#musicpress

[tuneforu-blog]

Music Press · Trending Music Video · Top 5 Music Video · September 2nd ...

[braunsvillevibez]

DJ LukasMoH: A Journey Through Electronic Dance Music

Greetings from Weiterstadt, Hessen! Nestled between Darmstadt and Frankfurt am Main, this charming district of Weiterstadt is where I call home. By day, I work as a mechanic in special machine cons…

Der Artikel auf IndiePulse Music beschreibt die Reise von DJ LukasMoH durch die Welt der elektronischen Tanzmusik. LukasMoH, der in Weiterstadt, Hessen lebt, ist tagsüber Mechaniker und verwandelt sich nachts in einen leidenschaftlichen DJ. Seine Musik ist tief in den Genres Techno, Tech House und Deep House verwurzelt und zeichnet sich durch energetische Beats und fesselnde Rhythmen aus. Er hat seit den späten 1990er Jahren in der EDM-Szene mitgewirkt und ist ein regelmäßiger Gast bei ikonischen Veranstaltungen wie LoveFamilyPark und NatureOne

[plungermusic]

Do you suffer periodical pain? A doctor speaks …

Navigating the confusing plethora of independent music magazines on the British scene can easily give you an ache in the analogy, so let Dr Plunger MD steer you through the maze as painlessly as possible...

Blurts in Brisbane: Originating from the early 90s obsession with Stratocasters, large hats and Texas as Floorplan it continued (despite the public’s waning interest) into the noughties as Bulls in Burton. After more than a decade, its doughty editor / reviewer / interviewer / tealady / janitor / publisher passed the baton on to subsequent eminence grises who maintained the tenor of ardent amateurism. Notable for its highly democratic structure (basically those who read the magazine also largely wrote it), quibbles over amateurism persisted. Consequently, new management brought in music biz reps, PRs, agents and wannabe artists, to add a sheen of professionalism. So now Vanity Schmanity is written largely by those who appear in it.

Steam Butlers: Arriving on the coattails of the above, Meat Bustlers staked its claim by employing its own unique flourishes: publishing bi-monthly: adopting an A5 format that made it ideal for hanging from a piece of string on the back of the dunny door; and appending the wrong caption to pictures, the wrong pictures to articles or reprinting the same article at various points across the magazine. Recent management changes may have seen Late Bumsters come more into line with the mainstream, but it hasn’t neglected its roots completely: garbled prose, mangled spelling and the laughable misidentification of songs in album reviews remain, to remind the reader of its proud heritage.

“Arrrrrr… what be we called this week?”: With a much wider scope than the above two, the issue of what to call yourself was always going to be a problem, one that was solved by using an ever-changing, apparently random selection of words, letters and even numerals. As well as a fiendishly eclectic range of genres (and an even fiendishlyer eclectic allocation of artist to those genres) “Arrrrrr… 2D2?” also holds the record for the most acts listed on a front page of any publication. In the world.

Classy Crock presents Bandwagon!: A sadly short-lived foray into more niche music genres by a much loved titan of the music mag scene, this bold and ballsy decision to latch onto a captive market of well-off pensioners was scuppered by the financial backroom shenanigans of its  new parent company. Despite its stablemates’ eventual resurrection following an eleventh-hour rescue, Bandwagon was the only fallen runner in the field to be shot on the course and turned into glue and dog food.

Placket Ron Wandbagon: Following the initial demise of Classy Crock, Placket Ron Radio saw the chance to bandwagon Bandwagon by bringing out their own print magazine to fill the gap (or rather make a new gap) in OAP’s wallets. Unfortunately he who hesitates is lost, and delays resulted in Placket Ron announcing Wandbagon’s launch on the very day Classy Crock was reborn, torpedoing the whole shebang below the waterline just as it left the slipway,

Fireguard / Powershower / et al: More recent entrants onto the scene, with the interesting variant on many of the preceding publications in that the common trope of applying a blues filter to anything (even heavy metal) is reversed. Often eye-poppingly printed in yellow type on black backgrounds, Firelighter / Powercut allow their relatively youthful readership to relive the migraine inducing graphics of early gaming and music websites in the days before broadband. An outlier in this field of newbies is The ERBerts, who proudly trumpet the age of their target demographic with quizzes and puzzles you last saw in a copy of Titbits or Woman’s Realm at the dentist.

[ewharris]

The rejection parade continues, though the responses are infuriatingly positive. This last one: "you have such an amazing voice. Great production! Super high quality sound. I am a big fan of the work. But for my playlists the song is a bit too chill I am sorry. But I love 1:05! Great moment! " I’ve said this before, but I’m mad that I can’t be mad at that. Gimme some crap grammar at least....Jeez! Check out that 1:05 moment your damn self at https://linktree.com/ewharrismusic or clickit that link in my bio #pressrefusals #positiverejection #musicpress #musiclife https://www.instagram.com/p/Cjxf577New4/?igshid=NGJjMDIxMWI=

[ewharris]

Our rejection journal for today is disappointing in a way I’m not really able to express clearly…well here: "This track is splendid! The vocals are sublime and the instrumentals are so nice. I really like your style, I think it's very cool and authentic. 2:15 is so good! However, I felt like it was a bit slow-paced for me at some points." Like…I’m mad at the fact that I can’t really be mad about that… Anyway, if you’d like to give a confusing opinion of your own be sure to preorder/presave “The Damage” on @hangingmoonrecords by clicking the link in my bio or going to https://linktree.com/Ewharrismusic You can also get tickets to the limited full release by following the instructions 👆 😉) #musicpress #musiclife #pressrejections #newsingle #promoteiton #shutup (at Brooklyn, New York) https://www.instagram.com/p/Cji0Q8Qrpo4/?igshid=NGJjMDIxMWI=

[ewharris]

Rejection #…I don’t even know at this point…. ""think I remember," vocal refrain plays with emotive, sincere qualities that plays seamlessly into guitar-laden trickling thereafter, though melodically the track didn't hook me as a whole." Seems pretty good other than the hook part…that said I think nightcrawlers are the only things I know that get hooked as a whole…eh If you wanna put in your two cents preorder/presave (preorders will be a day early btw) by clicking the link in my bio or visiting https://linktree.com/Ewharrismusic Turns out that link can also direct you to tickets to the physical release at @rockwoodmusichall stage 3 THIS THURSDAY OCT 13th #musicpress #musiclife #pressrejectiom #refusaltime #soitgoes (at Brooklyn, New York) https://www.instagram.com/p/CjdXy0ruQ8_/?igshid=NGJjMDIxMWI=

[ewharris]

Rejection Season Day 9: I’d like to lead into this one with an excerpt from one of my favorite texts, the @oxfordenglishdictionary “Appreciable: adjective /əˈpriʃəbl/ large enough to be noticed or thought important” And now our for our rejection: "Voice and vocals are totally appreciable, the sound much less, probably with options to be enriched or refined, thanks a lot." Being as I’m still confused by this I propose we replace some key words so that I can make sense of it. “Lightness and sweetness are totally appreciable, the crust much less, probably with options to be enriched or refined, thanks a lot” Now this reads like a critique of the writer’s artisanal bologna sandwich *relief* Anyway, you can be the judge yourself on Aug 15 by preorder/presaving Hammerhands . There are various ways to do this but the best are all found by clicking the link in my bio or navigating to https://linktr.ee/ewharrismusic #newsingle #musicpress #musiclife #rejectionjournal (at Brooklyn, New York) https://www.instagram.com/p/Cg4xMQROTSC/?igshid=NGJjMDIxMWI=

[ewharris]

Rejection Season Day 7: I woke up kinda normally today, it was nice. Alas, there was yet another rejection in my inbox: "This languid reverie reveals a great musicality but I'm not a huge fan of such "folksy" voice. " In times such as these I have to get out my top hat and put it on. I don’t know why… @rockwoodmusichall stage 1 tomorrow 8/3 6pm Preorder Hammerhands on Bandcamp/presave on your streamer of choice links in bio or https://linktr.ee/ewharrismusic #musiclife #musicpress #newsingle #singlerelease #calmbeforethealbum (at Brooklyn, New York) https://www.instagram.com/p/Cgwz3R7uhI3/?igshid=NGJjMDIxMWI=