#othereditorialarchive

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NEW EDITORIAL WORK OUT! MALAIKA FIRTH FOR JAPANESE VOGUE SHOT BY EMMA SUMMERTON.

Malaika Firth for Vogue Japan July 2014.

Photographer: Emma Summerton

Fashion Editor: Giovanna Battaglia

Make-up: Mathias van Hooff

Hair: Neil Moodie

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NEW EDITORIAL WORK OUT!

Two new editorials out and featured here! Turkish Vogue shot by the lovely Jem Mitchell (above) & 10 Magazine shot by the talented Paul Wetherell with model extraordinaire Erika Wall!

Turkish Vogue.

Photographer - Jem Mitchell. 

Fashion Editor - Konca Aykan.

Make Up - Maxine Leonard.

Nails - Adam Slee.

Models - Cristina Herrmann and Holly Rose.

Hair by me!

10 Magazine.

Photographer - Paul Wetherell.

Model - Erika Wall.

Make Up -  Hiromi Ueda.

Nails - Trish Lomax.

Fashion Editor - Mattias Karlsson.

Hair - Yes, me again!

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MY EDITORIAL ARCHIVE - KATE MOSS BY JUERGEN TELLER FOR DAZED AND CONFUSED, NOVEMBER 1997

TODAY FROM MY EDITORIAL ARCHIVE WE'RE GOING ALL THE WAY BACK TO 1997.

On a brisk early Autumn morning, stylist and Fashion Director of Dazed, Katie Grand, uber make-up artist Lisa Butler and myself headed over to West London, to what was then Juergen Teller's studio, for a shoot for Dazed and Confused Magazine 

And so we sat waiting for the legendary Kate Moss to arrive.......... 

Once she did arrive, Juergen was throwing around a few ideas as to where to shoot the pictures, when he suddenly came up with the idea to go outside into his own back yard and shoot Kate lying on the floor in a slightly submissive, vulnerable fashion and to have his own foot appear in each shot, wearing his already worn in, white converse shoes, which were in total contrast to the delicate dresses and tops that formed part of Stella McCartney's second ever collection for Chloe, with the help of her then first assistant Phoebe Philo who we all know went onto be become Creative Director at Chloe after McCartney left, and whilst Stella now runs her own line, Philo is currently Creative Director for Celine. 

I braided Kate's hair in corn row plaits then began to let them loose throughout the shoot, until eventually almost all of her hair had become undone, leaving just the texture left by the braiding. 

And so, these now iconic images were born.  

Credits For This Shoot

Photographer: Juergen Teller

Model: Kate Moss

Stylist: Katie Grand

Make-up: Lisa Butler

Hair: Me 

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EDITORIAL ARCHIVE - CORINNE DAY, i-D MAGAZINE OCTOBER 2001

CORINNE DAY - i-D THE POPULAR ISSUE OCTOBER 2001.

Back in the Summer of 2001, Corinne organised a shoot for iD Magazine with stylist Jane Howe.

Their obsession with music festivals ie: Glastonbury, Reading etc was the focus of the shoot and so we all set off to the Essential Weekender Festival that had moved its location from Brighton to Hackney Marshes in London that year.  

Sadly it was to be the festival's final year of operating. 

It's a great shame, as the Essential Festival had attracted considerable respect over the years from its fans and media, for breaking the mould employed by the more formulaic players on the scene. The first ever Essential Festival debuted to a crowd of 2000 people in Brighton's Stanmer Park in 1991. By 1997, attendence had grown to 50,000! However, that year saw the promotors collapse for the first time, as they entered voluntary liquidation, owing debts of £240,000. The festival then bounced back in 2000 for two days in the same venue, pulling in 17,000 people with a line-up that  included James Brown and Fatboy Slim. 2001 saw a switch of venue to London's Hackney Marshes, and the event was still well received.

Due to lack of sponsors, the 2002 festival folded before it even began with debts of almost £500,000. 

Anyway what transpired for us were these great pictures depicting a regular festival goer. 

Jane cleverly mixed contemporary fashion pieces with vintage pieces but also customised a lot of things. That was Jane's forte. 

With Corinne's documentary style photography, mixed with the studio shots the whole shoot looked like we'd found the girl at the festival, but Delfie was actually a Belgian model ( who was part of the Belgian Invasion in the late 90's/ early 2000's) who was represented by Select Model Management in London.

CREDITS

Photographer: Corinne Day

Model: Delfie

Styling: Jane How

Make Up: Lisa Butler

Hair: Me  

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EDITORIAL ARCHIVE.

What can I say in regards to this editorial?? Another one of my first shoots to be published that was shot by the legendary Corinne Day. 

This shoot is grunge personified for me. The lovely young lady in this shoot is the softly spoken Tania Court who Corinne discovered working in a bakers in Battersea, London, and the rather handsome young chap is George Clements, another of Corinne's discoveries whilst she was on a day trip to Tooting Beck Lido with friend Sarah Murray. 

Tania had an amazing career when she first started modelling, soon to be strutting down the runway for John Galliano like a girl on a mission. She was about to become another superstar model off the back of the grunge era but unfortunately for Tania, the Heroine Chic backlash story broke in the US, supported by the US president at the time, Bill Clinton, following the sad, untimely death of young photographer David Sorrenti. Because Corinne was labelled as one of the photographers pioneering the heroin chic look,  another shot of Tania not shown here, looking like she'd had a heavy night out was misused within a lot of these newspaper articles. 

Tania couldn't have been further away from being a drug addict in real life, she was merely genetically thin. Corinne taught Tania to accept her body shape and hold her head up high, but she got tarred with the wrong brush and so she shied away from the modelling world to eventually retire, prematurely. 

George however went on to become a huge male model, shooting with Steven Meisel, appearing in Calvin Klein Ads and being shot by every huge photographer in fashion. Not bad for a guy who was pursuing a career as a chef originally. George was an unlikely character for modelling though, he soon saw it as a way to make money but I don't think he ever really understood at the time why all the fuss was being made about him.  George was the male grunge model of the moment! Corinne photographed George on numerous occasions and images of him appear in her latest book as does Tania.  

Edette the stylist went on to become a huge textile designer in the US and still lives there now with a line of children's clothing to her name. 

i-D Magazine shot by Corinne Day in February 1994.

Models Tania Court & George Clements.

Styling by Edette Meyers.

Make Up by Virginia Young.

Hair by moi.  ( They forgot to put my credit on there as I was so new-oh well !! ) 

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EDITORIAL ARCHIVE- FRENCH VOGUE MAY 2001 ISSUE. 

To celebrate the start of Paris Fashion Week S/S14, Im running this shoot I worked on for French Vogue back in 2001. I can't believe these photographs were taken 12 years ago!! 

This trip to Jamaica was the 2nd of two shoots we shot whilst spending a week on the caribbean island. The first shoot we did was with Carmen Cass. I have posted that shoot already ( go to #editorialarchive ). This particular shoot stars the lovely belgian model Delphine Balfort. Delphine was a favourite model of Corinne's. She liked her tomboy looks with her whiter than white blonde hair. Delphine also has a boy shaped body that Corinne always loved.  we shot her on many occasions. 

This shoot was all about the black bikini and Corinne wanted to put Delphine into typical Jamaican looking surroundings. 

These pictures were all about Delphine hanging out as if she was a local. I hope you enjoy the beauty and the simplicity of them! 

CREDITS- FRENCH VOGUE MAY 2001 ISSUE. 

Photographed by Corinne Day

 Styling by Anastasia Barbieri

Make up by Mary Jane Frost .

Model:  Delphine Bafort.

Hair by me .  

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EDITORIAL ARCHIVE- TO CELEBRATE THE START OF MILAN FASHION WEEK THIS ONE'S FROM  ITALIAN VOGUE ,AUGUST 1998 

This was my first ever shoot with the amazing photographer Paulo Roversi. 

Alice Gentilucci the fashion editor gave me my first break working for Italian Vogue in 1994 and I have worked with her on various occasions since over the years for the magazine and on shows. 

This particular shoot I went to Paris to do and it was shot in Paulo's own studio that he has. I remember walking into the hair and make-up room and seeing all these big polaroids covering one wall consisting of the teams of hair, make-up and styling people he'd worked with, everyone of them I completely admired so I felt very privileged and honoured that I was now there working with the man himself too.

At this particular time there was a huge influx of Russian models breaking through on the fashion scene. This happens a lot in fashion, I've seen Brazilian, Belgian and British Invasions at various times throughout my career.

Anyway, these were all the latest new Russian girls at the time.  The ones I remember who went on to do really well were Colette Pechekhonova ( the girl with the braid), Natalia Semanova ( the girl with the hat on and Alexandra (Sasha) Egorova ( although it could be Lida her identical win sister). Sasha (or Lida) is the one with the red hair and scarf on the back of her head. The fourth and fifth models I cannot remember their names at present. If I remember at a later date I will insert their names 

     CREDITS - ITALIAN VOGUE AUGUST 1998 ISSUE.

Shot by Paolo Roversi 

Models - Colette Pechekhonova, Sasha ( or Lida) Egorova, Natalia Semanova and two unknowns.

Fashion editor Alice Gentilucci. 

Make up by Frank B.

Hair by Me