Marta Minujín (Argentina) – Frozen Sex Series
Today more than ever it is the task of Marxist critics to expose the popular equation of art and life for what it is-nothing but a mystification; what we need is a critical analysis of the unprecedented aesthetization of everyday life that took place in Western countries in the postwar era. (…) Remembering Marx's thesis that the human senses are the result of thousands of years of development, we may legitimately ask whether human sensuality itself might not undergo a qualitative change if the present manipulation of our sensual perceptions is continued over a long period of time. A Marxist theory of sensuality and fantasy under late capitalism must be developed, and this theory should provide an impulse to change everyday life. – Huyssen, 1975 (in The Cultural Politics of Pop: Reception and Critique of US Pop Art in the Federal Republic of Germany)
Images:
Marta Minujín, Untitled, 1973. Acrylic on canvas. 129 x 129 cm.
Exhibition Frozen Sex at Henrique Farias Gallery, Buenos Aires (2018).
Marta Minujín in her studio during the early 1970s (either in Washington DC or New York City).
Marta Minujín, Untitled, 1973. Acrylic on canvas. 129 x 129 cm.
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