WEEK ONE 🌫
This week we started off by exploring and comparing different apps and social media platforms on how they use digital space to their advantage. (Partner: Adam Terne)
Notes on how to start and from talking to Clint:
Orientation = where you are
Where digital spaces meet and don’t meet
Where we are in our file system and the internet
We started by thinking of examples of physical space and how humans move about them.
We use maps to navigate and direct us from Point A to Point B
Users have a sense of where they are when they are typing while staring at the screen
Actions are intuitive/ muscle memory
Questions we came up with:
How do we explore distance and depth with 2D space?
We started with webpages. We came up with a preliminary definition that distance is hyperlinks that take users to other domains whereas depth is hyperlinks that stay within the domain. We started to test it out on different websites to further build upon our definition. Do login screens hinder the user or does it make the user go deeper? Is it comparable to a door, does it take you somewhere?
Spotify
We opened up the Spotify app on desktop and started exploring with it. We added to our definition that depth can be measured by whether or not the user is exploring if the user is going deeper into the content or not. Distance is when the user is moving from one place to another. Are preferences distance or depth? Distance has an end goal, the user must have an aim to go the distance. Depth is more about exploring and discovering new things. If a Spotify user was to look through the browse playlists then they are moving through layers, through depth. If they were just selecting a song from an album or artist then they are going the distance. This means that CONTEXT needs to be taken into consideration when talking about metaphorical distance and depth in digital spaces. Do smaller screens make it seem like there is more depth to the app? Why? We found that with smaller screens you are pressing to get further and they are more tangible.
With Messenger, we found that distance is more essential whereas depth is optional. With Messenger’s features, the user can go into the depths of the app to access optional features like location, gifs, bots, games, etc. To talk to someone, the user would only have to go the distance by tapping on the person. It doesn’t affect the overall purpose of the app if the user chooses not to explore the app further and go through the extra layers.
We came to the conclusion that websites like Pinterest, Facebook feed, Twitter, and Tumblr that use infinite scrolling adds to the depth of the digital space because the user is exploring new content.
How is time relevant to our definition of depth and distance?
Instagram is posted once, but Tumblr can be shared over and over again. You can only view an Instagram post at a given time frame whereas you can find Tumblr posts from three years ago.
Does your perspective change over time on a website? How is time portrayed? How do we keep interactions sustainable over time?
We also explored on screen size and came to realize that having a bigger screen doesn’t necessarily mean that you have a bigger space to do things. It all depends on the user, most times you can do more on a phone because of its tangibility than on a twenty-one-inch flatscreen. Sometimes it may be physically harder to interact with bigger screens.
2.
(Dissecting the text) Notes:
Decisive quality of mathematical space = its homogeneity
Regular throughout
—> extends in all directions into infinity
Space that is manifested in concrete human life ‘éspace vécu’
Dürkheim: ‘possibility of development’ and as ‘resistance’
Not a neutral, unchanging medium
Full of meanings referencing life, has opposing effects
Change according to tho the locations and areas of space
‘Transcendental ideality’ of space
More than a mere form of human experience
General form of human living behaviour
Space is something fixed in relation to man, within which human movement take place
The Elementary Structure of Space
1 The Aristotelian concept of space
Space has a natural structure
Not a system of relationships between things, but the boundary, completed from the outside, of the volume taken up by a thing
The hollow space bounded by a surrounding cover
Exactly as large as the thing that makes it up
Can lie within each other
Does not extend further than the things that fill it
2 Word usage and etymology
Everyday linguistic usage
Raum: elbow-room for a movement, space/distance between things, ‘free space’ around a person
Determined by the situation
‘Orte’ and ‘Stellen’ in space
Ort: does not imply extension, a filled surface or a filled space
Always specifically located and precisely fixed point
Retains sense of pointing
Can only move to a different point but can not exchange places and positions
Fixed position of a thing
Place where one puts something and where this is later to be found
3 The natural coordinate system
Vertical axis and horizontal plane: upright man
Aristotle six kinds of space:
Directions naturally arising from the position of the human being standing upright in space
hree forms of looking back, retreating and returning, represents the three basic forms of natural forward movement in an opposition direction
Can never see an object independently of a particular POV
Never see it as it is ‘in itself’
Always bound to a perspective
Objects change in size according to their distance from the observer
Prevents one from getting lost
Gives the means to determine one’s situation and to work out the path of one’s intellect
Extends in front of people a wide field of vision and movement reaching forward freely into space
A boundary that positively entices one into the distance
Broadens out spatial development for humans and immediately restricts it again
Belongs inseparably to the spatiality of human existence
The placing of man in the center of his space and the horizon that encloses it are thus necessarily dependent on each other
Basic state of human life
To be at home in a particular place, rooted in it, belong to it
Special effort, man must ground himself
Have a fixed place in space, to belong to this place, and to be rooted in it (p.124)
Needs to secure the area by suitable means
Relax his constant alert attention to possible threats
“We dwell plurally” “with our own” “separate from the others, the strangers”
Must outwardly protect, but also inwardly designed to meet the needs of those who dwell in it. Homeliness?
Mediating structures that interpose themselves?
Hodological space according to Lewin
The change that in concretely lived and experienced space is added to what we had already designated the accessibility of the respective spatial destinations
Space is structured as a totality of places and areas that belong together
Things to potentially explore further:
** How do we, as designers, provide the user a place to dwell? How do we provide them security? What are the threats?
To feel at home, we use common interaction patterns, things the user is already accustomed to for consistency
Does your perspective change over time on a website? How is time portrayed? How do we keep interactions sustainable over time?
Does your perspective change over time on a website? How is time portrayed? How do we keep interactions sustainable over time?
How does perspective change in digital space?
citations
Bollnow, O., Shuttleworth, C., & Kohlmaier, J. (2011). Human space / O.F. Bollnow ; translated by Christine Shuttleworth ; edited by Joseph Kohlmaier.