Wwi, Imperial German, Oberst Vincent Odinkirk, power stance. đđ„
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Wwi, Imperial German, Oberst Vincent Odinkirk, power stance. đđ„
I had so much fun writing the Feldmaschall mothering his Oberst that I will be writing a prequal thatâs at least 50% von Ravenmak and Vincent Odinkirk stuck together. :3 This is from Ottoway Vol 2, von Ravenmark was invented to explain how Ottoâs older brother is considered and Officer and a gentleman, while Otto is a lower-middle class Private. He also shows that Vincent has a very different relationship to authority than Edwin. Ottoway is Otto-centric so von Ravenmark and Vincentâs relationship could only be explored to the degree that it effects Vincentâs attitude towards Otto within that work.
Ottoway vol 2 is now about 50% drawn up, my goal is to have it ready for release by next remembrance day.Â
acquired my new most prized possessions at friday night's concert đ€ (not depicted: black ruminations sweatshirt)
Ww1 German officers, Feldmarschall Austerlitz Von Ravenmarck and Oberst Vincent Odinkirk.Â
Years before the war, Vincent was Austerlitzâs aide, before he rose in rank. Vincentâs sword, boots, raven, and prosthetic arm, are all gifts from Austerlitz. This was sat in my folders for quite a bit, I was going to add more shading but Iâve decided Iâm happy with it.
Line art for Major Isenstein and Oberst Odinkirk. Characters from my original ww1 fictional graphic novel Ottoway.Â
Introducing DOLORES DIAZ & THE STANDBY CLUB
As 2015 was coming to a close, Conor Oberst, on a break from touring and preparing for a frigid Nebraska winter, got hooked on an old vinyl record belonging to his housemate, the solo artist Miwi La Lupa. Them Old Country Songs, a 1972 compilation featuring classics from the likes of Dolly Parton, Waylon Jennings, Roger Miller, and Jim Ed Brown, went into constant rotation at Oberstâs home and eventually became the inspiration for he and La Lupa to start their own country covers band. Oberstâs then-wife Corina Figueroa Escamilla had been visiting her hometown of Mexico City; when she returned she was informed that sheâd be the bandâs frontwoman. Escamilla, a trained audio engineer who once worked at Bright Eyes producer Mike Mogisâ ARC Studios, had never before performed in a band or even considered being a singer, but Oberst and La Lupa knew her to have a stunning voice from hearing her sing along with records at home and in the car. It took some persuading, but she agreed to join the band and adopted the stage name Dolores Diaz, a Hispanicized take on Doris Day. From there, they recruited a host of bandmates from their Omaha neighbors and frequent collaborators - Mogis, Roger Lewis (The Good Life), Matt Maginn (Cursive), Dan McCarthy (McCarthy Trenching), Ben Brodin, Phil Schaffart, and Jim Schroder. Most had at one time or another lived in Oberstâs house, some had worked at Mogisâ ARC Studios - which shares a yard with Oberstâs property - and all were happy to find a way to pass the winter with friends. Dolores Diaz & the Standby Club only played five proper shows - Live at OâLeaverâs is a recording taken from of two of them, in January 2016 and September 2018, at the Omaha pub owned by members of Cursive and beloved locally for its intimate, house-show-style concerts. Some of the songs were pulled directly from Them Old Country Songs - Porter Wagoner and Dolly Partonâs âJust Someone I Used To Know,â Jerry Reedâs âAmos Mosesâ - alongside other old country hits from Charley Pride, Sammi Smith, and Bob Wills and the Texas Playboys, and less conventional choices that the band added a country twang to - Bob Dylanâs âYou Ainât Goinâ Nowhere,â Randy Newmanâs âJolly Coppers on Parade.â Oberst, La Lupa, and McCarthy sing lead on a few tracks, and the bulk are led by Escamilla, who proved herself to be a born frontwoman, belting out Connie Smithâs âOnce A Day,â Tammy Wynetteâs âYour Good Girl's Gonna Go Bad,â Loretta Lynnâs âDon't Come Home A-Drinkin' (With Lovin' on Your Mind),â and Patsy Clineâs âCrazyâ with all the fire and heartbreak of the originals.Â
Live at OâLeaverâs is a rowdy and joyful listen - a testament to a longstanding musical community whose members thrive on each otherâs playing, great timeless songs, and the shared search for a good time. Today Dolores Diaz & the Standby Club share two tracks from the record - Dylanâs âYou Ainât Goinâ Nowhereâ (first released as a single by the Byrds in 1968), featuring Oberst on lead vocals, and Loretta Lynnâs iconic 1967 single âDonât Come Home A-Drinkinâ (With Lovinâ On Your Mind),â sung by Escamilla. LISTEN:âYOU AINâT GOINâ NOWHEREâ&âDONâT COME HOME A-DRINKINâ (WITH LOVINâ ON YOUR MIND)â
âPlaying with the Standby Club is pure joy,â says Oberst. âThere is a unique thrill in learning all those classic songs and getting to perform them with a giant band of old friends. And on top of that it was amazing to watch Corina embrace her alter ego. She is normally a pretty reserved person, but when she slipped on those cowboy boots and stepped on stage she instantly transformed into Dolores and always blew the roof off the place. We all had so much fun and I think you can hear and feel that on these recordings.â Live at OâLeaverâs will be released digitally on December 11 via 15 Passenger, the record label owned by Cursive. It will be available April 9 on vinyl. Pre-orders are available HERE.
HCL Tech signs seven-year exclusive partnership with Temenos
HCL Tech signs seven-year exclusive partnership with Temenos
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New Delhi: The countryâs third largest software services firm HCL Technologies has signed a seven year partnership with Temenos a banking software company. The exclusive strategic agreement will be for non-financial services enterprises, where HCL has been granted a license to develop, market and support Temenos multiexperience development platform (MXDP).
Temenos will continue its R&DâŠ
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Heavy Pressing (Brian Shaw, Robert Oberst and Eddie Hall)
Heavy Pressing (Brian Shaw, Robert Oberst and Eddie Hall)
Heavy Pressing (Brian Shaw, Robert Oberst and Eddie Hall) Check out the somewhat uncommon use of the Trap Bar â nice one.
Aside from the seriously heaving pressing, check out the somewhat uncommon use of the Trap Bar â nice one.
NB : We first looked at this one in the weekly Strength & Fitness Newsletter (part of the StrengtâŠ
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