#new audiences

[whatliesbeneathshouldbeleft]

Lovely to see that The Living And The Dead is still having an impact - media students, new audiences - and that Ashley and Alice know this.

Derek Johnston on Twitter

“Screened #TheLivingAndTheDead episode one for my third year undergraduates on my Media and Time module. I am glad to report to @AJPharoah a

[nextinfluencer-blog]

Media Buying Services California

The professionals at NEXT influencer are providing the top-rated media buying services in California. Our team develops full-funnel advertising campaigns to help brands get discovered by new audiences.

[comicsbeat]

DiDio: DC planning moves to expand the marketplace

DiDio: DC planning moves to expand the marketplace

At a private press event following their retail presentation, Dan DiDio, Jim Lee, John Romita Jr, Greg Capullo and Andy Kubert expanded more on Dark Matter, DC’s Master Class, expanding the line and other matters. We’ll be updating as we go along, but DiDio alluded to even more new initiatives aiming at bringing in new readers. “This isn’t just about the DCU,” he said.  “DC itself is getting…

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[logicielmusicalpizzicato]

Musicians and music consumption – How the musician can attract new listeners

Musicians and music consumption – How the musician can attract new listeners

Musicians and music consumption – How the musician can attract new listeners

Music as phenomenon linked to mental process, emotions and physiological arousal

The reason why most people take part in musical activity, be it composing, performing or listening is that music is capable of arousing in them deep and significant emotions (research made by Sloboda).

Also musical thinking offers a more…

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[boxeswishtheycouldholdthis]

My Favorite Paragraph of this Article by JADE SIMMONS  

If leaders of arts organizations, orchestras and even individual artists had to face the same sort of sweeping scrutiny, we'd have to ask questions like: Are we really creatively programming in a provocative way that might bring in new audiences, or are we just charging our marketing teams to come up with cute titles? Are our pre-concert lectures truly dynamic or are they sleep-inducing, catering to the same music know-it-alls who show up early mostly, so they can sit in their favorite seats? Are we taking enough calculated risks on emerging artists or are we only booking who's young and trendy? Do we have a recognizable artistic identity in our community? What does the lay public think about us, do they know we exist? Are we relevant to the people outside of the ones who come to our annual gala? Heck, do we see the gala people outside of the annual gala? Have we thought of profit models outside of donations and ticket sales? Are people giving because they feel obligated or because they can't live without us? Do the people who hold the top seats still play with a contagious passion? Are we boring? Are we truly relevant?

[inspirationandstoriesetc]

Sadly, there’s enough research out there to show cheap ticketing schemes on their own will never be the answer to bringing in more diverse audiences: they are mainly taken up by those already in the know. Unless people can see their own lives, concerns, values on stage, or themselves reflected in the audience why would they, or should they, be bothered to engage with what theatre has to offer?