The sky above the port was the color of television, tuned to a dead channel. — William Gibson, Neuromancer

seen from United States
seen from United States
seen from China
seen from China
seen from United States
seen from Oman
seen from China
seen from China
seen from United States

seen from United States
seen from China
seen from United States
seen from United States
seen from Russia

seen from Indonesia

seen from United States
seen from Nepal
seen from China
seen from Kenya
seen from United States
The sky above the port was the color of television, tuned to a dead channel. — William Gibson, Neuromancer
Rainy nights
The Bos-Atl Metropolitan Axis in the 1989 graphic novel NEUROMANCER, illustrated by Bruce Jensen.
Why are you and the rest of the industry just taking this abuse like a bitch instead of going on strike or protesting or doing literally anything to stand up to people like Zaslav and Ellison? Billy and Mandy was one of my favorite shows growing up and I still love it today, it makes me sad seeing someone as talented and funny as you getting thrown in the garbage and just sitting down and accepting it while the entire world burns.
Lol. How's fighting the billionaire class going for YOU? Must be nice to be in a place where you feel so empowered.
99% of the animation guild workers I know are unemployed. I haven't had studio work in almost three years. I have no health insurance and had to sell my house.
The Animation Guild should have struck a decade ago, and now no one is left to protest. The old animation industry is dead. Now it's up to the indie crowd to write some new history and to hopefully avoid the familiar pitfalls.
The corpos are coming for your job next, by the way. Whatever it is. Better get out in the streets before it's too late!
Neuromancer by William Gibson, 1986. Cover art by Barclay Shaw.
More of Anna Mill's illustrations from the Folio Society edition of Neuromancer.