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Demolition planned for Paisley housing blocks as regeneration enters phase three
Renfrewshire Council has issued a Prior Notification for Demolition for two housing blocks in Paisley, marking the beginning of phase three of the wider housing regeneration programme. The properties affected are 2–22 Mossvale Street and 47–53 Springbank Road, both four-storey residential blocks dating from the 1960s/70s. Since becoming vacant, the buildings have increasingly become targets…
Episode √13: Jukebox Riot We find out that Louis and Victor are regular volunteers at Mossvale FM, the local community radio station. Its manager, the seemingly affable Mr. Slaugh, is actually a mean-spirited old cuss in private, haranguing the station's hosts for the drop in listenership. Riya, a recent Mossvale graduate, is singled out for some especially venomous words about her choices in music. He tells her that he wants the station playing what everyone actually wants to sing. In frustration, she invokes a demon to ensure that happens. In an entirely expected twist, the demon instead makes it so whatever music Riya plays, people are compelled to sing, transforming Mossvale into a rock-adjacent 90s jukebox musical. It's up to the Scoobies to figure out what's up and help Riya break the infernal spell -- because a still very much un-souled Sarah Ellis is feeling some particularly human stirrings from what the music is doing to her, and she'll cut the spell off at the source, even if it means draining Riya dry. Notable numbers include: Under the Bridge by Red Hot Chili Peppers Ruairidh goes through his early morning routine: coffee and gym, walking through the streets of Mossvale before anyone else is up. Each time the song gets to "I don't ever wanna feel / like I did that day," the mirror at the gym shows him at a different low point: In a coma after the first attack, waking up disoriented, difficulty rehab, and finally standing over the demon covered in its gore. Sheep Go to Heaven by Cake Mossvale College wakes up with this song defining a particularly uninspiring and drizzly Thursday morning where no one really feels like going to classes. At the refrain "goats go to hell," the Mossvale student body makes it clear that they know they're already there.
Rock n' Roll Lifestyle by Cake Quentin, Victor, and Ruairidh get real nasty to Laurent when he tries to impress people with his expensive rock memorabilia and a new bad boy persona, capitalizing on the musical world to try and get unearned cred.
Dreams by The Cranberries Reese sings a slightly punchier cover between brawls in the sewers as he and Ruairidh rough up local demonic bottom feeders for info on who's behind the music. He's immeasurably glad that his singing wasn't fully diegetic so Ruairidh didn't hear him call him a dream.
Who Will Save Your Soul by Jewel Quentin gets weirdly in his own head about not being able to find anything about this particular kind of musical demon in the Restricted Section. It's clear to everyone that when he says "Who will save your souls," he's actually talking about his own with one meaningful look towards Darkest Magic.
Come Out and Play by The Offspring Victor and Ruairidh take turns singing this one as tempers flare during a particularly failed planning session. All three other Scoobies take turns singing "You gotta keep 'em separated" as they try and fail to intervene between the two of them.
Flagpole Sitta by Harvey Danger Victor sings this when he finally breaks from the group to meet with Imogene, using his psychometric gifts and musical magic to show how his visions screw with him. "Paranoia, paranoia, everybody's coming to get me" -- and of course, we see Ruairidh still in peak demon hunter form.
Walkin' on the Sun by Smash Mouth Louis sings in a highly stylized montage as we see him smooth ruffled feathers with the Scoobies, check in with other important NPCs, and schmooze at Club Acheron for info that leads them back to the radio station.
Just a Girl by No Doubt Sung contrastingly by Riya and Sarah as the Scoobies help Riya confront Mr. Slaugh about his misogynistic horseshit while Sarah beats the ass of one of her lieutenants to bring her minions back into line as they prepare to storm the radio station. The catharsis finally breaks the demon's spell, just before the vamps can break their way through.
Closing Time by Semisonic The whole cast sing this as they pile into the back of the Jeep after saving Riya from a lifetime of damnation and a very fatal beating from Sarah. It's the last song as the magic finally starts to fade. During refrains of "I know who I want to take me home," meaningful looks to and from various Scoobies affirm who trusts whom and where there's still tension.
March 3
I wonder, more and more, if I even like magic. I loved it, at first. Then I was afraid of it. Then both. But now...I don't know what I feel about it. I only know that it feels like I'm losing myself in it.
Not like Imogene might, and not like Cavendish worries about, but just...it's me. Quentin is magic. I wake up and my spare moments are spent in the Restricted Section, or practicing, or meditating, or thinking about my next spell, or worrying about how what I cast next is finally going to be the time I reach too far or ruin my soul or burn up from the inside.
And the screwed up thing is that I keep doing it.
Because otherwise, what's the point of me? Quentin is magic.
Ruoraigh asked me to go to the woods, and I want to, but I hate that in the back of my mind, all I can think is: What can I do there to get better at magic?
It's been two weeks since I finished a painting, three weeks since I started one, and four since I finished a roll of film. I miss when Quentin was art.
