Above: "The Russian Gallows" and other photographs from Edward Browne, The Reign of Terror at Tabriz. Manchester: Taylor, Garnett, Evans & Co, 1912.
"In addition to such in-camera acts of counterrevolutionary violence, there were also public performances of violence, conducted by both constitutionalists and anticonstitutionalists. For example, in the city of Ardebil after the royalist coup Amir Mo’azez Garrussi unleashed his own wrath on constitutionalists, including the perforation of victims’ septa, through which ropes were tied as harnesses for parading the victims through the streets and the bazaar, before having them publicly hanged or beaten to death with clubs. For their part, after dethroning Mohammad Ali Shah in July 1909, the revolutionary forces publicly executed many prominent and ordinary royalists, including the hanging of the arch anticonstitutionalist cleric Shaykh Fazlullah Nuri, often with the victims left hanging from the gallows for some time. Public display of corpses at times required preventing the natural decay of the body-deprived-of-life in a postmortem effort to preserve the cadaver for the purpose of maximizing the spectator efficacy of the display and its intended message. This was the case with the royalist “Arshad al-Dauleh,” who was captured and shot by revolutionaries after rallying his forces in sup- port of Mohammad Ali’s attempted repossession of the throne in 1911.
The public exhibition of Arshad al-Dauleh’s corpse was a combined gesture of the corporeal inscription of constitutionalist victory in routing forces loyal to the former shah, effective liquidation of a notorious and formidable royalist reactionary, and avenging the imagined nation—very likely also conveying a message of nationalist resistance to Russian machinations in Iran, given St. Petersburg’s collusion in the latest royalist intrigue and the swift in-camera trial and execution of Arshad al-Dauleh in order to prevent Russian intercession on his behalf. Arshad al-Dauleh’s corpse was taken to Tehran and placed on public display for three days, his stomach cut open in order to pack ice into his body for postponing decomposition. The preservation of the corpse or body parts for the production of optimum “actuarial” effect of violence was in keeping with a well-established practice in Iran, where cadavers or decapitated heads of criminals and rebellious tribal and/or political persons were occasionally stuffed with straw or other materials and placed on public display. By the time of the revolution, the modern media of photography and cartoons appearing in tabloids (with the press serving as yet another component of Iranian modernity) were deployed as additional multivalent circulatory mechanisms for multiplying and prolonging the public scopic utility of corporeal confinement, injury, and demise, used by different contending political factions to respectively celebrate and vilify their prowess or victimization.
For example, in early 1908 the constitutionalist caricature tabloid, Kashkul (Mendicant’s Bowl), printed a cartoon depicting the grotesque murder of a number of defenseless, and evidently unsuspecting, constitutionalists by a counterrevolutionary mob at Tehran’s Artillery Square (meidan-i toup-khaneh). The victims included a young man (Inayatullah Khan of Zanjan), who had his eyes gouged out after being killed. In the cartoon, while the mutilated body of a victim hangs upside down from a tree (evidently the body of Inayatullah Khan of Zanjan after being killed) and a hacked body of another appears at the base of the tree, the anticonstitutionalist hooligan Mulla Ibrahim, portrayed as a beast-headed butcher, is shown busy carving out his victim’s eyes. While the caption next to the figure of the victim suspended from the tree denies accusations of his apostasy, the caption below the figure of Mulla Ibrahim and his young victim questions the genuine religious devotion of Mulla Ibrahim (and, by extension, all other anticonstitutionalists claiming to be defending Shi’i Islam against religious heresy and atheism). The caption, underscoring the “uncivilized” nature of the atrocity, asks, “In which religion and nation is it permissible to gouge out his eyes?” This incident occurred shortly after a public denunciation in the constitutionalist paper Majlis of earlier attacks carried out by counterrevolutionary thugs at the Artillery Square, allegedly sanctioned by the lead- ing anticonstitutionalist cleric, Shaykh Fazlul- lah Nuri, as a means of combating irreligion."
- Mansour Bonakdarian, "The World Born Through The Chamber of a Revolver: Violence, Culture and Modernity in Iran, 1906 -1911," Comparative Studies of South Asia, Africa and the Middle East, Volume 25, Number 2, 2005, pp. 331-333