Living tech

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Living tech
Watched Riddle of Fire, 2023, a trio of kids, who exist in a fantasy version of Wyoming, go on a quest to steal a speckled egg and bake a pie, while shooting people with paint ball guns, as things get progressively weirder. One of the funnier movies I've seen this year.
Concept art of Velaria, a moon that inhabits a small population of Symbiotypes: these are people that have mastered biology and have the ability to shape their environment in both the micro and macro level.
Excerpt from a different WIP I make progress on when my brain needs some time to process what I'm doing in Children of the Stars.
This WIP is called "The tempest prince"
"Holy shit, what is that?" Alex asked from somewhere behind me.
"What is what?" I asked, turning to face him with no small amount of nauseating panic in the pit of my stomach.
He pointed skyward, "Is that what the sun looks like here?"
I followed his finger and lo and behold, not a sun as you would expect it, but rather a halo around what I can best describe as a maliciously deep pit: A swirling, formless -yet somehow miasmic- malevolence that somehow held intent. The intent of making all things null.
It's quite difficult to put into words, I'll tell you that much.
What isn't difficult to put into words is that I could feel that it didn't want us there, and that it was incomprehensibly massive. If every atom in the entire universe -observed and unobserved- were the size of the actual universe, the overall unit would've still paled in comparison to that encircled pit, and yet it only took up but a fraction of those alien heavens.
I fear that the human mind is hardcoded to not dwell on such things, for we would surely take months to process but an instant of such a sight, and thus we do not have the correct metrics to describe such a terrifying sight.
Also, side note: why do I already have cover art for this one? I mean I made it myself so it's... really bad but why does it exist?
Kentucky's finest Mr. Nathan Beavers likes to serve up steaming platters of neo-traditional with heaping sides of bio mechanical.
His use of highlights is very Porteresque with a defined illustrative quality that backs away from realism in the best way.
A bona-fide family man, Mr. Beaver's work reflects an acute sense of humor rooted in a passion for the craft. The man even has a monthly column in Skin and Ink Magazine that's equally as entertaining as his visual morsels.
Catch this southern daily obsession in the crux of his virtuosity before he's booked solid.
www.natebeavers.com