Me As A Model Coach
I have a general concept of what I want to see in a photo. When I coach models I love theexpressions, movement, and shapes they create. There is that certain moment when a body becomes more than the sum of its parts. There's a synergy of emotion and motion in the movement that sings to me. When that synergy is all that remains, I consider a photo whole. I often tell our clients and models that the natural progression of their unique bodies can only serve the photo.
The candid moment for me happens not when the subject lets go... it happens when the moment and they become one.
When coaching I don't spend much time dwelling on fake smiles and canned movements. I mirror the model. I range from ultra serious/stern to the practical joker/ comedian. I find it helps me speak in a way that is familiar and relates to them. It is in that way they understand the intent of what it is we are trying to accomplish. For this, I adopt the way they may pronounce words or the speed at which they might talk. Even if I want all our models, clients, and teammates to look elegant and powerful with a subtle hint of vulnerability, I first make sure that is what works for their personal/professional goals and that of the photo.
On set I am everyone's biggest cheerleader. I believe the set should be a safe place to experiment. I always encourage and redirect when I see something that isn't quite working.
Modeling for me should be less about memorizing shapes and poses. I would equate that to learning words before you learn grammar. You should never assume you can speak a language with words alone. You need a basic understanding of grammar of movement. I find this in the form of accessible emotional literacy, the language of truth and empathy. I work well with former actors. They are usually great at drawing out emotion and allowing themselves to play in front of the camera. I hope that the end photo translates pure intent to the audience through a timeless expression of truth.