#nylonsandedits

[nylonsandlipstick]

The Chronicles of Narnia: The Voyage of the Dawn Treader (2010), Dir. Michael Apted

“We spoken often of Narnia in the days that followed. When my cousins left after the war ended, I missed them with all my heart, as I know all Narnians will miss them 'til the end of time.”

[nylonsandlipstick]

She thinks she’s found a magical land. . . in the upstairs wardrobe!

[nylonsandlipstick]

I looked up and saw the very last thing I expected: a huge lion coming slowly towards me. And one queer thing was that there was no moon last night, but there was moonlight where the lion was. So it came nearer and nearer. I was terribly afraid of it. You may think that, being a dragon, I could have knocked any lion out easily enough. But it wasn’t that kind of fear. I wasn’t afraid of it eating me, I was just afraid of it — if you can understand. Well, it came close up to me and looked straight into my eyes.

[nylonsandlipstick]

“The director of the first film, Andrew Adamson, was very focused on preserving real emotion, on seeing things for the first time, and having, like, a real sense of wonder. So he didn’t actually show me the set of Narnia where the lamppost is until we shot it. I was blindfolded and guided into my place, and he told me to just walk around, that the camera would follow me. And so I turned around and I saw it for the first time.”  — Georgie Henley on filming Lucy’s first entrance into Narnia

[nylonsandlipstick]

the book of incantations + spells

[nylonsandlipstick]

lucy + tucking her hair behind her ears

[nylonsandlipstick]

the lion, the witch, and the wardrobe || music composed by harry gregson-williams

[nylonsandlipstick]

moodboard: lasaraleen tarkheena

but, darling, only think! three palaces, and one of them that beautiful one down on the lake at Ilkeen. positively ropes of pearls, i’m told. baths of asses' milk. and you'd see a lot more of me.

for @lasaraleen who i promised a christmas gift for but never got to it (because i have terrible time management)