Oscars for Lunch #theoscars #oscarawards2018 #oscarstatue #acceptancespeech #bestlunch #lunchbags #lunchbag #lunchbagart #lunchdoodles #lunchbagcustom #kidslunches #instart #artistsoninstagram

seen from United States
seen from Belarus
seen from United States
seen from United States
seen from United Kingdom
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United Kingdom
seen from Malaysia
seen from Indonesia

seen from India

seen from United States

seen from Australia
seen from United States
seen from Peru
Oscars for Lunch #theoscars #oscarawards2018 #oscarstatue #acceptancespeech #bestlunch #lunchbags #lunchbag #lunchbagart #lunchdoodles #lunchbagcustom #kidslunches #instart #artistsoninstagram
ACADEMY GOLD ENTERS SECOND YEAR WITH 22 ENTERTAINMENT INDUSTRY PARTNERS
LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences is proud to announce the launch of the 2018 Academy Gold internship enhancement and mentorship program for students and young professionals from underrepresented communities. Currently, there are 22 entertainment industry partners, including Annapurna Pictures, Creative Artists Agency (CAA), Deluxe, The Walt Disney Company, Dolby Laboratories, FotoKem, FremantleMedia, HBO, Illumination Entertainment, IMAX, Lionsgate, Overbrook Entertainment, Panavision, Paramount Pictures, Participant Media, Snap Inc., Sony Pictures, Technicolor, Twentieth Century Fox Film, Universal Pictures, Univision and Warner Bros., committed to the program.
“We’re extremely proud to launch the second year of the Academy Gold program. Our industry partners, who are as committed to creating opportunities for promising young people as we are at the Academy, have acted on that commitment by providing extraordinary learning environments,” said Academy governor Nancy Utley, Education Committee chair and president of Fox Searchlight Pictures. “With their support, this initiative is creating positive, meaningful and visible change in our industry.”
“Thanks to a dynamic group of partners, we can build on the success of our pilot year to continue to offer an enriching experience for our Gold interns and opportunities to propel their professional growth,” said Edgar Aguirre, the Academy’s director of talent development and inclusion.
Each partner will sponsor up to three interns for the eight-week summer program, which offers participants exclusive networking opportunities with Academy members and industry professionals, screenings and educational workshops. Internships are available to undergraduate and graduate college students with an emphasis on high-quality, underrepresented talent in order to help them acquire the knowledge, skills and connections to achieve success as they navigate full-time, above- and below-the-line entertainment industry careers.
Last summer, 69 interns (including 18 interns placed within the Academy) participated in the inaugural Academy Gold program and had an opportunity to learn firsthand about every aspect of filmmaking – from finance to production – from Academy members and other industry professionals.
“The success of Academy Gold is due, in part, to the fact that the program doesn’t stop after the eight-week internship experience,” explains Bettina Fisher, the Academy’s director of educational initiatives. “At the end of the summer, each Gold intern is paired with an Academy member to serve as a mentor for their career goals, and several program alumni have already secured jobs in our community. We’re looking forward to welcoming the next class of up-and-coming talent.”
For more information about the Academy Gold program, visit www.oscars.org/AcademyGoldProgram.
# # #
ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is a global community of more than 8,000 of the most accomplished artists, filmmakers and executives working in film. In addition to celebrating and recognizing excellence in filmmaking through the Oscars, the Academy supports a wide range of initiatives to promote the art and science of the movies, including public programming, educational outreach and the upcoming Academy Museum of Motion Pictures, which is under construction in Los Angeles.
FOLLOW THE ACADEMY
www.oscars.org www.facebook.com/TheAcademy www.youtube.com/Oscars www.twitter.com/ TheAcademy
10 SCIENTIFIC AND TECHNICAL ACHIEVEMENTS TO BE HONORED WITH ACADEMY AWARDS®
LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences announced today that 10 scientific and technical achievements represented by 34 individual award recipients , as well as one organization, will be honored at its annual Scientific and Technical Awards Presentation on Saturday, February 10, at the Beverly Wilshire in Beverly Hills.
In addition, visual effects technologist Jonathan Erland will receive the Gordon E. Sawyer Award (an Oscar® statuette) for technological contributions that have brought credit to the industry.
“This year we are happy to honor a very international group of technologists for their innovative and outstanding accomplishments,” said Ray Feeney, Academy Award® recipient and chair of the Scientific and Technical Awards Committee. “These individuals have significantly contributed to the ongoing evolution of motion pictures, and their efforts continue to empower the creativity of our industry.”
Unlike other Academy Awards to be presented this year, achievements receiving Scientific and Technical Awards need not have been developed and introduced during 2017. Rather, the achievements must demonstrate a proven record of contributing significant value to the process of making motion pictures.
The Academy Awards for scientific and technical achievements are:
TECHNICAL ACHIEVEMENT AWARDS (ACADEMY CERTIFICATES)
To Jason Smith and Jeff White for the original design, and to Rachel Rose and Mike Jutan for the architecture and engineering, of the BlockParty procedural rigging system at Industrial Light & Magic.
BlockParty streamlines the rigging process through a comprehensive connection framework, a novel graphical user interface, and volumetric rig transfer, which has enabled ILM to build richly detailed and unique creatures while greatly improving artist productivity.
To Joe Mancewicz, Matt Derksen and Hans Rijpkema for the design, architecture and implementation of the Rhythm & Hues Construction Kit rigging system.
This toolset provides a novel approach to character rigging that features topological independence, continuously editable rigs and deformation workflows with shape-preserving surface relaxation, enabling fifteen years of improvements to production efficiency and animation quality.
To Alex Powell for the design and engineering, to Jason Reisig for the interaction design, and to Martin Watt and Alex Wells for the high-performance execution engine of the Premo character animation system at DreamWorks Animation.
Premo’s speed and simplicity enable animators to pose full-resolution characters in representative shot context, significantly increasing their productivity.
To Rob Jensen for the foundational design and continued development, to Thomas Hahn for the animation toolset, and to George ElKoura, Adam Woodbury and Dirk Van Gelder for the high-performance execution engine of the Presto Animation System at Pixar Animation Studios.
Presto allows artists to work interactively in scene context with full-resolution geometric models and sophisticated rig controls, and has significantly increased the productivity of character animators at Pixar.
SCIENTIFIC AND ENGINEERING AWARDS (ACADEMY PLAQUES)
To John Coyle, Brad Hurndell, Vikas Sathaye and Shane Buckham for the concept, design, engineering and implementation of the Shotover K1 Camera System.
This innovative six-axis stabilized aerial camera mount, with its enhanced ability to frame shots while looking straight down, enables greater creative freedom while allowing pilots to fly more effectively and safely.
To Jeff Lait, Mark Tucker, Cristin Barghiel and John Lynch for their contributions to the design and architecture of the Houdini visual effects and animation system.
Houdini’s dynamics framework and workflow management tools have helped it become the industry standard for bringing natural phenomena, destruction and other digital effects to the screen.
To Bill Spitzak and Jonathan Egstad for the visionary design, development and stewardship of the Nuke compositing system.
Built for production at Digital Domain, Nuke has become a ubiquitous and flexible tool used across the motion picture industry, enabling novel and sophisticated workflows at an unprecedented scale.
To Abigail Brady, Jon Wadelton and Jerry Huxtable for their significant contributions to the architecture and extensibility of the Nuke compositing system.
Expanded as a commercial product at The Foundry, Nuke is a comprehensive, versatile and stable system that has established itself as the backbone of compositing and image processing pipelines across the motion picture industry.
To Leonard Chapman for the overall concept, design and development, to Stanislav Gorbatov for the electronic system design, and to David Gasparian and Souhail Issa for the mechanical design and integration of the Hydrascope telescoping camera crane systems.
With its fully waterproof construction, the Hydrascope has greatly advanced crane technology and versatility by enabling precise long-travel multi-axis camera movement in, out of and through fresh or salt water.
ACADEMY AWARD OF MERIT (OSCAR STATUETTE)
To Mark Elendt and Side Effects Software for the creation and development of the Houdini visual effects and animation system.
With more than twenty years of continual innovation, Houdini has delivered the power of procedural methods to visual effects artists, making it the industry standard for bringing natural phenomena, destruction and other digital effects to the screen.
GORDON E. SAWYER AWARD (OSCAR STATUETTE)
Jonathan Erland
Presented to an individual in the motion picture industry whose technological contributions have brought credit to the industry.
The 90th Oscars® will be held on Sunday, March 4, 2018, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network at 6:30 p.m. ET/3:30 p.m. PT. The Oscars also will be televised live in more than 225 countries and territories worldwide.
# # #