May 18, 2024
Rye Lane, Raine Allen-Miller (2023)
seen from United States
seen from United Kingdom
seen from Kazakhstan
seen from Germany
seen from China
seen from Malaysia
seen from Türkiye
seen from Germany
seen from Germany
seen from Malaysia
seen from United States
seen from Malaysia
seen from Malaysia
seen from Germany
seen from Kazakhstan
seen from Martinique
seen from United States
seen from Canada
seen from Ukraine
seen from India
Rye Lane, Raine Allen-Miller (2023)
ZARA 'Back to Work' 2025
written, directed by jordan hall
art director @chriscwinter
dop @olancollardy
colorist @didrikbrathen
sound @matthias_t_mueller
prod @faragoprojects
styling @juan__moro
casting @nachumshonn
shot on 35mm
Rye Lane Review- A Fun Rom-Com Where the Real Winner in the Film is It's Location Named in the Title
As documented in the series of films from Steve McQueen a couple of years ago London, England has a neighborhood that is mainly made up of island people from Jamaica, the Bahamas, and other island municipalities of Great Britain. Rye Lane is a real street in this section of South London in Peckham and Brixton and it’s another Sundance film that was bought by Searchlight Pictures and will air on…
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Nike SK Shox // SKEPTA by olan collardy
NOWNESS Define Beauty // Process - Olan Collardy
very hypnotizing
Obligatory stills from earlier today with Identity School Of Acting
US // Portrait
Man: Solomon Israel Woman: Alesha Pryce
Digital Bolex D16 test
Quick test to see how the camera looks in terms of colour (which is incredibly nice). See link below for a LUT which helps you get the RAW footage into the right colour space.
I believe the camera's native ASA is 200ASA. Footage looks clean and the vintage Angenieux gives the image a soft but flattering look. I also shot some night scenes where I had to crank the ISO to 800ASA and it was pretty noisy but the noise was beautiful, i liked it. I added a little noise reduction in Resolve to take out the chroma noise and left the luma noise.
All in all, pretty pleased with the camera. My greatest fear was the image looking too similar to the BMPCC (similar sensor size) but the CCD sensor and global shutter makes the image a lot more filmic and motion cadence is very nice too.
Lens: Angenieux 17-68 f/2.2 Kern-Paillard Switar 10mm/1.6
Getting D16 image into the Bolex colour space: iaremrsir.wordpress.com/tag/digital-bolex/