[Interview] Meychan on his second solo album, “daimeywaku”
”A ‘Total Nuisance’ apearing once in a lifetime, Meychan
Original article from natalie.mu Translation by noodle
Meychan released his newest album entitled “daimeywaku (‘Total Nuisance’ in English),” composed of all original songs.
Meychan, who has performed in large scale events such as “XYZ TOUR,” “Hikikomori-tachi Demo Fes ga Shitai!,” and more, and is also a member of the Youtuber unit “Niku Chomoranma,” has already gained fame with this wide range of activities. This second solo album from him contains songs that showcases his hobbies and preferences, including songs written by Meychan himself, a collaboration song with BRADIO entitled “Horebo Revolution” that materialized from an offer, as well as original songs from vocalo-P’s that Meychan himself had handpicked. In this exclusive, we look into the new generation utaite Meychan’s charm, unravelling how he became a vocalist, his thoughts on his songs, and his stance about his content.
(Full interview under the cut!)
Started singing after failing entrance exams
──How did Meychan decide to start a career in music?
I started singing under the name “Meychan” as a hobby when I was a 3rd year in middle school, but I didn’t start because I was aiming for something big. I had failed my high school entrance exams then, and when I went home I recorded a cover for no reason. After that, my mother entered my room screaming. That was really intense (laughs). She was like, “My son is singing with a loud voice after failing his entrance exams!” (laughs).
──After that, you continued uploading “utattemita” videos during your high school and college days, right?
That’s right. I was uploading songs during high school, but honestly I still wasn’t serious about it then. I guess I was only doing it for self-satisfaction. I started to change when I was in college, when I gained more people who listen to me. I was able to do more things ever since I became a college student, so I also tried to independently organize my own oneman live show. For the first time, I got the chance to earn money by singing, so I think I started becoming more serious about my own singing at the time.
──This is the second time you released a solo album with “daimeywaku” (‘Total Nuisance’ in English). Your first solo album (“Meychan no Atama no Naka wa Daitai Konna Kanji Desu,” ‘Meychan’s Thoughts Sound Roughly Like This’ in English) would be around 3 years ago, but has Meychan’s surroundings undergone huge changes within those 3 years?
Let’s see... I became a Youtuber, and my solo live shows have become more frequent…… It’s only obvious that so much has changed in 3 years, and the way I think about my activities have also changed. My thoughts on being an utaite have sprouted from something I did as an extension of my hobbies, to something that lets me face music as a job. Three years ago, my first album was still an extension of my hobbies, but a huge part of it was about me enjoying being an utaite, so because I enjoyed being an utaite, I was thankfully offered a chance to make a CD. I’ve never made a CD before that, so I only gathered songs that I liked, and eventually completed the album called “Meychan no Atama no Naka wa Daitai Konna Kanji Desu.”
──Was there a trigger behind you changing your mind about your activities?
There were a lot of factors leading up to it, but one of the biggest factors was probably getting to join “XYZ TOUR.” I’ve been in a few compilation live shows before then, but the consciousness of the performers in XYZ TOUR are way different. The commitment to the lights and sound is also not a joke. I realized “Ah, so there are people who make up a single event while being fixated on such things,” so I’ve come to make up my mind that I also want to be able to reach that level.
An explosive power behind negative feelings
──The biggest difference between the this and the previous album is that you also recorded songs that you yourself wrote for this album, right? Have you already written your own songs before this?
I was interested in writing songs, and I originally had a guitar. But when I decided to actually write songs, I also started learning the piano to polish my musical sense, and started studying about chord progressions. At the same time I also thought about writing lyrics, so in three years, I scribbled down notes about my thoughts on a notepad. The first song I finished was “Victor.”
(Link: VICTOR)
──You uploaded the song “Victor” in April last year, right? How was the feedback upon uploading your own song?
I felt really uneasy before uploading it, you know. I only ever uploaded covers until then, so I only released songs that listeners already know about. But releasing my own song…… this is something trivial, but that means I’ll have everyone listen to something they haven’t even listened to before, right? I was uncertain whether they’ll be able to accept it properly, so I was really nervous upon its release. But if I was going to choose a profession to sing as an artist, I felt that it’s extremely important for me to have everyone understand what I think using songs. That’s why I didn’t have any reservations at all about releasing my own song.
──Were you already thinking about the album when you produced Victor?
I already decided that I would be making an album, but I haven’t drawn out a concrete plan for the contents of the album yet. I got a suggestion saying “All of the songs would be written by Meychan,” but I responded with “No, that’s definitely impossible.” But when I finished the song “Victor,” I felt like I started seeing that kind of album I wanted to make.
──What kind of vision did you have then?
First, when I tried writing one song, I already knew that making an album only with my own songs would be difficult (laughs). But I still wanted to express myself properly with the album, so I thought I should put in everything that I liked and wanted to work on. In its roots, it doesn’t differ much from my previous album, but the things that I can do and want to do have also changed in three years, so even with the same theme, I’m certain that the contents of this album are still different.
──Reading the lyrics of the songs you wrote, I felt that there was a gap between them and Meychan’s public image. Meychan has a strong image of brightness and cheerfulness, but it was as if there was something dark hiding in your lyrics.
Ah, I see. I guess there were several dark parts in the lyrics (laughs). I think I’m still that cheerful being that everyone thinks I am. Whenever I express myself, it’d be easy to produce an output from happy feelings. Like if when a friend gets drunk and enjoys himself, he’d be able to express himself without hiding his feelings. But negative emotions like hate or hidden ill feelings are things that I feel are still stored inside me. Rather than happy emotions, I think that those negative feelings stored inside have a stronger explosive power. In order to get to know me as a human being, I felt that I needed to express those powerful parts within me.
──That means that a different face from what Meychan uses in live shows or streams is in this song, doesn’t it.
Honestly speaking, showing these hidden emotions is embarrassing. There may be people who’d say that they didn’t understand what I’m saying even if they read the lyrics. But I think it still means something to at least read them to try to understand them, and since I chose to work on expressing myself through songs and words, getting others to know me as a human being is extremely important to me. I can’t just keep on saying that it’s embarrassing, I guess.
A “Total Nuisance” that exceeds all genres
──The 3 songs that Meychan wrote, which are “Victor,” “Unusual,” and “Yomaigoto” are all different, and are rich in variety. When I listened to “Victor,” I thought that maybe Meychan’s musical roots were founded in guitar rock, but I suppose it’s not just that.
While I do like guitar rock, I’m actually the type who listens to anything. For example, the song “10-9,” which was written by K.F.J., was released using Maroon 5 as a reference. Recently I’ve been into Ulfuls, and Caravan Palace if you’ll ask about Western music…… I also love funky music, just like BRADIO-san who has also taken care of me in this album.
I gave them a desperate attack, you know. I didn’t expect them to give me the OK.
──Why did you think of giving BRADIO-san a collaboration offer?
This is only my impression, but I think that songs with vague meanings that let listeners give their own interpretations have been popular lately. But BRADIO-san sings songs that are straightforward. That was something I couldn’t do, since it was so cool. I was very much attracted to it.
──What sort of order did you decide on for the collab?
I love the songs from BRADIO-san that have self-repeating riffs like “Koshi Furu Yoru wa Kimi no Sei” or “Golden Liar.” I put together my favorite songs in that pattern and sent them a message with them saying, “I would like to do a song that will help listeners enjoy themselves.”
──And you were also able to perform with BRADIO-san on stage.
I couldn’t make sense of it anymore. The people I used to listen to using earphones are suddenly standing next to me, and are even singing with me while we look at each other. It was so unreal, that I thought that it was all a dream until now. I really did not expect to be able to perform with them in a live show, and I think I might have been a “total nuisance” to BRADIO-san in a lot of ways (laughs).
Speechless about “Number Nine”
──Aside from your own songs and a collaborative song, the album also includes original songs provided by vocalo-P’s such as Tsumiki-san, buzzG-san, Hachiya Nanashi-san, Hayashikei-san, and more. Was it Meychan who chose all of them?
That’s right. I had the honor to choose my favorite composers, and give them offers.
──I mentioned earlier that the lyrics that Meychan writes are dark, but even if you read the lyrics of the songs written by these composers, there are still little songs that show a brighter side.
Now that you mention it, you may be right. Even if they sound cheerful, you can say that the lyrics also hide shadows behind them…...
──Do you usually interact with these composers?
Actually, not much. Of course, I’m acquainted with some of them, but it’s not as if I have connections with several producers, too. This time, the people I asked were people that I usually listen to because I like their music.
──So that you’re saying that these composers wrote these songs while properly looking at your nature as an artist from your songs.
Professionals really are amazing (laughs). When the names of the composers I asked came out, I already had an image of what all of the songs in the tracklist would be like, so I gave them the order expressing how I imagine the songs to be, but I didn’t say much about the lyrics so it must have been a surprise.
──Which of the songs (from the vocalo-Ps) left an impression on you?
Obviously I like all of them, but the one that I thought was amazing was Tsumiki-san’s “Number Nine.” When I first received the song I didn’t even say anything. I didn’t say something like “Please do something like this”; rather, I immediately told him “This will do, thank you!”
“XYZ” is home
──The DISC 2 of the XYZP Edition of the album includes a collaboration song with XYZ TOUR members. You’ve been performing with them several times in live shows, but this is the first time you’ve recorded a collaboration song with them, right?
That’s right. We’ve sung together lots of times in live shows, but recording a song with them felt pretty refreshing. It’s different from usual and here we get to face the song objectively, so I discovered various things. Things like vocal compatibility, or where to put aside someone’s voice, where to add them. I learned a lot, and I think that this will help out with live shows as well.
──What do you think about your collaboration partners, which are Gero-san, luz-san, Senra-san, and Araki-san?
They’re all my senpais. Gero-san was someone I really admire. luz-san is a senpai who is also my benefactor, always calling me in for XYZ TOUR, while Senra-san and Araki-san are senpais who I often drink with in private. Rather than calling them senpais, they might be more like my drinking buddies (laughs).
──After joining XYZ TOUR for the first time in 2017, Meychan has been joining the tour every year, but how much has the tour affected your activities?
It’s become something I couldn’t wait for, like a kid who couldn’t wait for Christmas. Whenever an XYZ season approaches, I would get all giddy about it. I’ve been doing various activities, but for me, this is the only other place where I can feel like I’m “home.”
──“Hikikomori-tachi demo Fes ga Shitai! ~World Domination @ MetLife Dome,” which was held in June last year, also had Meychan as a secret guest performer, surprising the audience.
Various senpais got to hook me up for the event, so it was a huge honor. People have started paying attention to internet artists, but not everyone from the newer generation utaites get to be noticed. I hope I can be someone who could serve as a bridge between those two groups, in a good way.
──What do you think was the reason your senpais invited you to perform with your voice at such a large-scale event, out of all the new generation vocalists?
That’s a difficult question. I wouldn’t know the reason why they would take me in unless I ask them myself, but I feel like it’s because I’ve worked hard to continue being an utaite that I’ve also gained listeners. “Utaites” originally used to refer to people who upload “utattemita” videos. But recently, there aren’t a lot of people who upload “utattemita” videos anymore. That’s because of certain circumstances like the increase of people uploading original songs, but still I do what I have to do to keep being an “utaite.”
“Utaite Meychan,” now also “NikuChomo Meychan”
──I would also like to hear about the Youtuber unit you’re in, Niku Chomoranma. Your activities in Niku Chomoranma have also become part of your orbit, but there are also people who discover your music because of your activities as a Youtuber, right?
That’s right. If anything there are now more people who’d call me out on the street with “NikuChomo Meychan” instead of “Utaite Meychan.”
──Excluding your Youtuber activities though, you’ve also revealed your face at an earlier stage of your career.
If I don’t show my face, everyone would try to imagine what I look like. They probably wouldn’t help but imagine “He’s definitely a hottie!” or something. That’s why I thought of lowering that hurdle and revealed my face at a fairly early stage of my career. I think it wasn’t awkward for people to see me become a Youtuber thanks to me showing my face, so I want to praise myself from that time for making that decision (laughs).
Being a nuisance more than he expected
──Since you’re releasing the album “daimeywaku” now that your career is on a roll, what kind of album did this become for Meychan?
I think it’s become an album that “I just did.” I freely wrote down my own thoughts, and asked composers for songs that I wanted them to write. I also had the honor to have people accept my collaboration offer when they probably wouldn’t do it in the past. There were a lot of people who got involved with me and I said a lot of stuff that I might have been a nuisance to them more than I expected (laughs). But of course, I’m happy that everyone worked with me, and I’m grateful.
──What was a moment when Meychan became a total nuisance during the production of the album?
Basically the fact that I woke up late and arrived at the recording pretty late. I deeply apologize for being a total nuisance during that time (bows down in apology to the staff).