Postcard from Kalocsa, Hungary
seen from United States

seen from United States

seen from Germany
seen from United States
seen from China

seen from South Africa
seen from United States
seen from United Kingdom

seen from United States
seen from China
seen from Türkiye
seen from United States
seen from United Kingdom
seen from United States
seen from China

seen from China
seen from Sweden
seen from China
seen from United States
seen from Netherlands
Postcard from Kalocsa, Hungary
The online community trilemma
If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2026/02/16/fast-good-cheap/#getting-up
The digital humanities are one of the true delights of this era. Anthropologists are counting things like sociologists, sociologists are grappling with qualitative data like ethnographers, computational linguists are scraping and making sense of vast corpora of informal speech:
https://memex.craphound.com/2019/07/24/because-internet-the-new-linguistics-of-informal-english/
I follow a bunch of these digital humanities types: danah boyd, of course, but also Benjamin "Mako" Hill, whose work on the true meaning of the "free software"/"open source" debate is one of my daily touchpoints for making sense of the world we live in:
https://www.youtube.com/watch?v=vBknF2yUZZ8
Mako just published a new ACM HCI paper co-authored with his U Washington colleagues Nathan TeBlunthuis, Charles Kiene, Isabella Brown, and Laura Levi, "No Community Can Do Everything: Why People Participate in Similar Online Communities":
https://dl.acm.org/doi/epdf/10.1145/3512908
The paper is a great example of this quantitative ethnography/qualitative statistical analysis hybrid. The authors are trying to figure out why there are so many similar, overlapping online communities, particularly on platforms like Reddit. Why would r/bouldering, r/climbharder, r/climbing, and r/climbingcirclejerk all emerge?
This is a really old question/debate in online community design. The original internet community space, Usenet, was founded on strict hierarchical principles, using a taxonomy to produce a single canonical group for every kind of discussion. Sure, there was specialization (rec.pets.cats begat rec.pets.cats.siamese), but by design, there weren't supposed to be competing groups laying claim to the same turf, and indeed, unwary Usenet users were often scolded for misfiling their comments in the wrong newsgroup.
The first major Usenet schism arose out of this tension: the alt. hierarchy. Though alt. later became known for warez, porn, and other subjects that were banned by Usenet's founding "backbone cabal," the inciting incident that sparked alt.'s creation was a fight over whether "gourmand" should be classified as "rec.gourmand" or "talk.gourmand":
https://www.eff.org/deeplinks/2019/11/altinteroperabilityadversarial
Community managers design their services with strongly held beliefs about the features that make a community good. These beliefs, grounded in designers' personal experience, are assumed to be global and universal. Generally, this assumption is wrong, something that is only revealed later when more people arrive with different needs.
нашестя жаб // plague of frogs
(refurbished drawing from 2023)
so I've been going down a hyperfixation rabbit hole about pre-war ashkenazi folk medicine so now all of you get to hear about it
this gets VERY long so proceed with caution!
Did you see the Mike Hatsune trend on twitter? So many Catalan Mikus!!!
I hadn't seen it! They're so cool!!
(And by the way, Miku is already Catalan 😉 the software used for her voice —Vocaloid— was created by the Pompeu Fabra University in Barcelona)
Say in the comments which one is your favourite!
Miku dancing sardanes wearing traditional clothes (pubilla outfit). By @/itsnailasart
Miku in a calçotada! By @/miden808
Miku castellera and pubilla Miku. By @/SpaceSpheal (also on Tumblr @spacespheal!)
Modern girl Miku who is a monitora de cau. By @/enosst
Miku castellera!! By @/TaySokka
Miku dancing sardanes. By @/NoddlsChikk
Miku with a Tió de Nadal. By @/gatomonogordo
Miku with the dragon, Mic and a calçot. By @/mewvy_y.
Miku dressed as castanyera! By @/lau_artwork
I've reached the photo limit for a Tumblr post but there's more! Say which one is your favourite in the tags. I can't choose just one but I'd say the 1st one, SpaceSpheal's, and the castanyera.
Antonie Brandeis. Untitled, Jaluit, Marshall Islands, Micronesia, Oceania (Location/Origin), 1898 - 1900.
Hi! I have recently gotten back into drawing and close to two.months ago I started learning ukrainian and I really want to draw (more) things related to ukrainian culture but I am always worried about accidentaly using a reference of something related to russian culture etc..
Do you have a tip.on how I can make sure?
Hello and thank you for your question!
First of all, I'd love to hug you (if you'd like that) because seeing people learning Ukrainian language and culture and drawing things related to Ukraine always warms my silly little heart🤧💜
Idyll, 1908
Here's a nice old Mykola Pymonenko painting for you to look at (cause look how peaceful and pretty it is!)
Now, let's talk a little bit about searching for references.
Luckily, when it comes to clothes, Ukrainian and russian folk clothing is actually pretty damn different (yet another stone at the "brotherly nations" narrative). You are much more likely to confuse a Ukrainian costume with, say, a Romanian or Polish one than a russian one.
(Ukrainian (on the left) vs russian (on the right) clothing on historical photography. I'm just saying that they're pretty darn different)
The problem is, of course, that russia is constantly trying to appropriate the Ukrainian costume (as they do with anything else), so you are likely to see misguiding descriptions or comments (as shown here).
So our goal today is to learn how to tell apart Ukrainian and russian costumes (trust me, it is not that hard), talk about certain traditions that are more likely to be either one or the other, and then I'll list some foolproof tips for anyone out there looking for references 💜
Here is the thing: the most iconic thing in Ukrainian traditional clothing is most likely the vyshyvanka — a traditional embroidered shirt. That's an element you won't see in russian clothing. Period. As I've said, it's much easier to confuse Ukrainian clothing with our other neighbours.
The elements you will probably not find in Ukrainian clothing are the kosovorotka (a shirt with the collar that's kinda off-centred) and the kokoshnik (a piece of headwear that's usually attributed specifically to russia). Also, traditionally, you aren't likely to see a Ukrainian woman wear a sarafan (a type of upper dress without sleeves), since most women in Ukraine wore long shirts as a base with a variety of types of skirts and upper pieces on top separately, depending on the region, weather and status. We also have to keep in mind that the people from the cities and the villages dressed differently for different purposes, and that the financial status determined the amount of accessories and the type of materials one could wear. For example, Ukrainian girls "invested" and wore a lot of necklaces, one of which could cost a lot, like, more than two bulls or something. Definitely a big status symbol and probably the reason I love layering necklaces so much.
The more necklaces, the better! These girls get it!
Another thing — there are regions in russia that used to be overwhelmingly populated by Ukrainians, and so the costumes would be more similar to those from Ukraine, because they are of Ukrainian origin. Duh. Regions like belgorod, voronezh, kursk etc.
When it comes to traditions, it is a little more difficult, because during the Schism of the russian Church a lot of the old traditions originating in russia were forcibly replaced to match the canons from Greece and Kyiv(!). Since religion was a central part of a person's life back in the day, a lot of the traditions might be similar. Another reason they might be similar would be the process of russification in both the Russian Empire and the Soviet Union.
Some of the authentic Ukrainian traditions that did not exist in russia: vechornytsi (a tradition of young people's social gatherings (those were spicy as well 👀)); the tradition of Malanka (costumed NYE celebration, usually including a goat mask and the Christmas stars (zvizda), Christmas and New Year carols (literally don't exist in russia so they translate ours🤡). In general, Ukrainian traditions are more connected to agrarian life and are more individualistic and egalitarian in nature, the russian traditions are more collectivist hierarchical (a lot more patriarchal, too).
Ukrainians all over the world celebrating Christmas
Now for the foolproof (almost, because nothing in this world is a 100% guarantee, of course) method for finding references!
So, you may have noticed that Pinterest and Google search kind of suck in separating Ukrainian and russian culture overall. Here are a few more or less reliable sources you could use instead:
1. This Wikipedia article about Ukrainian traditional clothing (in Ukrainian, but it has the most information by region, and also provides evidence in historical photography, illustrations and paintings)
2. The internet pages for ethnographic museums: for example, National Museum of Ukrainian Folk Decorative Art or Ivan Honchar Museum. The Ukrainian museums from abroad can also be very helpful, since they may include heirlooms that would otherwise be destroyed or sold in the colonisation processes.
3. Historical literature, magazines and illustrations: for example, Striy can be very helpful here.
4. Historical paintings! The National Library of Ukraine has a great selection to start.
5. If you want something more modern, ethnic photographer Anna Senik has really interesting looks and perspective to offer!
Hope this helps! 💜
P.S.: I don't know what happened, but the post got recovered! I am super happy, since I put a lot of time and effort into this! Hope you enjoy it!
If I was an anthropologist doing my fieldwork on DS9 here are some of the research questions I think I would have about Bajoran communities on the station:
How do Bajorans living on DS9 conceptualise the station?
How do they navigate living on a structure that was designed by their oppressors for the purpose of genocidal colonial violence?
How do they synthesise that fact with the station's spiritual significance as a gateway to the celestial temple and home of the Emissary?
How do they take that contradiction and create a place they call 'home'?
In what ways do Bajorans transform, co-opt, conceal, or memorialize the Cardassian design, architecture, and computer systems of the station? How do you create a sacred space like the temple in a place designed for profanity?
How does the prospect of Bajor joining the Federation in the future impact interpersonal relations between Bajorans and Federation citizens? Do some Bajorans perceive it as just another form of colonialsim with a softer face?
How do Bajorans think about replicated food? From living through starvation to being in a situation where they can eat as much as they want whenever they want, how does affect things like diet, body image, what is considered a normal or healthy body?
What kinds of social norms and morals have formed around Bajoran vs alien cuisine? Around replicated vs non-replicated food?
How does the availability and diversity of food on DS9 affect the Bajoran community's relationships to Starfleet and the Federation?
What kinds of new fusion foods have popped up?
Do Bajoran communities on DS9 invent any unique dialects or lingo? They could get linguistically influenced by humans, Ferengi, Vulcans, Klingons etc.
How Does a Jumja Stick Taste? An Autoethnography
An ethnographic account of how Bajorans celebrate the gratitude festival on DS9, how are they influenced by Bajoran traditions and what kinds of new traditions have formed?