Jun 26, 2022
Muvindu Binoy Tactical 01, 2022 Giclée print on archival photo paper Courtesy Saskia Fernando Gallery.
seen from China
seen from Malaysia
seen from Malaysia
seen from China
seen from Malaysia
seen from Russia
seen from Malaysia
seen from Malaysia
seen from Malaysia
seen from United States
seen from China
seen from United States
seen from United States
seen from Chile
seen from New Zealand
seen from New Zealand
seen from Australia
seen from Sweden
seen from Australia
seen from China
Muvindu Binoy Tactical 01, 2022 Giclée print on archival photo paper Courtesy Saskia Fernando Gallery.
Muvindu Binoy Fathomine, 2020 Giclée Print on Archival Photo Paper, Edition of 10 Courtesy Saskia Fernando Gallery.
Muvindu Binoy Untitled 02 (2020) Mixed media on paper Courtesy Saskia Fernando Gallery.
“We only see the explosion, the divorce rates, the working life, and everything else people point to when they say, so easily, that there are no mothers anymore,” Muvindu says, “I have used an ethnographic portrait of a woman, but it is not representing or referring to ethnicity, it is about mothers these days. I’m saying that the woman in high heels can be a mother and you cannot judge her ability to be a mother on the size of her heels.”
Excerpt of my interview with Muvindu Binoy.
Read it in full here: https://roar.lk/arts-culture/the-journey-of-truth/