Oriol Vilanova - Mirador
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Oriol Vilanova - Mirador
Artists as Iconographers
Texts by François Aubart, Garance Chabert, Aurélien Mole, Ingrid Luquet-Gad, Jan Verwoert, interviews with Pierre-Olivier Arnaud, Barbara Breitenfellner, Céline Duval, Haris Epaminonda, Aurélien Froment, Wade Guyton, Camille Henrot, Thomas Hirschhorn, Pierre Leguillon, Jonathan Monk, Clément Rodzielski, Linder Sterling, John Stezaker, Oriol Vilanova by Timothée Chaillou Edited by Garance Chabert and Aurélien Mole Designed by Syndicat
Shot of tiny corner of Oriol Vilanova' 34,000 postcard collection. Diumenge exhibition at Fundació Antoni Tàpies in Barcelona.
Inside the Spanish pavilion, Oriol Vilanova’s Los Restos (The Remains) is ‘a large-scale intervention that transforms the interior into a pseudo-museum born from accumulation and reiteration’. Thousands upon thousands of carefully placed and grouped postcards adorn the walls
Art Critic Of The Week (8)
An easy mistake to make? A jacket hanging on a peg at @MuseePicasso is taken and altered. Turns out it was an exhibit by Oriol Vilanova called Old Masters #art #modernart #artcritics
While visiting the Picasso Museum in France, a 72-year-old woman noticed a blue jacket hanging on a peg and thinking it abandoned and taking a shine to it, took it home with her. The sleeves, though, were a little too long and so she asked her tailor to take 30cm off them. The collar, though, was perfect which was just as well as it was felt by the Gendarmerie who had tracked her down through…
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At first sight exhibition by Oriol Vilanova.
‘How do museums present artworks in an exhibition or on a postcard? Does the object get chance to tell its own story?’
Oriol Vilanova, Copies, 2000-Ongoing parra & Romero Gallery Madrid. Macba Barcelona
Oriol Vilanova. One Hundred and Fifty, 2014