded from the follow-up Rock and Roll Over (1976) is another question, because there is no other demon-esque song on this album.
I never noticed any positioning or questioning of this almost Kiss-atypical circumstance anywhere in fandom, but maybe it was simply because with Rock and Roll Over they wanted to let it go for once with the dark song and it was probably too peculiar for the spirit of the album, and not rock n' rolly enough, because they most probably saw need to focus more on classic, light-hearted dick songs again. And then again, maybe Burning Up With Fever just wasn't lightweight enough (3).
But hey, maybe it's all just a funny coincidence, who knows, besides, this is only supposed to be the, ahem, introduction anyway, just to warm up to the subject matter a bit.
So where did this troublemaker of a Gene song, which finally found an adequate and comfortable home on Gene's '78 solo album, actually originate?
Well, somehow with Jeff Beck and his Rock My Plimsoul (1968), I would say. More or less, because this one has some classic blues in it and also moves rather quietly and smoothly, as if it could do so all night long.
Gene brings in his the rough edges into this groove with his spindly, somewhat awkward monster walk, half gorilla, half Godzilla, coming towards you with equally slow, but in its grotesqueness almost comically irregular steps.
So in my vision Gene basically puts Jeff Beck on as a costume over his Love Gun (1977) outfit, complete with that red Dracula solo cape. You know those full body suits that are printed with something extraordinair and are so thin that you can basically always see exactly what the costumed person is wearing underneath? You know what I mean?
The Devil in Disguise.
Side Note:
(1) Originally first moved into the Kiss picture as a '75/76 pre-production demo for Destroyer, or something like that.
(2) It probably didn't quite fit into Bob Ezrin's musical concept/vision either.
(3) But as I said, almost Kiss-untypical. On Hotter Than Hell (1974) half the album was dark and gritty, Dressed to Kill (1975) at least had the gloomy-stoic She, Love Gun (1977) later had Almost Human, but what about the debut album? Yep, no Demon song at all. Rock and Roll Over and the self-titled debut are thus the only two Kiss albums of the klassik (and even not so klassik masked) period without a dark and brooding Gene song.
And, oh yes, I do indeed include Naked City from Unmasked (1980), albeit this track contains more Drama than Demon, but still has enough demon power in it to hold its own as such against all the Gene songs post-Lick It Up (1983).
No highlighted inks, but Burning Up With Fever begins directly without that jangling intro:
Burning Up With Fever (1978)
Rock My Plimsoul (1968)
CCS - Wade in the Water (RAK)
Alot of great people on this Mickie Most produced, John Cameron produced and Peter Bown engineered Jazz Rock LP; gui. Alan Parker, bass. Herbie Flowers, Trombone. Don Lusher, Percussion. Bill Le Sage. sax. Harold McNair. 1970.
British Invasion record producer Mickie Most got his start as a milquetoast rock n’roll singer in the 1950s.