• Hana to Yume cassette label - illustrated by Maya Mineo •

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• Hana to Yume cassette label - illustrated by Maya Mineo •
マライヒ Maraich icons 𝜗𝜚
Patalliro
I’m sometimes asked why I don’t do manga style art anymore, even though I do, occasionally, for commissions.
Once upon a time I worked on a few manga/anime adjacent projects. I don’t consider myself in any way important to the scene and my last manga convention was about 25 years ago. I’ve only been to Japan – briefly – twice, and have no expertise in the manga business. It’s grown so far away from where it was when I had my minor association that I don’t recognize it anymore. I can’t make meaningful contributions or comments to current trends.
A lot of this has to do with my moving out of the city to a fairly remote rural area. I spent many years without modern internet, had no easy access to a comic shop, and didn’t go to many conventions for a long time. I didn’t even have a phone for a while. I didn’t see any new manga or anime for years.
Proximity and social connection make or break our interests in fannish things. After a long absence from a particular arena, my interests wandered. When I was young, manga was hard to get and that felt like a treasure hunt. When I got older, chasing fannish things felt like a chore. Disposable income for a kid is bill money for an adult.
Some people hit on one thing and they’re set for life. I am that way about my interest in Golden Age Illustrators and the Pre-Raphaelites.
There are a few manga artists who I greatly admire whose books are still in my library such as Riyoko Ikeda, Moto Hagio, and Mineo Maya. But over time, I’ve given away most of my manga/anime collection to followers on my Patreon.
There used to be only a handful of US creators with manga ties, but that influence is omnipresent now! It’s a delight to see how much manga has made an impact on new readers! It’s just not where I am anymore. I’m thrilled to see what other people do, though.
I’ve probably only got a handful of graphic novels left in me, already have them planned out, and I can’t see doing major stylistic or content pivots again from here.
As I'm still a great admirer of Mineo Maya, I was thrilled to see this on Twitter, and overwhelmed that people remember my small contributions to the fandom kindly.
male mom and neurodivergent dad
Insert art in Patalliro Original Album Part II, by Mineo Maya.
Bancoran the Bishōnen Killer👁️👁️😘, drawn and signed by 魔夜峰央 Mineo Maya
Trivia: With more than 100 volumes (yikes!) Patalliro is the longest running shōjo manga of all times 🙀
💔
some very nice astaroth panels from volume 22