Kurt Froman and Kyle Froman - photo by Paul Kolnik
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Kurt Froman and Kyle Froman - photo by Paul Kolnik
Sara Mearns and Jared Angle
Sara Mearns and Jared Angle, “Barber Violin Concerto”, music by Samuel Barber, choreo by Peter Martins, costume by William Ivey Long, New York City Ballet, David H. Koch Theater, Lincoln Center, New York City, USA.
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Yvonne Borree, Ashley Bouder, Megan Fairchild, and Nikolaj Hubbe in Balanchine's Apollo, spring 2007.
Photo: Paul Kolnik
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Dancer Jacqueline Green. Photo by Paul Kolnik.
Natalia Magnicaballi in Tzigane, Forever Balanchine: Farewell Performances, December 2017. © Paul Kolnik.
Choreographed to Maurice Ravel’s exuberant music, this 10-minutes ballet contains a technically brilliant solo for a leading ballerina, followed by her duet with a cavalier, all culminating with a dazzling ensemble finale. With this ballet, Balanchine and Farrell ended their painful artistic break-up and embarked on a new beginning. Their renewed collaboration produced a number of illustrious ballets inspired by and created specifically for Farrell.
heidi cruz-austin photographed performing in the nutcracker by paul kolnik
Ballet West rehearses for its New York City debut of African Sanctus, by British composer-explorer David Fanshawe, in March 1980. The ballet is based on Mr. Fanshawe's 2,000-mile odyssey through Africa and combines field recordings of more than 50 African tribes within a musical setting of the traditional Mass. The composer said, "Wherever I went people were praising things -- that is what African music is all about. It could be Christ or Muhammad, or something like love, creation or cattle."
RNS archive photo by Paul Kolnik. Photo courtesy of the Presbyterian Historical Society
New York City Ballet’s The Nutcracker 2019